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The Opening Scenes of Sleepy Hollow and the Truman Show
In this essay I shall be concentrating upon the role of the director,
looking at the films Sleepy Hollow and The Truman Show. The director
has enormous power and authority for everything that happens on the
film set.
The two directors of Sleepy Hollow (Tim Burton) and The Truman Show
(Peter Weir) both set out to make different kind of films. Tim Burton
set out to make a gothic horror film whereas Peter Weir set out to
make a serious comedy.
When the opening credits of Sleepy Hollow began the audience know what
genre the film was by the mood and atmosphere. The colours black, grey
and white along with the mist and fog creates a spooky atmosphere and
the audience associates this with the unknown. The heavy tones of the
orchestra fades into one single voice, which emits a ghost like chant.
The opening shot is a close up shot, which appears to be blood. The
colours change from black to red and this creates the setting for the
horrors that are about to unfold. The following scene is a close up
shot of a hand moving towards another hand. The third scene is a
close up shot of the last will and testament. Although these scenes
were all close up shots the audience still got information about the
time setting. For instance the quill and the ink stand. The camera
then goes to another close up scene of the wax just about to be
sealed, and then the wax is sealed with a stamp. The camera then
zooms in to reveal the name Van Garret.
The audience is made to feel claustrophobic by the way the camera is
used. The music becomes very fast and loud which has changed the
mood, and is used to reflect the running horses and coach. Then a mid
shot appears of the horse and carriage moving down the foggy lane.
The director is using many images to do with the horror genre as he as
The definition of ‘chilling’ according to the dictionary is defined as “make someone or thing feel cold.” The title ‘In Cold Blood’ is chilling because it makes the reader shiver with agitation and immediately gives them a sense of repulsion because the idea of cold blood is disturbing since blood gives you life and warmth. “a sudden ‘case of blood bubbles’?” Capote contrasts this to the title and creates a horrific image in relation to the title. In Cold Blood is a true account of a multiple murder case in Holcomb, Kansas and is told from two alternating perspectives, the Clutter family who are the victims and the two murderers, Dick Hickock and Perry Smith. The way Capote structures the first section is powerful and it allows the reader to relive both sides of the nonfiction novel because the reader can experience two different viewpoints.
I am going to be analyzing about the first ten minutes of the film to
The Allegory of the Cave has many parallels with The Truman Show. Initially, Truman is trapped in his own “cave”; a film set or fictional island known as Seahaven. Truman’s journey or ascension into the real world and into knowledge is similar to that of Plato’s cave dweller. In this paper, I will discuss these similarities along with the very intent of both of these works whose purpose is for us to question our own reality.
Some would say watching horror movies and being scared out of your wits is a fun way to spend their hard earned money. They go see these movies on average once a week, each time choosing a newer version of a trilogy like “Chucky” or “The evil Dead”. Film making has come a long way over the last few decades, the graphic...
The Legend of Sleepy Hollow (1820) by Washington Irving is a classic American tale that has evolved in contemporary media throughout the years. Irving has exemplified traditional American folklore in his characterization of Ichabod Crane, the protagonist of the tale. Ichabod Crane has remained an integral part of the tale in American contemporary media, being interpreted differently in both the film Sleepy Hollow (1999) and the television adaption Sleepy Hollow (2013). Ichabod Crane has evolved just as the story has, evolving from a fear-riddled schoolteacher to a dashing, revolutionary, time traveling hero, and throughout these adaptations he remains an exemplification of American folklore.
Mise en scene is a French term, which refers to the visual and design elements of a film. Literally, it is what we actually see on the screen – locations, sets, background details, costumes, even the use of colour and lighting. Mise en scene is used to describe every scene, including framing, composition, costuming, setting, objects, lighting, sound and camera angles. Everything is done purposely and intentionally.
The narration in The Legend of Sleepy Hollow functions as a way to give authority to the women of Tarry Town. This power of feminine is elicit by Washington Irving who gives respect and superiority to women indirectly, but yet evidently through third person narration. Furthermore through Katrina he parallels the power of Tarry Town’s women by illustrating their agency to beget the downfall of Ichabod.
On a stormy night, Mr. Van Garrett is making his way through the fields in a horse drawn carriage, with a mysterious figure on horseback not far behind him. With the sound of a “swoosh” by a sword, his horseman’s head comes off, forcing Van Garrett to abandon the carriage. As he makes his way through the cornfields, he too meets his fate as the same figure slices his head clean off of his body.
Reflecting back on the most iconic figures in the history of horror cinema, characters like Michael Myers, Freddy Krueger, and Jason Voorhees still shine brighter than all the rest – even despite their current lack of utilization. In the meantime, an array of other “big bads,” ranging from Ghostface, Jigsaw, and Annabelle, has attempted to climb the proverbial ladder into the (imaginary) horror hall of fame.
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
The link between expressionism and horror quickly became a dominant feature in many films and continues to be prominent in contemporary films mainly due to the German expressionist masterpiece Das Kabinett des Doctor Caligari. Wiene’s 1920 Das Kabinett des Doctor Caligari utilized a distinctive creepiness and the uncanny throughout the film that became one the most distinctive features of externalising inner mental and emotional states of protagonists through various expressionist methods. Its revolutionary and innovative new art was heavily influenced by the German state and its populace in conjunction with their experience of war; Caligari took a clear cue from what was happening in Germany at the time. It was this film that set cinematic conventions that still apply today, heavily influencing the later Hollywood film noir genre as well as the psychological thrillers that has lead several film audiences to engage with a film, its character, its plot and anticipate its outcome, only to question whether the entire movie was a dream, a story of a crazy man, or an elaborate role play. This concept of the familiar and the strange, the reality, the illusion and the dream developed in Das Kabinett des Doctor Caligari, is once again present in Scorsese’s 2010 film Shutter Island. It is laced with influences from different films of the film noir and horror genre, and many themes that are directly linked to Das Kabinett des Doctor Caligari shot 90 years prior.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
The Truman Show takes place on a massive, life-sized stage with Truman Burbank as the protagonist. It is a contrived world where all interactions take place effortlessly from the day he was born to his ultimate realization and escape. In his life, there was no true privacy. Every moment was recorded as a source of reality entertainment for the masses of the outside world, and if anyone from the outside or on the set were to intervene and try to disclose the actual reality of his situation, they were quickly suppressed and/or replaced. This, coupled with many other obstacles, made it very difficult for Truman to break the illusion. Despite the many failures, he eventually came to spot the inconsistences himself (with a little help), leading
Horror films got their start in 1896 with the two-minute short, Le manoir du diable (The Haunted Castle), shown on Christmas Eve, in Paris. But it was not until 1906, with the remake of Notre-Dame de Paris, Esmeralda, did the genre spilt into subgenres. Esmeralda refined the ‘freak shows’ that previous horror films had begun to resemble. Films like these paved the way for people like Brian De Palma, Alfred Hitchcock, Stephen King, John Carpenter, Steven Spielberg, and his composer, John Williams. There are several key pieces of a horror film, including suspense, mystery, and spoilers, and numerous stereotypes and clichés that have latched on to the growing genre.