Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Greek philosophy's influence on western civilization
Ancient greek philosophy influence on western culture
Greek philosophy's influence on western civilization
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Greek philosophy's influence on western civilization
Burkert, Walter. The Orientalizing Revolution: Near Eastern Influence On Greek Culture in the Early Archaic Age. Cambridge, MA ; London: Harvard University Press, 1992. The Orientalizing Revolution is a famous piece of literature by Walter Burkert. Walter Burkert was a very passionate and avid Greek Mythologist, his life’s work all danced around the same general concept, Greek Culture. For most of his career he taught at the university of Zürich as professor of Greek. Like several recent scholars of Greek religion, he grew up in a very different religious environment, as the son of a Lutheran minister in southern Germany his career choice left some slightly perplexed. To emphasize, his passion for Greek culture began as a young boy and in an instant became his whole life. He simply could not keep his hands off Greek literature, thus beginning his passionate journey into the Archaeological and Mythological world. The Orientalizing Revolution is a brilliant Historically accredited novel, based on the author Walter Burkerts’ personal beliefs on Greek culture and how it was influenced …show more content…
With these new discoveries it creates the impression that Walter Burkert was correct in his findings. Our main focus on Burkerts’ work was The Orientalizing Revolution, which depicted his belief that Greek culture was a combination of other cultures. His primary focus was on the way of life and religion in old Greece. In addition he also looks at the procedure by which Greece came to be unnatural and immersed with the Near Eastern culture or way of life. The Orientalizing Revolution is currently one of the few original works in which sought to change the outlook on the origination of Greek
Dillon, Mathew, and Garland, Lynda. Ancient Greece: Social and Historical Documents from Archaic Times to the Death of Socrates. Routledge International Thompson Publishing Company, 1994, pp. 179-215
Nagle, D. Brendan. “The Second Persian Invasion” The Ancient World; A social and Cultural History. New Jersey: Prentice Hall, 2002.
Hunt, Lynn and Thomas R. Martin, Barbara H. Rosenwein and Bonnie G. Smith. “ The Greek golden age,” in the making of the west volume 1 to 1750 2012, edited by Denise B. Wydra, 75-108. Boston: Beford/St. Martin’s, 2012.
...r. "Ancient Greece." Gardner's art through the ages the western perspective. 13th ed., Backpack ed. Boston, Mass.: Wadsworth Cengage Learning, 2010. 101, 123,129. Print.
Historically, there was a close cultural link between southern France and Asia Minor. It appears that Iren...
Nardo, Don. The Ancient Greeks at Home and at Work. 1st ed. San Diego, CA: Lucent, 2004. Print.
‘These Were the Greeks’, 1979, H.D. Amos & A.C.P. Lang, Stanley Thornes Ltd, Great Britain.
Greek culture and civilization has changed throughout the years. Considering they have recorded history that dates back to __BCE it’s no surprise that their traditions run deep even in those who have never stepped foot in their motherland. This passion for one’s country becomes obvious through the dances that the youth displayed at the Greek Food Festival here in Fort Worth. The importance of dance in Greek culture is shown by the fact that they had from children to adults performing their dances to the best of their abilities. While the main focus were the dancers it is interesting to note the wide range of music they were willing to dance.
Hobson, J. M., 2004. The Eastern Origins of Western Civilisation. Cambridge: Cambridge University Press, 57
For my Final Project I will be examining how Greek presence within Central Asia played a key role in influencing early stylistic choices in Buddhist art. I will begin by covering how Greek influence spread throughout Central Asia, beginning with Alexander of Macedon’s conquering of Bactria and Gandhara, the western areas of Central Asia during the 4th century BCE. Greek presence in Central Asia did not disappear after the death of Alexander, rulership of all his conquered lands were divided amongst his generals and the territories in Central Asia were given to the general Seleucus (Lendering). The time period in which Seleucus and his ancestors ruled was called the Seleucid Empire and lasted from 300 to 200 BCE. From this time we have recovered
Ziolkowski, Eric. "Ancient Newcomer to Modern Culture." World Literature Today 81.5 (2007): 55-57. Web. 19 Feb. 2014. .
Damrosch, David, and David Pike. The Longman Anthology of World Literature. The Ancient World. Volume C. Second Edition. New York: Pearson/Longman, 2009. Print.
In his book Orientalism, Dr. Edward Said wrote about the influence of material culture – journalism, literature, art – on how people perceive the “Other”. Specifically, he focused on the way that people from the “West” view the “Orient.” He wrote, “The phenomenon of Orientalism as I study it here deals… with the internal consistency of Orientalism and its ideas about the Orient… despite or beyond any correspondence, or lack thereof, with a real “Orient” (Said 71). Dr. Said wrote about how Orientalism, through material culture, encouraged, legitimized and even enabled the British domination of great portions of the East by emphasizing, exaggerating and distorting differences between Arab peoples and the cultures of the North America and Europe (Said 69). Orientalism often portrays Arab culture as mysterious, exotic, backward, uncivilized, or dangerous, creating stereotypes that have been reinforced throughout recorded history.
Nagle, Brendan D. The Ancient World: A Cultural and Social History. New Jersey: Prentice-Hall, 1979.
He stated, "Orientalism is more particularly valuable as a sign of European Atlantic power over the Orient than it is a veridic (truthful) discourse about the Orient.” The nexus of authority with knowledge empowered the West to generalise and misrepresent the orient, consequently subjugating and controlling it. By exaggerating and distorting the difference between the familiar occident (West) and the alien orient (East), they are constructing the East as the extremely inferior, backward and foreign counterpart of the West, in need of Western ‘rescue’. It is therefore this colonialist podium, which the Orientalist artist stands on that, in part, generates Roger Benjamin’s notion of the ‘Oriental mirage’. The concept that a “travelling artists always has an unstable view of its subjects” is concrete, imitative painting of any kind is an estimation. However the Imperialist and Colonialist credentials of the orientalist artists inevitably skews this image further. The mirage becomes additionally distorted as they are faced with the obstacles of cultural misunderstanding and ethnocentrism. Jean-Léon Gérôme and Henri Matisse alike both ‘suffered’ from this colonialist cultural curtain, which was drawn across and