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Literary devices english12
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The Power of The Sea-Wolf
Jack London’s novel, The Sea-Wolf, has many different interpretations. The story can be read as a combination of the naturalistic novel and the sentimental romance, both very popular around the turn of the century. London also brings into play literary naturalism, in which human beings are characterized as just another species in nature, subject to all of Her cosmic forces. The Sea-Wolf fits almost perfectly the archetypal pattern of an initiation story. Depth and interest are added to The Sea-Wolf by successfully integrating these three elements -- the combination of two popular genres, literary naturalism, and the initiation story.
One of the characteristics common to most naturalistic novels is the theme of survival of the fittest. This novel is very much in concordance with this theory, set up by Charles Darwin and his theory of natural selection. Both Humphrey Van Weyden and Maud Brewster are individuals who have never known physical hardship. They are both people "of the books", and find themselves in a foreign environment when stranded on this boat with a "regular devil" (49), Wolf Larsen. Humphrey Van Weyden, after going through an "initiation process" to be discussed later, finds himself unable to remember clearly anything else. "It seems as though I have lived this life always. The world of books is very vague, more like a dream memory than an actuality. I surely have hunted and forayed and fought all the days of my life" ( 229). Humphrey makes an almost perfect allusion to Darwin's survival of the fittest idea when talking to Wolf Larsen, "You were once, and able to eat, as you were pleased to phrase it; but there has been a diminishing, and I am now able to eat you" (249). Even Maud ...
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...led Hump. Hump survives this so-called "ordeal" and makes it to third stage of the initiation process -- the return to the group. With the beginning of this stage the initiate is transformed. "Hump" becomes Mr. Van Weyden, as Wolf Larsen promotes him to first mate to replace Johansen. He is now accepted as part of the group and he, unlike Larsen, has good rapport with all the crew members. After this last stage is complete is when he gets up the courage to flee the Ghost and Larsen, and run away with Maud Brewster.
The Sea-Wolf is one of the richest, and most interesting, novels ever written. Jack London has used a variety of literary techniques to bring his story to life. Through the combination of two popular genres of the time (naturalistic and romance), the use of the literary naturalism, and the story of an initiation, London brings the characters to life.
In the act the actress who plays Sheila is told to act as though the
During the March 1986 edition of the Journal of Modern Literature, Lee Clark Mitchell of Princeton University opens his article “‘Keeping His Head’: Repetition and Responsibility in London’s ‘To Build a Fire’” by critiquing naturalism’s style of storytelling. Mitchell claims naturalism as a slow, dull, and plain way of capturing an audience; and Jack London is the epitome of this description. Mitchell states, “[London’s] very methods of composition prompt a certain skepticism; the speed with which he wrote, his suspiciously childish plots…have all convinced readers to ignore the technical aspects of h...
Stephen Crane’s short story, “The Open Boat” speaks directly to Jack London’s own story, “To Build A Fire” in their applications of naturalism and views on humanity. Both writers are pessimistic in their views of humanity and are acutely aware of the natural world. The representations of their characters show humans who believe that they are strong and can ably survive, but these characters many times overestimate themselves which can lead to an understanding of their own mortality as they face down death.
Perkins, George B., and Barbara Perkins. "The Beast in the Jungle." The American Tradition in Literature (concise). 12th ed. Boston: McGraw-Hill Higher Education, 2009. 1148-1177. Print.
William Shakespeare’s masterpiece, Macbeth, is a tragedy brilliantly brought to the 21st Century by Rupert Goold. Although Shakespeare’s Macbeth is a play set in 16th Century Scotland, Rupert Goold modernizes the play by changing the setting to a Soviet-styled country and implementing modern elements into the characters and theme. Although Shakespeare’s Macbeth and Rupert Goold’s film adaptation share many ideologies and a general storyline, a difference exists in the setting, the characters, and the overall ambience of the story.
foul is fair," is a paradox. It is also a prophecy, where one thing seems
Comparing the Opening and Witches Scenes in Macbeth We watched two different versions of Macbeth. One was the BBC. Shakespeare and the other one was a production called Middle English! While both productions told the story of the original play by William Shakespeare. They were different in a number of ways.
The Dramatic Impact on a Jacobean Audience of Act 1 Scene 5 of Shakespeare’s Macbeth
his face whereas in the BBC's we can see the top half of his body.
Novels can create the power to teach the reader about people and life. Steinbeck’s novel “Of Mice and Men” that was set in the 1930’s American depression, teach readers about how humans need company and the impact of loneliness. These themes are shown through the characters experiences with power and powerlessness. Steinbeck shows his readers the need for compassion in times of cruelty. Steinbeck used his imagination to produce a novel that explores all the different experiences we come across in
life and at the end of the day it comes down to a person's own opinion
“The survival of the fittest”, a theory brought forth by Charles Darwin representing that the weak will suffer and only the strong may survive. A theory that is heavily related with cruelty. Such cruelty occurred in the book Lord of the Flies where a group of children become stranded on an island after their plane crash. The book slowly splits into two paths, one leading to salvation and rescue while the second leads to the abandoning civilization and only desiring to survive for themselves. Jack, the main antagonist in Lord of the Flies, demonstrates the cruelty of the second path as he slowly corrodes the group into degenerates at his attempt to usurp power.
Write a comparison of The Handsomest Drowned Man in the World and The Drowned Giant, commenting in detail on the ways in which the authors' use language to convey their respective themes. "The Handsomest Drowned Man in the World" by Gabriel Garcia Marquez and "The Drowned Giant" by J.G. Ballard are both short stories written with similar plots but explore extremely different themes. In this essay I am going to compare the theme, plot, setting, language choices and stylistic effects between the two short stories and how all these relate back to theme itself. The themes of the stories are totally different. They are both about how societies react to the external world and exotic things, but the meanings are exactly opposite.
Hemingway has a way of making his readers believe that the feats and strengths that his characters obtain in his novels are actually possible. Although this statement may be too critical, and maybe there is a man out there, somewhere on the coast of Cuba who at this very moment is setting out to the open sea to catch a marlin of his own. The struggle many readers have is believing the story of Santiago’s physical powers and his strength against temptation bring forward the question of whether or not The Old Man and the Sea is worthy to be called a classic. Hemingway’s Santiago brought Faulkner and millions of other readers on their knees, while to some, believed Hemingway had swung his third strike. As we look further into Hemingway’s The Old Man and the Sea, we can analyze the criticism and complications of the character Santiago. He is portrayed as a faulty Jesus, an unrealistic and inhuman man, and again still a hero to those who cannot find happiness in their life.
Santiago went through many turmoil’s in his life and his story is one of wisdom in defeat from the lengthy time of which he could not catch anything to that of his loss of the marlin to the sharks after such a lengthy battle to catch it then attempt to bring it back to shore. Now I could go on and on like any other paper about all the symbolism in The Old Man and the Sea but no matter what I did while reading it, in almost every aspect it screamed out to me as an impersonation or reflection of Hemingway’s own life in a multitude of ways that no one can deny. The Old Man and the Sea was an allegory referring to the Hemingway’s own struggles to preserve his writing i...