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Objectification of women in advertising
Objectification of women in advertising
Advertising industry and gender
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Within this essay I plan to discuss the portrayal of women in contemporary advertising and focus around the ideologies of the male gaze according to Laura Mulvey. Laura Mulvey is a feminist film theorist commonly known for her controversial essay, “visual pleasure and narrative cinema” written in 1973. This piece went on to be published in the influential British film journey screen. (Hein,2008) Her written views have achieved to shift the perception of film theories conventional structure known as psychoanalytic, which were written about by Sigmund Freud and Jacques Lacan.
Lacan was to have primarily came up with the theory and was originally identified as the “gaze”. His use was to define the anxious state that derives with the awareness that one could be viewed. He argues that a person loses a sense of “autonomy” upon realizing that he/she is being objectified. Many film theorists used psychoanalytic ideas in their theoretical accounts of the cinema however Mulvey’s influence was to establish the connection between film theory, the beliefs of psychoanalysis and feminism. (Grosz,2013)
Simplifying the meaning of the gaze would be better defined as how an audience views people presented to them however as for feminists it can be looked upon in three ways; how men look at women, how women look at themselves and how women look at other women. Laura Mulvey believes that in film, audiences have to ‘view’ characters from the perspective of a heterosexual male however Mulveys main idea is a belief in which is centralized on the superiority of the male sex; known as phallocentrism. The male gaze can easily be applied or seen in contemporary advertising. The 21st century has opened up new doors to make the way we access things much mor...
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...aze': Jacques Lacan. Available: http://keca2media.blogspot.co.uk/2012/10/the-gaze-jacques-lacan.html. Last accessed 5 Jan 2014.
Grosz, E (2013). Jacques Lacana : A Feminist Introduction. New York: Routledge. 224 pages.
Hein, C (2008). Laura Mulvey, Visual Pleasure and Narrative Cinema. London: GRIN Verlag. p3-4.
Laura mulvey. (1975). visual pleasure and narrative cinema. Available: https://www.amherst.edu/system/files/media/1021/Laura%2520Mulvey%252C%2520Visual%2520Pleasure.pdf. Last accessed 5 Jan 2014.
UNILEVER. (2014). The Dove® Campaign for Real Beauty. Available: http://www.dove.us/social-mission/campaign-for-real-beauty.aspx. Last accessed 14th Jan 2014.
zlorhenley . (2011). The Male Gaze. Available: http://www.slideshare.net/zlorhenley/laura-mulvey. Last accessed 10 Jan 2014.
O'Mahony, E (2011). 21 Steps to Confidence. London: PDMI Publishing. p83-p84.
"Visual Pleasure and Narrative Cinema" Laura Mulvey asserts the fact that in mainstream films, women are simultaneously looked at and displayed. That is to say, the woman is both an object of desire and a spectacle for the male voyeuristic gaze. The male's function is active; he advances the story and controls the gaze onto the women. Interestingly, the spectator identifies with the male through camera technique and style. In an effort to reproduce the so-called natural conditions of human perception, male point-of-view shots are often used along with deep focus. In addition, camera movements are usually determined by the actions of the male protagonist. Consequently, the gaze is dominated by the active male while the passive female exists to support desire within the film. In an attempt to change this structure, Mulvey stresses the importance of challenging the "look." One way this is accomplished, is in the film Reassemblage, where the look of the camera is free from male perspective and dominated more by passionate detachment. In doing this, the filmmaker, Trinh Minh-Ha attempts to destroy the satisfaction and pleasure derived from images of women in film, by highlighting the ways Hollywood depends on voyeuristic and fetishi...
An example of the media degrading and objectifying women is Laura Mulvey’s ‘Male Gaze’ theory. In Laura Mulvey’s essay ‘visual pleasure and narrative cinema’; she discusses the term ‘Male gaze’. In film, the male gaze occurs when the audience is put into the perspective of a heterosexual man, for example, a scene may focus with specific conventions such as slow motion or deliberate camera movements on a sexual aspect of a woman’s body, forcibly putting you as the viewer in the eyes of a male. This theory suggests that the male gaze denies women human identity, manipulating them to the standard of manifest objects to be appreciated solely for their physical appearance. The theory implies women can more often than not only watch a film from
Advertising, whether criticized or celebrated, is undeniably a strong force in American society. Portrayals and Images of women have long been used to sell in published advertisements. However, how they have been used has changed enormously throughout the decades. Women have fought to find a lasting and prominent position in their society. Only in the span of twenty years, between 1900’s and 1920’s, the roles of women changed dramatically here in United States.
The Dove® Campaign for Real Beauty. (n.d.). The Dove® Campaign for Real Beauty. Retrieved April 25, 2014, from http://www.dove.us/Social-Mission/campaign-for-real-beauty.aspx
Our world has progressed an enormous amount in the past few centuries. And even today, in our modern era, we are bigger and smarter, but our thinking has not changed. Women have been restricted from many opportunitIes in the past. We as women are still being criticised and objectified, which is disgraceful and sickening because we are constantly told “close your legs when you sit” or “don’t do that it’s not lady-like”. This is portrayed in advertising that basically makes a mockery of our freedom. And we ask ourselves, where did the idea of sexism and gender inequality emerge from? Religion. It is the root of sexism and gender inequality which has been practiced for over two thousand years. It is presented through the use of advertising,
The objectification of women is a huge issue in society and is often led by advertising. However, many men still believe that the adverts depicting women in a sexual and often passive posture are not very offensive, but rather very funny or sexy. However, how would they feel if it were their daughter or sister being advertised throughout the world as a sexual object? The Tiger Beer advertisement shown in the appendix is a clear example of the objectification of women in advertising. The Tiger Beer advert was made to appeal to men from the age of 20 to 60.
The patriarchal cinematic ideology detailed by Laura Mulvey in “Visual Pleasure and Narrative Cinema” is pervasive in Stanley Kubrick’s film Eyes Wide Shut. The women in the film all eventually become the passive sexual objects that Mulvey has described in her paper. There are times in the film that women attempt to defy these strongly enforced gender roles, but they are always punished and returned to their positions as objects of the male gaze.
Fabe, Marilyn. "Psychological Themes." Closely Watched Films: An Introduction to the Art of Narrative Film Technique. Berkeley and Los Angeles: University of California, 2004. 105-10. Print.
Rendering Cinema as visual equipment being perfected to satisfy and provoke male desires. (Smelik, 1999)
Advertising surrounds the world every second of the day. This form of influence has had the power to influence how society views gender roles ever since men and women began to appear in advertisements. Through the exposure to many different gender portrayals in advertising, gender roles become developed by society. This stems from how men and women are depicted, which forms stereotypes regarding the individual roles of men and women. People often shift their definition of an ideal image towards what they see in advertisements. From this, they tend to make comparisons between themselves and the advertisement models. Advertisements tend to be brief, but impactful. The different portrayals of men and women in advertising show that advertisements
Feminism is a movement that supports women equality within society. In relation to film, feminism is what pushes the equal representation of females in mainstream films. Laura Mulvey is a feminist theorist that is famous for touching on this particular issue of how men and women are represented in movies. Through her studies, she discovered that many films were portraying men and women very differently from reality. She came up with a theory that best described why there is such as huge misrepresentation of the social status quos of male and female characters. She believed that mainstream film is used to maintain the status quo and prevent the realization of gender equality. This is why films are continuously following the old tradition that males are dominant and females are submissive. This is the ideology that is always present when we watch a movie. This is evident in the films from the past but also currently. It is as if the film industry is still catering to the male viewers of each generation in the same way. Laura Mulvey points out that women are constantly being seen as sexual objects, whether it is the outfits they wear or do not wear or the way they behave, or secondary characters with no symbolic cause. She states that, “in traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote it-be-looked-at-ness.”(Mulvey pg. 715). Thus, women are nevertheless displayed as nothing more than passive objects for the viewing pleasure of the audience. Mulvey also points out through her research that in every mainstream movie, there is ...
4) Kilbourne, Jean. Killing Us Softly 3: Advertising’s Image of Women. Dir. Sut Jhally. DVD. Media Education Foundation, 2000.
The Dove® Campaign for Real Beauty is a worldwide marketing campaign launched by Unilever in 2004 that includes advertisements, videos, workshops, promotional events, the publication of a book and even the production of a play. The aim of the campaign is to celebrate the natural beauty exemplified by all women and inspire them to have the confidence and be comfortable with themselves and their individual, unique bodies. Dove's® partners in the campaign efforts include marketing and advertising agencies such as Ogilvy & Mather, Edelman Public Relations, and Harbinger Communications.
The average American is exposed to hundreds of advertisements per day. Advertisements targeted toward females have an enormous effect on women's thoughts, attitudes, perceptions, and actions. Most of the time, women don't even realize these advertisements are formulating self-image issues. These ideals surround them daily and they become naturalized to the ads. Advertising creates an entire worldview persuading women to emulate the images they see all around them. In order to create a market for their products, companies constantly prey upon women's self esteem, to feel like they aren't good enough just the way they are. This makes women constantly feel stressed out about their appearance (Moore). Advertising has a negative effect on women's body image, health, and self-esteem.