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How is the character of sheila presented in an inspector calls
How is the character of sheila presented in an inspector calls
How is the character of sheila presented in an inspector calls
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Presentation of Sheila in Stephen Daldary's Version of An Inspector Calls
Inspector calls, the play was written by J.B. Priestly and is set in
the era of 1912 however the play it's self was written in 1945. Sheila
is the daughter of the Burling's a high-class family. In this essay I
am going to explore how Stephen Duldry presents Shelia and if I think
his interpretation of the piece is successful.
In act 1 this is when Shelia confesses, Stephen Daldry chooses to
present Sheila in various ways for instance when she begins talking
her arms are crossed up on her chest this is like she is holding
something back, but when Sheila changes and tells the truth her arms
open up this shows Sheila as a more giving character who is willing to
face and come to terms with the past .
At the start of Sheila's Milwards speech she has closed body posture
this comes across as Sheila being slightly nervous and the audience
can tell that she is holding some thing back by analysing her body
posture.
Sheila in act one can also be quite sarcastic at times during the
Milwards speech when talking about Eva smith this shows her character
as envious of her for example when talking about when she went in to
Milwards to try on the dress she emphasises on certain words like
"pretty" she is jealous of Eva Smith but tries to hide it .
In the act the actress who plays Sheila is told to act as though the
audience are her friends and that they really like her, so she starts
to come across as slightly confident and feels at ease talking to
them. However when Sheila starts telling the truth and the account of
what really happened the audience's opinion of her starts to change,
they act as if they now hate her and the way Stephen Duldry has chosen
to present Sheila here is have her come across as trying to defend
herself from what people think of her. Sheila now starts to feel
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but she was also very keen to play Mrs. Lyons as she had never played
Do you agree that Eva Smith is presented as a victim in the play ‘An
was raised by an upper-class family who resented her and did not want her, therefore
Sheila is described as a ‘pretty girl in her early twenties, very pleased with life and rather excited.’ The fact that it says ‘very pleased with life’ and ‘rather excited’ shows that she is very proud of herself; this is typical with a girl in her twenties coming from an upper-class British family in the 1910’s. Priestley has done this carefully to blend in with the historical context of the play, which was set in 1912.
but she seems to be a person who would only marry for love and not for
"And be quiet for a moment and listen to me. I don't need to know any
At the end of the play, like Sheila, he is fully aware of his social
He uses the downfall of Eva Smith and a chain of events to demonstrate this. This leads to a very convincing and well-devised play, which puts across JB Priestley’s views clearly and precisely. In Edwardian Britain there was a great difference in the roles of men and women in society and the outlook of what and was not accepted differed substantially. A prime example of this in the play is when Mr Birling says ‘Nothing to do with you, Sheila.
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they have done even know they do not lead her to her suicide. But a
in his amazing portrayal of what could happen if we do not act as a
In Act II, Kate comes in, dragging Bianca with her tied up. When first reading this, the thought of one sister tying up the other and dragging her is pretty funny. But when you stop to think about why Kate is doing this to her sister, you start feeling sorry for her. We see the immaturity of Kate and that she does not know how to deal with her feelin...
excused it on the pretense that her views reflected the past times in which she
suspicious of John. By the end of the play, she is a lot more open