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Basho
1. Where and when does Basho start his travels?
Basho’s journey starts from a 17th Century Japanese city called Edo (present-day Tokyo). He had a cottage in a quiet, rural part of the city. He left Edo in the Spring season, “ It was the Twenty-seventh Day, almost the end of the Third Month.” (p. 2112)
2. Why does Basho start his travels?
Like many of us do, Basho was beginning to question the purpose of his existence. In comparison to what Dante was going through during the time he wrote the Inferno, Basho is having somewhat of a mid-life crisis.
“ I myself fell prey to wanderlust some years ago, desiring nothing better than to be a vagrant cloud scudding before the wind... But the year ended before I knew it... Bewitched by the god of restlessness, I lost my peace of mind; summoned by the spirits of the road, I felt unable to settle down to anything.”
Also, consider the political context surrounding Basho. He lives in an Imperialist society where material benefits are held on high and there is a huge gap between the social elite and the poor. At this point, Basho feels the world is out of balance. He sought an austere existence, lived in solitude and consecrated his life to poetry. The purpose of his travels was a “poetic devotion to nature.” Also, for Basho, this pilgrimage through nature was a search for inspiration from places made famous by literature and history. This is an interesting parallel to Montaigne... but Basho actually visited the places he read about in books. At the beginning, he makes his point clearly “travel is life.”
3. What is the role of the haiku poems in the text?
Basho takes these small little poems and places them throughout the text to tell the story of his travels. Each haiku tells the reader where Basho is, what he is doing and what is going on around him. Each poem expresses emotional/visual content of carefully chosen events.
Also, the structure of the haiku is entirely simplistic - this reflects Basho’s and Sora’s humble way of life. In only 17 sylla...
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...;The rain at Kehi Shrine shook him up a little bit. He is at the end of his long, hard journey empty handed. He lacks the fulfillment of achievement. It seems that he pushed onward because he knew there was going to be a light at the end of the tunnel. Somehow, things didn’t exactly pan out the way he planned and here his at the end of the road, contemplating on the emptiness of the world...
I don’t know if you’ve ever heard this, something like Sunday evening blues...people go through this kind of feeling... you know just laying around all day, doing NOTHING... and then 6PM rolls around and you feel like a loser because you wasted the whole entire day... something like that.
I guess what I’m trying to say is that Basho is experiencing this inner hunger, a deep need for personal fulfillment... He describes the scene around him, but somehow it doesn’t have that “spark” to it... he is faced with the challenge of accepting his life as a regular human being... like Elizabeth said, he is not the moon...
Though Stephen initially feels isolated both physically and psychologically due to his illness, through the calm beauty of Matsu’s garden and the comfort Sachi provides, Stephen finds his stay at Tarumi to be much less secluded. This proves that though one may feel alone at times, other people or things may help vanquish that feeling. In today’s world, isolation is everywhere – it is seen through due disease, intelligence, race, etc. Yet, people find that little things like human comfort, such as Sachi, or object reminiscent happiness, like Matsu’s garden, are enough help them realize they are not alone. This sense of aid shows that like the flower in the midst of the desolate landscape, something small is all it takes to erase negative feelings.
Though Stephen initially felt isolated both physically and psychologically due to his illness, through Sachi’s comfort and the calm beauty of Matsu’s garden, Stephen finds his stay at Tarumi to be much less secluded. This proves that though one may feel alone at times, other people or things may help vanquish that feeling. In today’s world, isolation is everywhere – there is isolation due disease, intelligence, race, etc. Yet, people find that little things like human comfort or object reminiscent of a happy past are enough help them realize they are not alone. This sense of aid shows that like the flower in the midst of the desolate landscape, something small is all it takes to erase all negative feelings.
The speaker in “Five A.M.” looks to nature as a source of beauty during his early morning walk, and after clearing his mind and processing his thoughts along the journey, he begins his return home feeling as though he is ready to begin the “uphill curve” (ln. 14) in order to process his daily struggles. However, while the speaker in “Five Flights Up,” shares the same struggles as her fellow speaker, she does little to involve herself in nature other than to observe it from the safety of her place of residence. Although suffering as a result of her struggles, the speaker does little to want to help herself out of her situation, instead choosing to believe that she cannot hardly bare recovery or to lift the shroud of night that has fallen over her. Both speakers face a journey ahead of them whether it be “the uphill curve where a thicket spills with birds every spring” (ln. 14-15) or the five flights of stares ahead of them, yet it is in their attitude where these two individuals differ. Through the appreciation of his early morning surroundings, the speaker in “Five A.M.” finds solitude and self-fulfillment, whereas the speaker in “Five Flights Up” has still failed to realize her own role in that of her recovery from this dark time in her life and how nature can serve a beneficial role in relieving her of her
...ome the dream of attainment slowly became a nightmare. His house has been abandoned, it is empty and dark, the entryway or doors are locked. The sign of age, rust comes off in his hands. His body is cold, and he has deteriorated physically & emotionally. He is weathered just like his house and life. He is damaged poor, homeless, and the abandoned one.
A magnanimous amount of motivation for the tenant farmers was generally found in the self, in an individualistic manner. As "gentle (winds) followed the rain clouds," furthering the magnitude of the dust storms, the survival of the farmers and their families soon became doubtful. The men would sit in "the doorways of their houses; their hands were busy with sticks and little rocks... (as they) sat still--thinking--figuring." The adversity represented by the weather was hindered by the idea that man could triumph over nature--over the machine--and retain a sense of self-identity.
“His life was not confining and the delight he took in this observation could not be explained.” (Cheever 216) He had a perfect family, high social status and very few problems in his life, or so he thought. His life is so wonderful that anything objectionable is repressed. Not until he takes the “journey” into realization, where he learns through others that his life has fallen apart.
disbelief and vulnerability. In the first stanza Baca states how he was "numbed" as he
As caged animals, birds represent internal feelings of confinement and delimitation. While roaming and flying freely above open seas, birds emit emotions of self-reliance and freestanding independence. The imprisonment or liberty of birds throughout the storyline of The Awakening is the symbolism that Chopin utilizes to discursively illustrate the societal limitations and boundaries that are placed upon Edna. For the duration of the novel, vivid bird imagery elucidates both the struggle and freedom that she constantly encounters. One exemplification of this includes how Edna notices the “green and yellow” parrot that hangs outside of Madame Lebrun’s home. Edna is somewhat irritated by the sh...
In the novel Othello, written by William Shakespeare, there are a variety of ways in which women are portrayed. There are strong willed women such as Emilia, who stands up to the men, especially to her husband. If he is wrong she would openly admit that he is incorrect. There are also women who are thought to be a possession as well as extremely submissive to their husbands such as Desdemona. She is the type of woman that will obey her husband to the day she dies. Desdemona believes that her husband is always right and he will never do anything that will lead her into the wrong direction. Many of the women in this time thought the same way. They are viewed as house workers, cooks, and teachers to the children. In addition to those qualities women obtain, having no authority in marriages is also added to the list. In this novel, there is judgment against women because they are “unequal” to men. They are not allowed to do the same as men for the reason that they do not possess the same qualities as men. Men were considered to be superior to women. Women were treated as their “slaves.” In contrast, today’s time women now have power. They have the right to vote, run for office, and even work outside their homes. Women now play the part as the male and female figure in the households. They are considered independent women, not relying on a male figure. Even if they are married now, they do not listen to everything that their husbands tell them to do. It states in the Bible that a male figure is the head of the households; however women today have strayed away from that view that they had back then. They want to be the dominate figure. Times have really changed from the past to the present. W...
The possessive nature of men was represented in relationships ranging from husband to wife and father to daughter. Brabantio,
Butor’s tone used throughout the text is lax enough for the reader to genuinely connect with his ideas, since the typical traveler usually vacations in order to escape the daily stresses of their normal routine. In doing this, he portrayed his idea of what travel is meant to be with language proper enough for the sophisticated
“He then told her of that time of his life to which allusion has been made when, tossed about by doubts and difficulties like a cork on the waves, he went to London and plunged into eight-and-forty hours’ dissipation with a stranger” (220).
The traveler goes somewhere because there is something there to see or learn, and his reports of his goings-on are centered upon what is there and its relationships to ideas. The purpose of a trip for such a person is to learn, and also allow others to learn from what findings the person observes. While many people have never traveled around the world, they may still be aware of what is going on there,...
First of alll, the poem is divided into nine stanzas, where each one has four lines. In addition to that, one can spot a few enjambements for instance (l.9-10). This stylistic device has the function to support the flow of the poem. Furthermore, it is crucial to take a look at the choice of words, when analysing the language.
The poem “I Wandered Lonely as a Cloud” by William Wordsworth is about the poet’s mental journey in nature where he remembers the daffodils that give him joy when he is lonely and bored. The poet is overwhelmed by nature’s beauty where he thought of it while lying alone on his couch. The poem shows the relationship between nature and the poet, and how nature’s motion and beauty influences the poet’s feelings and behaviors for the good. Moreover, the process that the speaker goes through is recollected that shows that he isolated from society, and is mentally in nature while he is physically lying on his couch. Therefore, William Wordsworth uses figurative language and syntax and form throughout the poem to express to the readers the peace and beauty of nature, and to symbolize the adventures that occurred in his mental journey.