Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The nutcracker ballet essay report
An Analysis of Ballet Nutcracker
Essays on the meaning of the nutcracker
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The nutcracker ballet essay report
I write this review an hour after watching the DVD of the, Saturday December 12, 2015 performance of The Nutcracker that I had the privilege of attending with my family over the holidays. The performance was held at the Tennessee Performing Arts Center, Andrew Jackson Hall, in Nashville, TN.
I remember the lobby between the theater and the hall was very spacious, we found our seats to the left aisle in the middle of the theater with no hindrance. Paul Vasterling, Artistic Director, who is the visionary that re interpreted this great performance that is more accurately referred to as, Nashville’s Nutcracker, here in Music City.
In the Orchestra pit was none other than Nashville’s very own, the Nashville Symphony. Martin West, conductor for
…show more content…
One part that really stood out was the featured scene “Dance of the Sugar Plum Fairy” you could hear many combinations of the woodwind instruments. It created a fantasy filled environment from the sounds of the instruments.
This great musical not only gives you the visual effect of watching the performers dance but the mixture of music makes it that more extraordinary. The scene “A Pine Forest Winter” is just one of the scenes that features string instruments, violins, cello and double bass with a climax of brass instruments, trumpet, tuba and trombone and the percussion instruments, bass drum, timpani and celesta.
While the visual performance was changed to depict the director’s vision of implementing visual effects of the geographical surroundings of Nashville, the basic elements of the music remained unchanged. It was still timeless and elegant as if Tchaikovsky had just written it and the scenes were being performed musically for the very first time.
Watching this beautiful performance for a second time, just brought the music more to life. You could feel the magic in each scene through the sounds of the instruments. Hearing the music with full symphony puts you in another realm. The melodies so memorable, and enjoyable harmonies made for a state of the art musical
On Wednesday, June 14, 2017, I had the pleasure of watching the Chicago Symphony Orchestra perform Symphony No. 9 in D minor, Opus 125 by Ludwig Van Beethoven. The original performance was recorded and put on YouTube, May 7, 2015, in honor of its first premier 191 years before when Beethoven decided to share his 9th Symphony with the world even though he couldn’t hear it himself. The symphonic masterpiece was recorded at the beautiful Symphony Center Orchestra Hall in Chicago and conducted by Riccardo Muti. The performance was completely deserving of selling out every single seat for one hour and twenty-two minutes. In fact, the musicians did not disappoint, Stephen Williamson was in the first clarinet chair, alongside colleagues Mathieu
I was impressed by the range of the pieces that were performed as they were from 18th century classical symphony arrangements to contemporary techno pieces. However, the pieces that moved me most were Mozart’s Molto Allegro, Oaken Sky by Chris Rogerson and Beethoven’s Symphony No. 5. In hindsight, I am surprised that the two pieces from the Classical Era had such an impact on me. Perhaps, “classical” pieces were what I expected to hear at a Symphony. Oaken Sky evoked the most imagery for me and the conductor’s introduction of the piece was perhaps partly responsible for my ability to go from the earth to the sky in my mind’s eye. Oaken Sky was definitely a pleasant surprise and very pleasing to all of my senses. I was fully engaged in body, mind and soul with Rogerson’s composition. Cielito Lindo was interesting and the soloist really enhanced the piece with a stellar performance. Warehouse Medicine caused an incongruent stirring in me; perhaps I was not prepared for electronics to be added to the symphony. Ravel’s composition, Le Tombeau de Couperin, was a moving piece, but did not engage my senses, only my intellect. This work essentially left me feeling confused and although I appreciated the description of the dedication of the work by the composer, this was my least favorite piece. The “CPCC” soloist, Juan Caljero’s, rendition of Cileito Lindo was mesmerizing. Charlotte
I listened to Tchaikovsky’s Nutcracker Suite. Suites are different from Symphonies and Concerts because they functions as several short movements that all go together, sort of like a concept album or individual rooms in a hotel suite. This particular suite has 6 different movements: March, Dance of the Sugar Plum Fairy, Russian Dance, Arabian Dance, Chinese Dance, and Reed-Flutes.
The concert is performed by the Lincoln Center Orchestra with Wynton Marsalis. The video of this concert is 90 minutes in length. The concert was an ensemble of various Dave Brubeck arrangements utilizing various jazz techniques and styles with mainly the following instruments: bass, piano, trumpet, trombone, tenor sax, soprano sax, clarinet, bass clarinet, alto sax, flute, piccolo, baritone sax, drum, and tambourine. The performance included these 15 pieces: “Unsquare Dance”, “Three to Get Ready”, “The Duke”, “Cassandra”, “Strange Meadowlark”, “Who Will Take Care of Me?”, “It’s a Raggy Waltz”, “Tokyo Traffic”, “Take Five”, “Lost Waltz”, “Upstage Rhumba”, “In Your Own Sweet Way”, “Fast Life”, “Bluette”, and “Blue Rondo a la Turk”. The performance highlights the versatile, influential and extraordinary life’s work of Dave Brubeck.
Andris Nelsons continues with a couple more pieces from him and the symphony. The piece titled “The Pines of the Villa Borghese” was performed. The melody brought images of the wizard like sounds from the magical Harry Potter. The piano and clarinet players had a lot of attention on them from the cameras. The two instruments put together a very sophisticated texture and form.
Music is virtually everywhere we go, no matter if it is background noise in a coffee shop or singing along while shopping for groceries, we can find music somewhere. The event I attended was the Flint Symphony Orchestra on October 8, 2016. I have never attended a symphony before so I was excited to go, especially since I had invited my friend to attend with me. For this event, I was already informed by my teacher that the symphony will be formal so we needed to look the part since others will be dressed fancy. This made me curious how this event will turn out. Walking past the ticket area and through the doors to the lobby made me feel instantly memorized at how grand it was on the inside. I went downstairs and there were a vast
The audience, for the most part, seemed to be made up of college students attending for the same reasons as myself. However, there were some audience members who are part of older age groups in the audience. They were there only seeking a good performance and a great time. These older age group audience members were located mostly in the center section of the theatre seated in the first few rows. The dress was more casual among the students but dressier for the older people. Some people were in jeans and a T-shirt, including myself, while some wore nice clothes. The audience rewarded each soloist with a warm ovation of applause after their turn was finished. This led me to believe the audience enjoyed the performance and was very respectable to the performers.
On a cold, brisk Tuesday night, I attended the musical called Urinetown by Mark Hollmann and Greg Kotis. Urinetown was held in Rowand-Johnson Hall, at the Marian Gallaway Theatre. As I quickly walked in the entrance, I noticed that people were wearing casual attire. I gave the usher my ticket and walked to my seat. This time my seat was located up at the front so I had a great view of the stage. This particular theatre is my favorite, it is very open and you can see from every seat. This musical is known to be a musical comedy which deals with different themes, unique text, and extraordinary technical elements.
I gained something more than the experience, however, I developed a dream that turned into a goal. Determined, I wanted to perform, to leave others in awe and hopefully have them experience the same feelings as I did watching The Nutcracker. Confusingly, I looked at her, I responded that I was, she then explained that the Hispanic community of the parish was starting a folklore dance group to dance during the holidays. Excitement rushed throughout my body when my mom agreed to let me take part in the group, she *explained that she didn't.
My final winter concert has come and gone quicker than I could have possibly imagined. It was certainly one I will never forget because it was my very first time performing in every band and choir group. It was a very stressful night but having it perfectly planned and having help from many of my fellow performers definitely made me feel a lot more at ease. This concert definitely had it’s ups and downs and there are somethings that I wish went a lot better. However in the end, I did enjoyed performing and gave it a lot of effort.
This instrumental consisted of small packets of sound played softly then fiercely. The ensemble began the piece slowly and worked its way to climactic units of music throughout the set. The violin’s sound danced along the piano’s ground. The piano set the rhythm, while the clarinet and violin built on top of it.
...duction that I attended on the night of February 17th was not my first experience with classical music, it was however the first symphony production greatly enriched by the knowledge that I have picked up as a result of the class Music 100. Although my family has a deep appreciation for classical music, and mine is just beginning, the Seattle Symphony production certainly brought many of the musical ideas and terms such as texture and clarity to life. The three works featured February 17th, Johannes Brahms' Tragic Overture, Edward Elgar's cello in E-minor, and Sergey Prokofiev's Symphony Number 6 in E-flat minor were new music that I have not been exposed to. Also the treat of hearing the work of world renounced guest cellist, Antonio Meneses was without doubt a treat. I much enjoyed this Seattle Symphony production and would like to attend another in the future.
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.
On September 18, 2014, the Chicago Symphony Orchestra and Chorus performed a wonderful rendition of Symphony No. 9, Op. 125 by Ludwig van Beethoven at the Orchestra Hall in Chicago one hundred and ninety years after it was first performed in Vienna. It included four movements and four choral performers, making it part symphony and part oratorio. Conducting was Riccardo Muti, who has been the conductor for the last nine years, and is doing an outstanding job of paying respects to some of the most well-known musical classics. Although in Beethoven’s time a symphony and opera were very rarely mixed and resulted in success, Op.
Neher, Erick. "Movie Music At The Philharmonic." Hudson Review 64.4 (2012): 668-674. Academic Search Complete. Web. 3 Dec. 2013.