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Aims of anti war novels
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The Narrow Road to the Deep North by Richard Flanagan focuses on the life of Dorrigo Evans, an Australian prisoner of war in a Japanese internment camp during World War II. Like many other novels published after World War II, it firmly censures war. Flanagan does not spare the reader any description of the terrible circumstances of war. Unlike several other anti-war novels, however, he depicts the maladies of being a prisoner of war along with the circumstances of combat and post-war impacts. Flanagan also shows the consequences of war on both sides of the conflict. The Narrow Road to the Deep North by Richard Flanagan is an anti-war novel that focuses on the horrors of was in combat, during capture, and through the rest of a soldier’s life. Although Flanagan does not devote a large part of the novel to it, he shows the horrors of war while in combat. He shows the needless loss of innocent life. Evans, the narrator, recalls a goat that died prematurely during the war. He remembers, “A goat had staggered silently before them, intestines hanging out of its side, ribs exposed, head held high, making no noise, as if it might live through fortitude alone” (66-67). Evans further …show more content…
Flanagan censures all aspects of war, from combat to the long-lasting psychological impacts. The horrors of war that Flanagan discusses in his novel remain relevant to this day. We must use the atrocities of the past as a mirror for our actions today. Military prisons such as Guantanamo Bay and Okinawa still exist, and if we forget the abhorrent occurrences in Japanese prison camps, we allow the same abuses of power to occur again. If we quickly forget the horrors of war, what will stop us from entering more wars and recreating the same awful circumstances? The consequences of war that Flanagan describes in The Narrow Road to the Deep North will remain relevant through the rest of humanity’s
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
War is cruel. The Vietnam War, which lasted for 21 years from 1954 to 1975, was a horrific and tragic event in human history. The Second World War was as frightening and tragic even though it lasted for only 6 years from 1939 to 1945 comparing with the longer-lasting war in Vietnam. During both wars, thousands of millions of soldiers and civilians had been killed. Especially during the Second World War, numerous innocent people were sent into concentration camps, or some places as internment camps for no specific reasons told. Some of these people came out sound after the war, but others were never heard of again. After both wars, people that were alive experienced not only the physical damages, but also the psychic trauma by seeing the deaths and injuries of family members, friends or even just strangers. In the short story “A Marker on the Side of the Boat” by Bao Ninh about the Vietnam War, and the documentary film Barbed Wire and Mandolins directed by Nicola Zavaglia with a background of the Second World War, they both explore and convey the trauma of war. However, the short story “A Marker on the Side of the Boat” is more effective in conveying the trauma of war than the film Barbed Wire and Mandolins because of its well-developed plot with well-illustrated details, and its ability to raise emotional responses from its readers.
Timothy Findley Creates a fictional world through his novels, where readers can relate to the situations and characters. The protagonists that Findley creates are often similar and connected to the hardships that they eventually encounter and defeat or that which they are defeated by. Findley takes his readers back in time to the First World War, displaying his knowledge of history and research, where the hardships of a young soldier’s battles internally and externally are brought to the reader’s attention in his historical-fiction novel The Wars. Findley writes about the reality and absurdity of the First World War, and takes the reader’s on a journey through the active reading process to find what is “sane” and “Insane” throughout the duration of the novel. Following the journey of the protagonist, Robert Ross as he enlists in the Canadian Army after the death of his sister Rowena, and undoubtedly is the turning point of the text and ideally where Findley initiates the active reading process, and where the contents placed in the story by Findley, are analyzed and opinionated based on the reader’s perception and subjectivity of truth. Essayist Anne Reynolds writes “ Findley manages, through technical prowess, to combine Hemingway-like choices of clear moment searing horror and truth at the battlefront with scenes depicting the effects of war on the families and lovers of the soldiers.” (Reynolds, 4) According to Reynolds Findley has been able to display the absurdity and affect that not only the First World War has caused but the ludicrousness war in general has caused the families of soldiers, and society as a whole. Using the literary theory of deconstruction many aspects and scenarios in The Wars can be analyzed, as Fin...
In the aftermath of a comparatively minor misfortune, all parties concerned seem to be eager to direct the blame to someone or something else. It seems so easy to pin down one specific mistake that caused everything else to go wrong in an everyday situation. However, war is a vastly different story. War is ambiguous, an enormous and intangible event, and it cannot simply be blamed for the resulting deaths for which it is indirectly responsible. Tim O’Brien’s story, “In the Field,” illustrates whom the soldiers turn to with the massive burden of responsibility for a tragedy. The horrible circumstances of war transform all involved and tinge them with an absurd feeling of personal responsibility as they struggle to cope.
War always seems to have no end. A war between countries can cross the world, whether it is considered a world war or not. No one can be saved from the reaches of a violent war, not even those locked in a safe haven. War looms over all who recognize it. For some, knowing the war will be their future provides a reason for living, but for others the war represents the snatching of their lives without their consent. Every reaction to war in A Separate Peace is different, as in life. In the novel, about boys coming of age during World War II, John Knowles uses character development, negative diction, and setting to argue that war forever changes the way we see the world and forces us to mature rapidly.
He does this by not only including the soldiers being killed but showing the innocent animals being killed. In a more summarized way to say this is he tried to show the suffering of the innocent. For example, the following soldiers that died throughout the story show how much death can cause such an affect on someone, like Albert Kropps' and death. The death that hit me pretty hard and touched me in a way was Josef Behms death. As one can see, death to close friends and family can be rough, but the author also included a scene when the men hear the wrenching sounds of wounded horses shrieking in agony. Detering is particularly horrified because he is a farmer and loves horses. He says with disgust that using horses in war is the “vilest baseness.” (pg.63). To sum up, it’s not only the death of people that can show the cruelty of the war, the killing of animals can affect certain people as
By incorporating this sense of failure into fictional events, O'Brien is able to communicate the true human emotion behind the story, rather than just the facts. Above and beyond a simple set of war stories, The Things They Carried reduces fiction to the very heart of why stories are told the way they are. Works Cited:.. O'Brien, Tim. A.
Flanagan, through the book the Narrow Road to the Deep North, creates a representation of Prisoner of War experiences in World War II. Through clever manipulation of characters, textual and linguistic features, he has effectively portrayed war experiences as something more complex than violence; but one full of belonging, isolation and love. Using characterisation and aesthetic features, Flanagan has created a successful representation of the theme isolation in the book by portraying isolation in different elements throughout the book.
It is inevitable when dealing regularly with a subject as brutal as war, that death will occur. Death brings grief for the victim’s loved ones, which William Faulkner depicts accurately and fairly in many of his works, including the short story “Shall Not Perish” and The Unvanquished. While the works differ because of the time (The Unvanquished deals with the Civil War while “Shall Not Perish” takes place during World War II) and the loved ones grieving (The Unvanquished shows the grief of a lover and “Shall Not Perish” shows the grief of families), the pain they all feel is the same.
Throughout their lives, people must deal with the horrific and violent side of humanity. The side of humanity is shown through the act of war. This is shown in Erich Remarque’s novel, “All Quiet on the Western Front”. War is by far the most horrible thing that the human race has to go through. The participants in the war suffer irreversible damage by the atrocities they witness and the things they go through.
War Is a Force That Gives Us Meaning, written by the talented author Chris Hedges, gives us provoking thoughts that are somewhat painful to read but at the same time are quite personal confessions. Chris Hedges, a talented journalist to say the least, brings nearly 15 years of being a foreign correspondent to this book and subjectively concludes how all of his world experiences tie together. Throughout his book, he unifies themes present in all wars he experienced first hand. The most important themes I was able to draw from this book were, war skews reality, dominates culture, seduces society with its heroic attributes, distorts memory, and supports a cause, and allures us by a constant battle between death and love.
The heart of the novel is its depiction of the suffering and death of the Australians condemned with the impossible task of building the Thai-Burma Railway. Through Dorrigo Evans, an Australian POW turned national legend, and the myriad of loosely connected characters, Flanagan transforms the story of two star-crossed lovers into a historic and informative piece of the procedures in POW camps in Japan. He provides a unique outlook on the experiences faced by the approximate 35 million military personnel that spent time in enemy hands from 1939 through to 1945. There was an estimated total of sixteen thousand from forty thousand prisoners that died working on the railway as a result of disease, malnutrition, overwork and murder. Flanagan has represented this magnificently through the
Richard Flanagan’s The Narrow Road to the Deep North explores the depths of human emotion and how far some people will go during times of war. The novel shows that there are many sides to the one story and also how people change with life experiences. Major Tenji Nakamura is a perfect example of this as he is a ruthless officer in charge of the POW camp. But he shows that he is only doing any of this for the honour it will bring him and his empire. On the other side of the coin, there is Dorrigo Evans, who is an Australian surgeon in the POW camp who is only trying to save the men under his care from starvation, cholera, and beatings. The differences between both Evans and Nakamura are quite telling, yet they still manage to mnake it to the
Lawrence Hill Books, c2009 Bracken, Patrick and Celia Petty (editors). Rethinking the Trauma of War. New York, NY: Save the Children Fund, Free Association Books, Ltd, 1998.
War and violence are undeniably destructive to the mental well being of those who have experienced it, especially for children. Many anti-war books have explored the war’s effects on people. Very few books, however, explore the effect violence has on people over time and throughout generations as Jonathan Foer’s Extremely Loud and Incredibly Close does. The unique thing about this book is that through seemingly random but interconnected stories, the constantly changing font and numerous images, the readers are drawn into the world of the characters and are encouraged to think about the full meaning of peace and war as well as the importance of hope during difficult times.