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The wizard of oz film analysis, mis en scene, for film
Composition narrative literacy essay
The wizard of oz film analysis, mis en scene, for film
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1939’s The Wizard of Oz follows a very specific formula that constitutes its narrative. According to David Bordwell, a narrative can be defined as “a chain of events in cause-effect relationship occurring in time and space” (James Mooney, 2015). In order to comprehend the narrative structure of the film it is important to grasp the notion behind its structural composition. To make this clear, one ought to look at the narrative composition through the lens of the theorist Tzvetan Todorov who has identified a formula which, aims at highlighting various phases which constitutes a narrative.
Todorov theorized that narratives are chronological in nature. In other words, they follow a given path and have a clear structural composition to them. That is to say, the narrative has a clear
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The Wizard of Oz follows said structure as can be seen through Dorothy’s journey from Kansas to Oz and back to Kansas once more. This formula can be seen throughout the majority of Classical Hollywood films in which, the assumption follows that ‘actions will spring primarily from individual characters as causal agents’. Firstly, the narrative of the film starts with an equilibrium. With that being said, the previously mentioned equilibrium is represented in Dorothy’s living in Kansas. Secondly, an action or character disrupts the aforementioned state of balance which, in this case, can be seen as the twister that disrupts Dorothy’s equilibrium and transports her away to the land of Oz. Thereafter, a sort of quest to restore the equilibrium begins. The protagonist will therefore, have desires which, will ultimately set up their goals. In this specific case, Dorothy sets herself a quest of getting home by visiting a reputable Wizard that may help in achieving said goal. The following step continues with the characters attempting to
Chatman, Seymour, "Existents." Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell UP, 1978. 107-126, 131-145.
Frank Baums, The Wizard of Oz is arguably one of the most popular films made. Even though it was released in 1939, nearly three-quarters of a century ago, the film continues to entertain audiences and speak to them in a personal way. The question that comes to the mind when analyzing this film is: What is it about this film that gives it such timelessness? When reflecting on the film’s timeless qualities, it seems clear the plot is one of the things that enable it to maintain its relevance. Primarily, the plot of The Wizard of Oz is timeless because it is such an excellent example of the heroic journey, both in literally and cinematically. This journey of self-awareness is a metaphor for growth, which is something we all search to discover at some time in our lives.
Bal, Mieke. Narratology: Introduction to the Theory of Narrative. Toronto: University of Toronto Press, 1985.
With this concept, we can assess and place value on the stories presented in The Things They Carried. Yet, it is still not that simple. The reader is continually challenged to question what is real and what is imagined. The evaluation of each narrator is constant. While the protagonist continues to remind the ...
The Wizard of Oz the movie demonstrated all three stages Joseph Campbell's theory of the hero’s journey. The first stage or known as the departure of the hero. The hero in the movie is Dorothy. Dorothy’s call to depart is to run away from home to protect her dog Toto from being taken away from her inferior neighbor. While running away Dorothy comes upon Professor Marvel, a fortuneteller. Professor Marvel tells her that her Aunt Em is in danger and needs her assistance back on the farm. When returning to the house a twister hits the ground. As the winds started to get heavier the hero’s house moved across the air uncontrollably, but then she leaves home and enters a new world of talking animals and colorful objects. In the new world of the Oz
“Were off to see the wizard, the wonderful wizard of oz” One of the infamous phrases from one of the most well know classics of all time. The original movie titled The Wonderful Wizard of Oz was made in 1939 by Frank Baum. This film featured stars such as Judy Garland, Jack Hayley and many others. This was not only a movie, it was a fantasy, and a musical storytelling adventure with unusual characters that shook the audience. This was one of the first films to make it to the big screen with color. Because of its success, this film has been remade many times with multiple different spins making it rhetorical. Over the years this film has become one of the best films of all time and is still watched today among all ages
Shot 1: Wide shot. View behind Dorothy in black and white. Dorothy opens the door to the color world of Oz. She steps out into Oz and stops. Straight on shot, camera moves into Oz first through the door, followed by Dorothy appearing again in the foreground. Light symphonies playing magical music, birds are singing in the background.
In the story of Don Quixote, a middle aged “gaunt” man sets off to become a knight-errant. Within the beginning chapters of the story, Quixote goes on a journey to prove himself as a knight. The narrator speaks sarcastically about Quixote’s and his adventures. On account of the voice of the narrator, perception is crucial relative to forming an opinion about Don Quixote and his journey of becoming a knight-errant. The constant opposition of the narrator in relation to Quixote’s goals and actions create a feeling of tension within the audience as the reader becomes perplexed in trying to figure out if Quixote’s journey can really be considered a knight’s errant. Still, despite the narrator’s sarcastic tone and Don’s idiotic actions, Don
“The Wizard of Oz” is a beloved, classical movie among children and adults alike. The story is about a young Kansas girl who dreams of being picked up from her uncle’s farm in a storm; in the dream, she is carried away to a land different from anything she has ever seen. Along the way she meets new friends who all wish to ask something of the Great Wizard of Oz for themselves. Once they reach the great Emerald City, however, they find the city to be a fraud; the very thing each had been searching for was found within each of them. Historian Hugh Rockoff claims The Wizard of Oz contains numerous symbols of the political and social issues. His analysis is listed in the Journal of Political Economy. (Journal of Political Economy, Vol. 98, 1990, pp. 739-760).
In the simplest form, there is a basic structural pattern to narratives, as expressed through Tzvetan Todorov’s explanation of narrative movement between two equilibriums. A narrative begins in a stable position until something causes disequilibrium, however, by the end of the story, the equilibrium is re-established, though it is different than the beginning (O’Shaughnessy 1999: 268). Joseph Cam...
The Wizard of Oz is a fiction story written by L. Frank Baum. The story has two main settings. The first setting is, Dorothy’s home, the Kansas prairies. The prairies are described as dry and gray. The second setting is the land of Oz. Oz is opposed from Kansas, it is colorful, bright, and full of joy. The Wizard of Oz has a grate theme or message behind the story. The message is that we all have good qualities in us, but it is up to us to use them.
High-key lighting is typical in use with musicals, and Oz is no exception. The technique of brightly lighting the set to rid the film of dark shadows injects a happier feel, a lighter tone to the movie. Excellent use of low-key lighting in the film can be seen when the characters meet the wizard for the first time. The use of low-key lighting and the play of shadows here creates a sense of suspense in the viewer. The tone is dark, and the controlling color is
...verything around us is made by our actions. Positive or negative they cause an effect that will ultimately lead to a different story base on how we interpret life. Narrative elements are used as a bridge by the directors in their film to create any master plot that is currently known. Any modification at any narrative element used by the director at important moments inside the story can help you portray a different master plot. This used of narrative elements can be best described as an ever changing process that takes place inside an individual’s head. Depending on the individual that may be exposed to those narrative elements can create different meanings. This new interpretation can be different for everyone. We have to be aware that one change in the surface scenery can lead to many ideal outcomes in our minds and that is the main power the audience has.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...
The traditional short story is a genre of a prose. It is a fiction work that presents a world in the moment of an unexpected change. The traditional short story obeys some rules, such as the unexpected change and major events with detail. The modern short story is a revolution which is based on the traditional short story. In other words, if the traditional short story is in the first floor, the modern short story is in the second floor. Therefore, the modern short story still obeys some rules that the traditional short story obeys, and breaks some rules that the traditional short story obeys. One rule that the modern short story still uses is the unexpected change. The rules broken by the modern short story are that the major events are not detailed, and that the border between the real world and the fiction world. This paper first talks about the unexcepted change and uses the examples of “Eveline” and “The Open Window.” Then, this paper talks about major events with detail, and uses the examples of “Lottery,” “The Open Window” and “Hills Like White Elephants.” Finally, this paper talks about the meta-literary and the border between the real world and the fiction