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Themes of the odyssey by homer
Examples of the hero's journey
Themes of the odyssey by homer
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"All of us have similar experiences. We share in the life journey of
growth, development, and transformation. We live the same stories…the
trappings might be different, the twists and turns that create
suspense might be different from culture to culture, the particular
characters may take different forms, but underneath it all, it's the
same story, drawn from the same experiences"(Linda Seger, Creating
Myth, 1).
All people face trials and tribulations throughout their life. Thus,
what defines one from one's fellow human beings is not the trials
themselves, but how one overcomes the challenges along the journey, as
well as the psychological and physical lessons one learns from the
actions engaged. Heroes, as depicted in literature, often face the
same trials the common man must face, and learn the same lessons, but
their actions, reactions, and events are magnified to mythic
proportions. Thus, the common man and the mythic hero both follow what
Joseph Campbell calls "The Hero's Journey," which is used as a tool to
describe the framework for many of the most famous myths of all time.
While the story of the Journey first manifested itself in the ancient
myths and legends, it is still relevant to contemporary society, the
basis for almost all of the books and plays we read. For example,
J.R.R. Tolkien's, The Hobbit, an epic fantasy adventure in which Bilbo
Baggins, the connection for the reader to the fantastical world the
book takes place in, is called to action and set in motion on his Hero
Journey by Gandalf, a wizard. Another example of a famous myth
following this archetypal framework is The Odyssey. Homer's epic
story, The Odyssey, of the hero Odysseus and his son Telemakhos
follows closely the cycle of Joseph Campbell's Hero Journey, as
summarized by Linda Seger, both as a physical and psychological
undertaking.
The hero journey begins with a catalyst entering the hero's life, that
calls him to adventure. The hero must be summoned on his journey by
some force, either external (the will of another person) or internal,
(the need for self-growth). The call is followed by the hero's refusal
to leave a safe place, such as his home. He must be convinced that the
undertaking is worthwhile, and must then, and only then, after he has
agreed to take the journey, embark on it.
Odysseus' journey begins twenty years prior to...
... middle of paper ...
...hysical prowess,
but learns the psychological lessons of survival. Using these lessons
he can climb above the rest, a more mature and capable man, able to
use all of his abilities together to lift himself and those around him
closer to greatness. Thus is Odysseus truly a hero, as are all those
who would strive for greatness in themselves and peace and justice for
their homeland and family. "The cosmogonic cycle is now to be carried
forward not by the gods, who have become invisible, but by the heroes,
more or less human in character, through whom the world destiny is
realized. The archetypal heroes become less and less fabulous, until
at last, in the final stages of the various local traditions, legend
opens into the common daylight of recorded time"(Joseph Campbell).
Works Cited
Campbell, Joseph. The Hero with a Thousand Faces. 2nd ed. Princeton: Bollingen, 1968.
Homer. The Odyssey. Trans. Robert Fagles; Intro. Bernard Knox. New York: Penguin Books, 1996.
Seger, Linda. "Creating the Myth." Signs of Life in the U.S.A.: Readings on Popular Culture for Writers. 4th ed. Ed. Sonia Maasik and Jack Solomon. Boston: Bedford/St. Martin's, 2003. 316-325.
the USA: Readings on Popular Culture for Writers. Ed. Sonia Maasik and Jack Solomon. Boston: Bedford/St. Martin’s, 2011. 296-304. Print.
In the Hero’s journey, The Odyssey, the main protagonist, Odysseus, changes in a way which helps him gain self-knowledge. Odysseus ' experiences transformed his personality from how he was in the beginning to the end, by leading him through a heroic journey, also known as a quest. The real reason for a quest never involves the stated reason, and this is no different with Odysseus. As the story developed, many of Odysseus’ sides were exposed through the challenges he faced. Out of the countless dangers and obstacles every step back home, him and his crew have only acquired minimal character changes. Even though they are minimal, they are those which take many decades to achieve.
In the three stories, The Odyssey by Homer, The Count of Monte Cristo by Alexandre Dumas, and The Alchemist by Paulo Coelho, they all have something in common. They all follow the hero's journey. Books that follow the hero's Journey have a hero that has to face challenges and change in some way. These stories usually have many similarities. Every one of these three stories can be compared through, the female protagonists of each story, the heroes cleverness, rewards earned at the end of the story, and their physical or mental transformation.
The Hero’s Journey is never an easy one. This particular journey, as detailed in Homer’s The Odyssey, is one of struggle, loss, heartache, pain, growth and triumph. It is comprised of many steps that Odysseus has to overcome and battle through in order to achieve his final goal of reaching his home and his loved ones. From the Call to Adventure to the Freedom or Gift of living, Odysseus conquered them all. The story begins in the middle of the story, as many of the oral Greek traditions did, with the Journey of Telemachus to find his father. Although Telemachus has not yet met his father, it is almost as if they are journeying together, where the end of both of their journeys results in being reunited. Telemachus journeys from being a boy to becoming a man, while out in the sea Odysseus is battling Poseidon to return to the home that wife that he loves and the home he has left behind.
In “ The Odyssey ” by homer Odysseus goes on a journey to get home after twenty years the trojan war. The “ Hero’s Journey “ by Joseph Campbell represents the journey the hero's take on their journey as a hole in the story. The main parts of most stories include twelve parts to the hero's journey and some additional points.. The three parts of the hero's journey supernatural aid, test and supreme ordeal , and reward and journey home. These are some of the most important parts of the odyssey.
Brains over brawn, who will win this battle?Homer's tale of Odysseus' adventures in “The Odyssey” show that being intelligent and cunning can be far better than having physical strength. Being physically strong certainly has its advantages, but not in all circumstances. Strength in intelligence shows new meaning of strength. Odysseus is amused with himself when he defeats Polyphemus. His great skills with a bow outweigh the others abilities. Knowledge of the placement of his bed win his beloveds heart.
The epic poem called The Odyssey, which was written by the poet Homer, is one of the many classical stories from Ancient Greek culture. It tells the story of Odysseus, King of Ithaca, and his journey back home from the war with Troy, which had occurred in Homer’s other epic Greek poem, The Illiad. Odysseus faces many trials and quests in his journey home and to take back his kingdom from the suitors, such as meeting the witch Circe, blinding a Cyclops named Polyphemus, dealing with Poseidon, and staying with the goddess Calypso. The poem has many themes that are relevant to it. One such theme is the factor of redemption. Redemption is usually a typical subject in any kind of religion, like the Greek religion and Christian religion. The story of Odysseus has an underlying message of him receiving redemption from the Greek gods. The Odyssey is a tale of redemption because it deals with Odysseus being forgiven by the gods after having to go through many trials and wrongs to rightfully claim back his wife and the throne of Ithaca.
In book eight of Homer’s The Odyssey, Odysseus is on the island of the Phaeacians and is waiting to return home to Ithaca. Meanwhile, Alcinous, the Phaeacian king, has arranged for a feast and celebration of games in honor of Odysseus, who has not yet revealed his true identity. During the feast, a blind bard named Demodocus sings about the quarrel between Odysseus and Achilles at Troy. The song causes Odysseus to start weeping, so Alcinous ends the feast and orders the games to begin. During dinner after the games, Odysseus asks Demodocus to sing about the Trojan horse and the sack of Troy. This song too causes Odysseus to break down and cry. Homer uses a dramatic simile to describe the pain and sorrow that Odysseus feels as he recalls the story of Troy.
Helen Burns, Jane’s friend at Lowood, represents a Christian religion that emphasizes the importance of acceptance. Helen states “love your enemies; bless them that curse you; do good to them that hate you and despitefully use you” (Brontë 55). She ascetically trusts her faith and through this, learns to accept Lowood’s harsh policies. Helen demonstrates very strong morals yet submissive characteristics which makes Jane’s dominant characteristics stand out. Helen believes that she will find her true
Brontë uses specific settings and the language of oppression to show how religion controls women psychologically. Miss Abbot, the servant at Gateshead, relates to how ‘God will punish her’ and how God will ‘strike her dead in the midst of her tantrums’ after sending her to the red room for going against the morals within the Victorian society. These quotes from Jane Eyre show a sense of Bib...
Sex trafficking is a term that covers a range of activities. The U.S. Department of Health and Human Services defines it as “a modern-day form of slavery in which a commercial sex act is induced by force, fraud or coercion, or in which the person induced to perform such an act is under the age of 18 years” (The Campaign 1). Victims of sex trafficking may be forced to do any number of activities to earn money for their traffickers. These include “prostitution, pornography, stripping, live-sex shows, mail-order brides, military prostitution and sex tourism” (10). Wherever there is demand for the sexual exploitation of a certain type of individual, such as teenage girls, young boys or children, traffickers will find people to meet that demand. Unfortunately, this puts innocent people in situations where they are taken advantage of.
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Mr. Brocklehurst illustrates the dangers and hypocrisies that Charlotte Brontë perceived in the nineteenth-century Evangelical movement. Mr. Brocklehurst adopts the rhetoric of Evangelicalism when he claims to be purging his students of pride, but his method of subjecting them to various privations and humiliations, like when he orders that the naturally curly hair of one of Jane’s classmates be cut so as to lie straight, is entirely un-Christian. Of course, Brocklehurst’s proscriptions are difficult to follow, and his hypocritical support of his own luxuriously wealthy family at the expense of the Lowood students shows Brontë’s wariness of the Evangelical movement. Helen Burns’s meek and forbearing mode of Christianity, on the other hand, is too passive for Jane to adopt as her own, although she loves and admires Helen for it.
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