The Narrow Road To The Deep North

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The haibun is a traditional Japanese form of poetry, first introduced by Bashō in The Narrow Road to the Deep North. The haibun includes a passage of poetic prose and a haiku. Most Americans believe that the form is best suited for children due to its straightforwardness, however, that could not be further from the truth. The simplicity of the haibun is deceiving, while the structure may seem easy to replicate, crafting a haibun is laced nuance. A closer look at the classical theme and its execution will reveal that the haibun is far from a children’s form.
Mono no aware (物の哀れ), or simply aware, represents the aesthetic of a haibun, it is its essence and the key to composing a haibun. The term itself was coined by Motoori Norinaga in the eighteenth century, however, the concept has always been central to Japanese poetry. In translation “aware” means sensitivity or sadness, while “mono” means things. It represents the awareness of the …show more content…

A haiku usually has two images: one in the first line and then the next two compose the second one. “The moon so pure,” the first line of Bashō’s haiku, in accordance with Japanese tradition evokes an image of a white autumn moon, providing readers with a sense of time, this further highlights the always changing nature of the world. Moreover, the use of the word “pure” conjures an impression left in the reader’s mind from the very first line “worshipped at the Kei Shrine” and mirrors the last image of the haiku: “on the sand carried here/Pilgrim Priests.” The theme of holiness only amplifies the sense of tranquility and the allure of the shrine so closely tied by Bashō to this specific time and place. The nature of a haiku only emphasizes the aware of a piece. Aware means that at another time, the shrine would have had an utterly different effect on the poet and subsequently the

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