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African-american religion: interpretive essays in history and culture the rise of african churches in america
African-american religion: interpretive essays in history and culture the rise of african churches in america
African-american religion: interpretive essays in history and culture the rise of african churches in america
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The Origin of the Independent Black Church In today’s society the African American church is one of the largest institutions that promotes education, civil rights, and moral values to African Americans today. There are many different denominations such the National Baptist, the Church of God in Christ, the African Methodist Episcopal, and etc. Out of these organizations some of the most influential civil rights leaders came from these institutions of faith. But have you ever thought where did these churches come from? Where they started? What has keep them up and running today. After the slave trades had ended in the United States the numbers of slaves continue to grow. The slaves where reproducing and birthing new slaves that happen to be Americans. According to a Maffly-Kipp (2001) because the number of slaves from Africa had decrease it gave room for a transformation of their culture styles and roots to blend with their religious practices such as enthusiastic singing, clapping, dancing, and being possessed with the holy spirit. Many white members of society felt threaten by the existence of black religious groups African Americans built a strong faith in God and found safety in their places of worship. Society was not always willing to accept the idea of Christian slaves. As one slave recounted "the white folks would come in when the colored people would have prayer meeting, and whip every one of them. Most of them thought that when colored people were praying it was against them” (McMickle 2002). Despite of that many African Americans organized their own invisible institution in the slave quarters. They used signals, songs, and messages not discernible to whites. These organizations where called hush harbors. Many b... ... middle of paper ... ...se of the faith in God. An old hymnal sang those words so clear. ”We come have thus far by faith Leaning on the Lord Trusting in his holy word It’s never failed me yet That why I’m singing Oh! We can’t turn around We've come too far by Faith” References Kroll, P. (2006). The African-American Church in America. Grace Communion International. Retrieved March 20, 2014, from http://www.gci.org/history/african Maffly-Kipp, L. (2001). The Church in the Southern Black Community: Introduction. The Church in the Southern Black Community: Introduction. Retrieved March 17, 2014, from http://docsouth.unc.edu/church/intro.html McMickle, M. A. (2002). An encyclopedia of African American Christian heritage. Valley Forge, PA: Judson Press. Wright, R., & Rosskam, E. (1941). 12 million black voices. New York: Thunder's Mouth Press.
Becoming a true theologian and scholar deals with not limiting the extents of homiletics. The assumption is that the black preaching tradition is distinct and identifiable. What is interesting for any African American student of homiletics is that while many argue for a defined set of African American homiletic characteristics, there is little agreement on what these characteristics are? When people try to characterize what makes African Ame...
David Walker was “born a free black in late eighteenth century Wilmington,” however, not much more information is known about his early life. During his childhood years, Walker was likely exposed to the Methodist church. During the nineteenth century, the Methodist church appealed directly to blacks because they, in particular, “provided educational resources for blacks in the Wilmington region.” Because his education and religion is based in the Methodist theology, Methodism set the tone and helped to shape the messages Walker conveys through his Appeal to the black people of the United States of America. As evident in his book, Walker’s “later deep devotion to the African Methodist Episcopal faith could surely argue for an earlier exposure to a black-dominated church” because it was here he would have been exposed to blacks managing their own dealings, leading classes, and preaching. His respect and high opinion of the potential of the black community is made clear when Walker says, “Surely the Americans must think...
The second edition of “African American Religious History: A Documentary Witness,” covers the religious experiences of African Americans—from the late eighteenth century until the early 1980s. My paper is written in a chronological order to reflect on the progress blacks have made during the years—by expounding on the earliest religion of Africans to black religion of today. Race Relation and Religion plays a major role in today’s society—history is present in all that we do and it is to history that African-Americans have its identity and aspiration.
On a Sunday morning Richard Allen and Absalom Jones attended church at St. George’s Church. Jones was asked by one of the trustees to not kneel during prayer, but Jones asked to wait until the prayer was over. But Jones was not given the chance to finish the prayer, and soon another man came to remove him from the church. Being denied the opportunity to worship, Jones, Allen, and other African American members of the church had walked out before the prayer was finished. Allen and Jones had been ejected from the church. From there sprung the Free African Society in 1787...
James H. Cone is the Charles A. Briggs Distinguished Professor of Systematic Theology at Union Theological Seminary in New York City. Dr. Cone probably is best known for his book, A Black Theology of Liberation, though he has authored several other books. Dr. Cone wrote that the lack of relevant and “risky” theology suggests that theologians are not able to free themselves from being oppressive structures of society and suggested an alternative. He believes it is evident that the main difficulty most whites have with Black Power and its compatible relationship to the Christian gospel stemmed from their own inability to translate non-traditional theology into the history of black people. The black man’s response to God’s act in Christ must be different from the whites because his life experiences are different, Dr. Cone believes. In the “black experience,” the author suggested that a powerful message of biblical theology is liberation from oppression.
For centuries religion has played a huge role in the black community. From slavery to freedom, religion has help black folk deal with their anger, pain, oppression, sadness, fear, and dread. Recognizing the said importance of religion in the black community, Black poets and writers like Phillis Wheatley and Richard Wright, use religion as an important motif in their literature. Wheatley uses religion as a way to convince her mostly white audience of how religious conversion validates the humanity of herself and others. Wright on the other hand, uses religion in order to demonstrate how religion, as uplifting as it is can fail the black community. Thinking through, both Wheatley and Wright’s writings it becomes apparent that religion is so complex,
Because it offers them the possibility of community and identity, many slaves find themselves strongly attached to religion. They cannot build a family structure and they cannot be identified by family name, but through the church, they can build a community and identify themselves as Christians. This comfort becomes virtually non-existent for it too is controlled by the slaveowners who “came to the conclusion that it would be well to give the slaves enough of religious instruction to keep them from murdering their masters” (57). The fact that one person could have the ability to control the amount of religion another person has and his purpose for having it diminishes any sense of community or identity that it may have initially provided.
Moreover, many owners later came to feel that Christianity may actually have encouraged rebellion (all those stories of Moses and the Israelites in Egypt, after all, talked about the liberation of the slaves), and so they began to discourage Christian missionaries from preaching to the slaves. African Americans have taken their own spiritual, religious journey. God was looked upon as a source of peace and encouragement. The community of enslave Africans were able to use religion and spirituality as a way of overcoming the mental anguish of slavery on a daily basis. To a slave, religion was the most important aspect of their life. Nothing could come between their relationship with god. It was their rock, the only reason why they could wake up in the morning, the only way that they endured this most turbulent time in our history.
Christianity in the context of American slavery took on many faces and characteristics. As a religion, it was used as a tool of manipulation for slave masters to further justify the institution, and particularly assert authority over their slaves. In the slave community, Christianity was adapted in the slave community as a means to shape an identity and create a sense of dignity for an oppressed people. Christianity in the context of the slave community was a means to uplift and encourage the slaves, a way in which to advance the interests of slave-holders, and in some cases, a means used to justify freedom.
... This would be no small feat since Christians had for generations practiced and defended not just slavery, but the hatred and demise of anything black or African. Cone's mission was to bring blackness and Christianity together.” # In 1969, Cone published Black Theology and Black Power. In this book, Cone brought attention to racism in theology and proposes a theology addressing black issues, this theology would provide liberation and empowerment of blacks and “create a new value structures so that our understanding of blackness will not depend upon European misconceptions.”
The primary function of the Negro spirituals was to serve as communal song in a religious gathering, performed in a call and response pattern reminiscent of West African traditional religious practices. During these ceremonies, one person would begin to create a song by singing about his or her own sorrow or joy. That individual experience was brought to the community and through the call and response structure of the singing, that individual’s sorrow or joy became the sorrow or joy of the community. In this way, the spiritual became truly affirming, for it provided communal support for individual experiences. Slaves used the characters of the bible, particularly the Old Testament,...
The African Methodist Episcopal Church also known as the AME Church, represents a long history of people going from struggles to success, from embarrassment to pride, from slaves to free. It is my intention to prove that the name African Methodist Episcopal represents equality and freedom to worship God, no matter what color skin a person was blessed to be born with. The thesis is this: While both Whites and Africans believed in the worship of God, whites believed in the oppression of the Africans’ freedom to serve God in their own way, blacks defended their own right to worship by the development of their own church. According to Andrew White, a well- known author for the AME denomination, “The word African means that our church was organized by people of African descent Heritage, The word “Methodist” means that our church is a member of the family of Methodist Churches, The word “Episcopal refers to the form of government under which our church operates.”
Nashville, TN: Abingdon Press. Print. The. 2003 Roberts, Deotis J. Black Theology in Dialogue. Philadelphia, PA: Westminster Press. Print.
C. Eric Lincoln and Lawrence H. Mamiya, The Black Church in the African American Experience (Durham: Duke University Press, 1990), 352. Lindsay A. Arscott, "Black Theology," Evangelical Review of Theology 10 (April-June 1986):137. James H. Cone, "Black Theology in American Religion," Theology Today 43 (April 1986):13. James H. Cone, "Black Theology and Black Liberation," in Black Theology: The South African Voice, ed. Basil Moore (London: C. Hurst & Co., 1973), 92, 96.
Wright, Richard, and Edwin Rosskam. 12 Million Black Voices. New York: Thunder's Mouth, 1988. Print.