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The effect of technology on society
The effect of technology on society
The effect of technology on society
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Within this essay i shall be examining to what degree the music economy has entered a post-industrial state. I shall do this by first highlighting the the definition of post-industrialism and show how this affected musicians in the present day; and as a result how this has affected my personal and professional development within the music industry. I will highlight interesting factors such as the different interpretations of how we define an era, what place the creative industries have within a post-industrial society and areas of my own professional development, goals and education.
The concept of post industrialism is a term coined by US sociologist Daniel Bell in his 1974 book 'The Coming Of Post-Industrial Society' in which he characterises it by the "Centrality of theoretical knowledge as the source of innovation and policy formation within the society" (Business Dictionary, 2014), this is highly western-centric in which the focus is a society that regards knowledge as power and technology as the instrument of those within it (Targ, 1976). This can only currently exist in the global west (Gibson, 1993), in which its exponent members are capable of realising industrialisation as a previous societal state as so to recognise the departure from it into a post-industrial state (Wikipedia, 2014). The features which define this departure can be identified as thus; Less and less people working for menial wage jobs, more people entering tertiary and quaternary education and work, the domination of the service sector, increasingly high levels of urbanisation, and as said before the prevailing dominance of technology and theoretical knowledge providing the basis for innovation.
As highlighted previously, the concept of post-ind...
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...nment or Entitlement: Rethinking tertiary music education. [online] Available at:
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Wikipedia, 2014. Post-Industrial Society. [online] Available at:
Bell, D., 2008. The Coming Of Post-Industrial Society
Gibson, D., 1993. POST-INDUSTRIALISM: PROSPERITY OR DECLINE?
Block, F., Postindustrial Possibilities: A Critique of Economic Discourse
Collins, K., The Future is Happening Already: Industrial Music, Dystopia and the Aesthetic of the Machine
Domanic, P., 2004. The emergence of a post-industrial music economy? Music and ICT synergies in Stockholm, Sweden.
A number of other genres, throughout the decade, maintained a significant following. One genre that was slow to start was Hip-Hop, while it emerged in the 1970’s it didn’t become significant until the late 1980’s. Although Classical music began to lose impetus, it gave way to a new generation of composers through invention and theoretical development. The decade was also distinguished for its assistance to electronic music, which rose in reco...
As the 1930’s began, the effects of the great depression still ravaged the United States, which in turned caused a dramatic change in the music industry. Membership in the musicians’
“If a great musician plays great music but no one hears it, was he really any good?” (Weingarten, 2007) as Weingarten says in his article ‘Pearls before Breakfast’. An unbiased opinion described well within the narrations of the article allow the reader to understand the situation from various point of views and also recognize the reality regarding priorities of our current generation relating to beauty and art.
If one were to look back into the world’s history, one would find that an important and consistent element is the world of music. Music has presented itself in various forms throughout its spread and through our identification of its magical realm, people have been fortunate enough to come across a means of relation. Whether it is blues and reggae or rap and pop rock, there is music out there for everyone. Music can serve as a stabilizer for some, a relaxant to others, and to many a form of inspiration.
The assignment will attempt to explore the commercialised fabrication that is X-Factor, on the music industry. In particular, what does the reality show X-factor pose for production of artists, and the effects this has on the industry? The prestige for production that X-Factor had to offer for the music industry, simultaneously to now it may no longer desire through realisation of just regurgitated material? A matter of opinions and factual literature will be explored to elude the commodification this commercialised machine offers to the music industry. Firstly, what are commodities and the relation commodification holds within the music industry? Commodities are an existence of a good that are produced for means to a profit (Marx, 1968). Well established commodities are those with large markets, accustomed by large derivative markets trade and speculate profit, if the asset or produce interchanges in the way they are expected (Hesmondhalgh, 2007). Therefore, would it suggest culture commodification districts genuine value and asserts more focus on profit motives, subsequently, weakening creativity and originality that are imposed within the media industry? The relationship between commodification and the X Factor is a direct marketing tool for the commodification of music, which takes particular advantage of the much sought-after Christmas Number One spot every year (King, 2010).
The Use of Electronic Technology in 20th and 21st Century Music In this essay, I have examined the use of electronic technology within 20th and 21st Century music. This has involved analysis of the development and continuing refinement of the computer in today’s music industry, as well as the theory of the synthesiser and the various pioneers of electronic technology, including Dr. Robert Moog and Les Paul. Also within the essay, I have discussed the increasing use of computers in the recording studio. The computer has become an indispensable tool in ensuring that both recording and playback sound quality is kept at the maximum possible level. Many positive ideas have come from the continued onslaught of computerisation.
We all miss the old days, and this fact has no exceptions. This longing is the reason we throw 90’s parties. I for one wonder what happened to the music in last 20 years that brought us from perfect music like REM and Pearl Jam to some awkward noise like Justin Bieber. In fact, such confusion and admiration for the past that people experience these days resemble the feelings of the people and the artists in the 18th century, including artists like Jean-Marc Nattier who painted Terpsichore, the Muse of Music and Dance (1739), and Sir Joshua Reynolds who painted Lady Sarah Bunbury Sacrificing to the Graces (1765).
To conclude, the accuracy of Adorno’s criticisms of contemporary music is arguable as there are some of his claims that can be applied to today’s music culture. His arguments have strengths and weaknesses of popular music production to the masses. However, the writers note the change of ‘popular’ music and with the evidence of the music records sale figures from Frith, the culture industry is not as manipulative as Adorno makes it to be. Although, the several writers highlights the flaws of Adorno’s claims, it does shows with contemporary music today that the culture industry follows pseudo-individualism in order to create music for what the consumer needs.
15 Jacques Attali, Noise: the Political Economy of Music (University of Minnesota, 1985, trans. Brian Massumi)
Music Business Music Business Exam Number One Question 1 - What is The music publishing industry at a glance would seem to be those who print sheet music, method books, lead sheets, and all of the texts or notated music that musicians (and those aspiring to be musicians) use. Years ago, this was what most music publishers did, but as the industry has evolved, the process has become much more complex. Music is not just ink and paper, intellectual material and property to the individual who writes it. Therefore, the song does not become "a song" when it is written down. This is not an easy concept to grasp because the song itself has no physical makeup.
It is clear that music shaped the social climate and the social climate shaped music. By analyzing the musical meaning of the songs of the time period, one can gain insight into the postwar era society. The music of the post war era helped establish a generation gap and ultimately was a precursor for the civil revolution of the sixties. Given the gravity of the social changes inspired by music, it is evident that musical meaning plays a vital role in shaping culture.
This essay aims to explore the contextual ideas behind the modern movement, how it influenced today’s artists and thinkers, and how ‘Modernization, Modernity, Modernism’ shaped the world we live in. Towards the end of the nineteenth century, around 1860 after man had considerably conquered the machine, a new reality became prevalent in the lives of the newly industrialised world. Modernism includes more than just art and literature. By now it includes almost the whole of what is truly alive in our culture”(Greenberg 1982:5). This quote can be applied to the earlier days of modernism when jobs had changed from agricultural based employment to corporate and menial based labour.
The influence that music has throughout the world is immeasurable. Music evokes many feelings, surfaces old memories, and creates new ones all while satisfying a sense of human emotion. With the ability to help identify a culture, as well as educate countries about other cultures, music also provides for a sense of knowledge. Music can be a tool for many things: relaxation, stimulation and communication. But at the same time it can also be a tool for resistance: against parents, against police against power. Within the reign of imported culture, cross cultivation and the creation of the so-called global village lies the need to expand horizons to engulf more than just what you see everyday. It is important to note that the role of music in today’s world is a key tool in the process of globalization. However, this does not necessarily provide us with any reasons that would make us believe that music has a homogenizing affect on the world.
The music industry started in the mid 18th century with Wolfgang Amadeus Mozart. Through the decades there has been a great increase in this industry; however, the revenues for this industry have declined by half in the last 10 years. This has been caused by music piracy, which “is the copying and distributing of copies of a piece of music for which the composer, recording artist, or copyright-holding record company did not give consent” . After 1980’s, when the Internet was released to public, people started to develop programs and websites in which they could share music, videos, and information with...
Instructor, Yolanda Williams wrote “A post-industrial society is a stage in a society's development during which the economy transitions from one that primarily provides goods to one that primarily provides services. In other words, the service sector, made up of people such as nurses, teachers, researchers, social workers, and lawyers, among others, accounts for more of the economic growth and wealth than the manufacturing sector, which is made up of people such as construction workers, textile mill workers, food manufacturers, and production workers. The economic transformation associated with a post-industrial society subsequently transforms society as a