Many readers are able to interpret what caused Dorian Gray’s downfall throughout the novel of The Picture of Dorian Gray. Some would say it was the influence of the character Lord Henry, however, I believe it to be the yellow book Lord Henry gives to Dorian as a gift. The book symbolizes the indirect branch of control that Lord Henry places over Dorian Gray.
Since the very beginning of Lord Henry and Dorian Gray’s relationship, Lord Henry has been influencing Dorian with his hedonistic insights. He first implants the idea that youth is the only important aspect in life, and soon this ideology begins Dorian obsessive desire to keep his beauty. After the death of Sibyl Vane, Lord Henry arrives at Dorian’s home and gives him the yellow book. Upon reading the book, Dorian sees aspects of his own life reflected back at him in the book. Oscar Wilde made some notable statements in the novel like the plain mention of the protagonist's lost beauty, which makes Dorian even more scared that he'll lose his youth. The difference between the book and his own life, however, is that the protagonist grows old and ugly whereas Dorian just remains young throughout his life. This difference stays with Dorian as he compulsively goes to look at his hideous and aging portrait every day, causing him to slowly go mad.
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The book develops into a Holy Scripture for Dorian, who buys a dozen copies and revolves his life and actions on it. The yellow book soon becomes the backbone of Dorian's life. “For years Dorian Gray could not free himself from the influence of this book” (130). This line represents the profound and damaging influence that it has on Dorian, and foreshadows his downfall. This downfall occurs not because the book itself is corrupt but because Dorian allows the book to dominate and determine his actions
The classic novel by Oscar Wilde, The Picture of Dorian Gray inspires beauty, and romance. The main focus of the novel is aesthetics, a philosophical view detailing the nature of creation and appreciation of art and beauty. The tragedy of the young Dorian Gray after becoming misled by his companion, Lord Henry Wotton, is one that causes many to reform ideas on life and purpose. Lord Henry believes in hedonism, a thought stating that pleasure is the only true good; he declares, “The only things worth pursuing in life are beauty and fulfilment of the senses” (Wilde). This outlook is tempting for many persons, including that of the title character, Dorian Gray. In contrast to Lord Henry is an artist named Basil Hallward, whom perceives Dorian to be his muse; serving as inspiration, and purpose. Basil has many moral traits including trust, compassion, and kindness. His infatuation with Dorian causes him to change his art and style, composing an exquisite painting of the young boy. Basil states, “the work I have done, since I met Dorian Gray, is good work, is the best work of my life…his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently.” (Wilde). Dorian becomes so mesmerized by the beauty of the picture and the words of Lord Henry that he wishes for the picture to depict his sins and age, rather than his physical being. To the surprise of the young Dorian, his wish becomes fulfilled. This theme shares similarity to the Faust story, as the title character exchanges his soul for pleasures
In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
Would Dorian’s life have ended differently if he would have been mentally stable? Had Oscar Wilde chosen to give Dorian different characteristic the prevailing plot would be void. Wilde, for all intents and purposes, set up a grand social experiment in the spirit of aestheticism. A Freudian reading illustrates how an ignored conscious and a non-existent unconscious allow for the dark wishes of the id to come to the fore front. Dorian allows the painting to dominate his life and warp his psyche. Though most likely suffering from Schizophrenia, his inner demon, or his id, is allowed to roam free is his ultimate downfall. His vanity, impressionability, and cursed painting turn out to be a lethal combination.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
Because Dorian’s soul does not reside in his body, but in a portrait, he experiences a number of curious circumstances. First, Dorian’s body does not age. It remains the same as it was on...
The first one is because of Sibyl Vain’s death because instead of being devasted, he found pleasure in her death because about what Lord Henry told him that it is a beautiful work of art. Another one is the anxiety of leaving his portrait alone. He is not really guilty but rather he is scared that people might discover his secret. She also said that the decaying portrait represents a limited life, filled with fear and self-loathing that one would not which upon anyone. Dorian’s thirst for pleasure is therefore blamed upon the immoral guidance from Lord Henry. Because from the beginning he was exceptionally susceptible for Lord Henry’s influence, who fashioned him to believe that his most esteemed attribute was his beauty. This taught Dorian Gray to be vain – all the while not realizing that his true value steamed from his innocence and purity, which lent his physical beauty a magical
The craving for eternal beauty acts alongside with Lord Henry in the demise of Dorian. “As he thought of it, a sharp pang of pain struck through him like a knife and made each delicate fiber of his nature quiver.
Dorian first meets Basil, who values Dorian’s beauty so much that he is Basil’s muse for art, his way of living. Basil wants to cherish Dorian forever, and wants to keep him all for himself. Additionally, at first, he cherishes Dorian’s beauty more than he does his personality. As an artist, Basil is completely enamored by Dorian’s beauty, and he says, “what the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me” (Wilde 12). Dorian’s beauty is greatly appreciated by Basil, and he is the one who makes Dorian realize his beauty and charms.
He becomes an echo of someone else’s music, an actor of a part that has not been written for him. The aim of life is self-development. ”(Wilde 13). The words of an honored role model can easily persuade even the purest of hearts into the darkness of crime and evil, such as Dorian Gray. At this moment, Gray falls victim to the flourishing words of Lord Henry, who manipulates Gray from a timid and shining boy to nothing but a shallow man who commits capital crimes to conceal his secret.
Basil Hallward, a painter, knows the corruptive influence that Lord Henry can impose upon his model, Dorian Gray. Basil does not want Lord Henry to even meet Dorian because he is afraid that Dorian will be influenced and ruined. Basil begs Henry by saying, "Don't spoil him. Don't try to influence him. Your influence would be bad. The world is wide, and has many marvelous people in it. Don't take away from me the one person who gives to my art whatever charm it possesses: my life as an artist depends on him" (Wilde 10). Right from the beginning Wilde begins to show what type of person Lord Henry is. Lord Henry's influences pose a threat to Dorian. Basil is well aware of this.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
The yellow book has a stronger influence on Dorian Gray than Lord Henry does. It is proven through Dorian’s attachment to the book, the obvious lack of effect Lord Henry has on Dorian, and his sudden change in lifestyle due to the teachings of the book. In these three actions, Dorian is able to disprove Lord Henry’s influence while
Basil wants Dorian to go back to his old ways. It is at this point that the reader can see that Dorian is actually being affected by his conscience, something that has not been seen in him since the beginning of the book. It is at this point that Dorian begins to go back to how he was before and feels the need to reform. However, Dorian is unable to accept how drastically he himself has changed, and attempts to excuse it. This can be seen when Dorian cries, “Each of us has heaven and hell in him, Basil.” Dorian is showing despair, proving that he realizes that he understands that he has committed many sins and thrown away his life, but still wants to explain it away. Despite this, Dorian attempts to shock Basil by showing how drastically his painting has changed to reflect what Dorian has done. However, Basil instead prays for Dorian and shows him love, which Dorian cannot accept. Dorian kills Basil, but realizes that he has made a mistake. He starts trying to reform in order to get rid of the ugliness of the picture and return it to how it was
The Picture of Dorian Gray was a remarkably well-written book due to the reaction of its themes by society. In the preface of the novel, Wilde introduces the opinion that "...there is no moral or immoral book. Books are well written or badly written. That is all." Numerous views can be taken upon this fastidious comment. Many would agree that Wilde is justifiably correct because the preface was written with the intention that his readers understand the deeper meaning of the themes than worrying about whether it is considered morally acceptable; or perhaps, the view that it could be considered moral or immoral by the impact it has on the readers' lives. Even though there are several positions held on what The Picture of Dorian Gray's most important meaning is about, the most prominent is the novel as a moral book. Lord Henry Wotton immediately begins to corrupt Dorian's mind after they first meet by forcing his immoral thoughts of "yielding to temptation" which allows Lord Henry to hold his attention. After listening for quite a while to Lord Henry's views, Dorian begins to change his own to match them, and therefore begins to live a life of immorality. The yellow book is a device that Lord Henry uses to further corrupt and drive Dorian deeper into the pits of sin. Through Lord Henry's influence, the changes in Dorian Gray, and the impact of the yellow book, Oscar Wilde efficiently reveals The Picture of Dorian Gray as a moral book.