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Essay on romanticism in english literature
Essay on romanticism in english literature
Essay on romanticism in english literature
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The ideas that are received from the poems of John Donne and George Herbert present us with a very distinct view on God, and more generally, religion. Both were writing in the late 1500s and early 1600s; however the methodologies used by each are very distinct.
George Herbert (1593 - 1633), born later than John Donne (1572 - 1631), largely followed Donne’s poetic style, however incorporating slight changes: the diction that is evident in Herbert’s poetry is much simpler than Donne’s diction, and the metaphors are also easier to comprehend. What both have in common, is the colloquial manner, the logic arrangement of the poems argument and therefore the persuasive nature of the poetry. In Donne’s poetry, this logical arrangement especially aided the wooing of the subject of the poesie (usually God or a woman). Donne’s metaphors and extended conceits also present themselves in a different manner than those used by Herbert; the frequent use of conceits (the surprising and ingenious turn of ideas) establishes itself as the whole poem, and the final conceit arrives within the last two lines of the poem. These conceits and metaphors were taken from all domains of life, with an incomparable fondness to those ideas from the sciences, explained by Donne having established the idea of metaphysical poetry which was later taken on board by poets like Herbert, Andrew Marvell and Henry Vaughan. Although Herbert is commonly classed as a metaphysical poet, a poet who utilises clever conceits and paradoxes to explain intellectual and theological concepts, the conceits used by him are based less on crafts and sciences, and focus more on the everyday domestic experiences. This is another one of the drastic differences between Donne and He...
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...t, as Carey suggests. This idea of having God at his side at all time is important to Herbert as this presence guides him through life, and as a consequence of this, he can share his experience with his subjects in order to establish them virtuous with a sense of guidance.
Works Cited
Religious Metaphysical Poetry: Donne, Herbert, Vaughan
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George Herbert (1593-1633)
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Antonio S. Oliver: Views of Death in Donne’s Poetry
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Rumrich, J.P. and Chaplain, G. 2006. Seventeenth-Century British Poetry 1603-1660, W. W. Norton & Company: A Norton Critical Edition.
Everett, Nicholas From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamiltong. Oxford: Oxford University Press, 1994. Copyright 1994 by Oxford University Press.
Literature of the English Restoration offers the example of a number of writers who wrote for a courtly audience: literary production, particularly in learned imitation of classical models, was part of the court culture of King Charles II. The fact of a shared model explains the remarkable similarities between “The Imperfect Enjoyment” by the Earl of Rochester and “The Disappointment” by Aphra Behn—remarkable only because readers are surprised to read one poem about male sexual impotence from the late seventeenth century, let alone two examples of this genre by well-known courtly writers. In fact, Richard Quaintance presents ten more examples by lesser-known poets as he defines the literary sub-genre of the neo-Classical “imperfect enjoyment poem,” written in imitation of Roman poems on the same subject, which is shared by Rochester and Behn (Quaintance 190). Since Rochester and Behn are working along such closely similar lines in terms of the artistic models that their own poems aim to imitate, it is therefore fair to ask the question: what are the main differences in their compositional technique within this tightly-defined literary sub-genre of the neo-Classical “imperfect enjoyment poem”? By examining features of each poem in turn—including form (including this sub-genre they share), but also narrative voice and tone—with some examination of the secondary critical literature on both Rochester and Behn, I hope to demonstrate that there are distinct differences in compositional technique which involve the difference in sex between these two writers. But my conclusion will attempt to problematize the very notion of an authorial sex difference by raising the concept of gender, and in particular the aspect of “performativity”—...
Shields, David S. Oracles of Empire: Poetry, Politics, and Commerce in British America, 1690-1750. Chicago: University of Chicago Press, 1990
Ribes, P. (2007, July 16). John Donne: Holy Sonnet XIV or the Plenitude of Metaphor. Retrieved October 6, 2011, from Sederi: http://sederi.org/docs/yearbooks/07/7_16_ribes.pdf
John Donne, a famous poet in the 17th century, was well known for writing love poems. In his early years, Donne was a Catholic Priest who in his later converted to church of England and became an Anglican Priest. During this period, he wrote poems that reflected his religious views and his love for his wife Ann. In one of his poems, John Donne uses the word Canonization to confuse his readers to believing that the poem is about religious views. However, he actually uses the word ‘Canonization’ to talk about love tribulations. John Donne’s poem, ‘Canonization’, is a unique creation which was not unusual for poetry written by poets of his day. Canonization, can be said to have a lot of hidden meaning that can be compared to the poet’s own life experiences and it is also contradictory to what the word ‘Canonization’ really means. Donne makes the readers change their opinion on what they already know about love and believe his concepts on love.
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
1 Modern Poetry. Third Edition. Norton. I am a naysayer. 2003. The 'Secondary' of the 'Secondary' of the Williams, William.
In George Herbert’s Man, Herbert gives homage to God, and the centrality of man. The main point of the poem assumes that since God is the greatest being of all, and God created humanity, then human beings are great as well - greater than credit is given. It focuses on the concept that man is a microcosm, or a small-scale model of the world, and that every part of the body has a facet of the world of which it is equal.
iv[iv] Helen Gandner, ed., John Donne: A Collection of Critical Essays. (Englewood Cliffs: Prentice Hall, 1962) 47.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
It is quite feasible to state that poetry at its finest is a dazzling and expressive art of words. A poem not only can expose the diplomatic beliefs of societies, but can also articulate passions and sentiments of the author to whom the poem belongs. One of the many fine poems that have been prevalent among the study of literature that is irrefutably powerful is Meditation 17 by John Donne. This poetic essay exposes John Donne’s opinions and beliefs on humanity, and covers much cogitation from religion all the way to death. Of course, the poem has been written so profoundly that one may not grasp it completely at first glimpse, however John Donne does use explicit strategies to better convey his message to readers of all sorts. John Donne utilizes situation, structure, language, and musical devices to enhance the poem and to aid in delivering his message efficiently.
Grierson, Herbert. Cross-Currents in 17th Century English Literature: The World, he Flesh, and the Spirit. New York: Harper & Brothers, 1958.
George Herbert’s poem ‘Love (III),’ published posthumously in a collection of his works entitled The Temple, centres around a dialogue between two characters. The characters are that of Love and an unnamed speaker, who most likely represents Herbert himself. Love, an abstract principle, is here the personification of God and exists as a tangible entity. In ‘Love (III),’ Love is acting as host to the unknown guest, who henceforth will be called the guest. This essay will discuss the poem’s argument, as well as the language and literary techniques Herbert utilises to reinforce his argument.
Shelley, Percy Bysshe. “A Defence of Poetry.” The Longman Anthology: British Literature: Volume 2A – The Romantics and Their Contemporaries. Ed. David Damrosch. New York: Addison-Wesley Educational Publishers Inc., 2003. 801-810.
George Herbert’s struggle to be humble enough to fully accept God’s undying love can be located within each of his poems. The way in which Herbert conveys this conflict is by utilizing structure as well as metaphysical techniques. This combination of literary devices creates a physical reality that allows Herbert, or the poetic speaker, to “make his feelings immediately present” (245). These devices, at first, appear to be artificial and contradictory to the poet’s goal of making God’s word visible. Instead, literary techniques, for Herbert, help to emphasize how God controls everything from daily life to literature. Therefore, Herbert believes he is not the sole author of his writing; rather, he is an instrument of God chosen to write down poetry praising Him. Herbert battles with this idea as he must refuse the pride that comes with being the author of such beautiful devotional and metaphysical poetry. If Herbert were to give into this “temptation of success” (243), he would be giving himself up to sin and thus rejecting God’s love. This process of rejecting and accepting, or of “conflict and resolution” (243), is done throughout “The Temple,” which leads Herbert to an ultimate acceptance of God and to an “achieved character of humility, tenderness, moral sensitiveness” (249).