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Role Of The Moonstone Analysis
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Alexandra Lloyd
What role did 19th Century popular serial novels such as Wilkie Collins’ The Moonstone play in British understandings of India?
When Wilkie Collins first wrote The Moonstone in 1868, it was not published in the form available today, but was published in instalments in a popular Victorian magazine, All the Year Round. Upon its first publication it was eagerly read by the general British public, for its readership not only included the ruling and upper classes, but the cost and availability meant that a copy would have a wide circulation amongst all members of a household. The tale’s images and ideas of India thus reached many social groups in British culture.
To Wilkie Collins, the gem, part of whose history we follow in The Moonstone, the novel of the same name, is the signifier of all things that humanity strives for, material and spiritual. He begins the novel by demonstrating that the history of the Moonstone gem is a history of thefts. In having his initial narrator state "that crime brings its own fatality with it" (p.6 Ch. IV of the prologue), Collins underscores the fact that nemesis attends every worldly expropriator of the Moonstone, which to its temporary European possessors is a bauble and a commodity but which to its faithful guardians, the Brahmins, is a sacred artefact beyond price.
The Moonstone is never really English or England's, for the novel begins with an account of its various thefts. It opens in India with Rachel Verinder’s Uncle Herncastle's purloining the gem in battle (the opening lines are specifically "written in India"(p.1)) and closes with Murthwaite, the famed fictional explorer's, account (dated 1850) of the restoration of the gleaming "yellow Diamond"(p.466) to the forehead of the Hindu deity of the Moon "after the lapse of eight centuries"(p.466, "The Statement of Mr. Murthwaite"). The date of Murthwaite's account of the restoration of the diamond may be ironic, for in 1850 a Sikh maharajah, exiled from Indian after the Anglo-Sikh War of 1848-9, presented a gem, which is thought to be the ...
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...l conciliation and transcendent faith if India were to arise from bloody, mutually destructive, strife and take her rightful place in the society of nations. Today, Collins's The Moonstone may be viewed not as a response to a national insurgency and/or European determination to keep the native in his place, but rather as a love story between two people who only come to see each other for what they are after misjudgements, misunderstandings, accidental and intended deceptions, and considerable self-sacrifice.
Bibliography
Page references to passages from The Moonstone come from the Oxford University Press, 1999 edition of the novel.
Collins, Wilkie. The Moonstone. Oxford, Oxford University Press, 1999.
Sutherland, John. “Introduction and A Note on the Composition” Wilkie Collins’ The Moonstone. Oxford, Oxford University Press, 1999.
Stewart, J. I. M. “A Note on Sources.” Wilkie Collins' The Moonstone. Harmondsworth, Penguin, 1966, rpt. 1973. Pp. 527-8.
Fraser, Antonia, ed. The Lives of the Kings and Queens of England. New York, Alfred A. Knopf, 1975.
Peters, Catherine. The King of the Inventors: A Life of Wilkie Collins. London, Minerva, 1991.
Harper American Literature, Inc. Harper & Row Publishers: New York, 1987, pp. 113-117. 1308 - 1311 -.
But this was not the end of the affair. The king's chief minister, Robert Cecil, had given strict instructions that Robert Catesby should be taken alive. The reason being, that he possessed a sacred relic - a green, jade gemstone called the Meonia Stone. Tradition held that it had once been set in King Arthur's sword Excalibur. Historically, it had belonged to Mary Queen of Scots, the last legitimate Catholic heir to the English throne. Following her death in 1587, a legend had developed that the Catholic who would finally secure the English throne would need to possess the sacred stone. Fearing that the Meonia Stone would act as a rallying symbol for the English Catholics, Cecil was determined that it should be destroyed. He was furious, however, to discover that Robert Catesby had been shot dead and the knowledge of the stone's whereabouts had died with him. Despite months of frantic searching and intense interrogation of the surviving conspirators, the stone was never found. Three centuries later, in 1979, Graham Phillip's and fellow researcher Andrew Collins decided to go in search of the lost Meonia Stone. The Green Stone, co-authored by Martin Keatman, is the remarkable true story of this fascinating quest.
Abrams, M. H. The Norton Anthology of English Literature. New York; W. W. Norton & Company, Inc., 1993.
In Wilkie Collins’ The Moonstone, we see the themes of greed and selfishness. These are primarily demonstrated through John Herncastle.
Abrams, M. H. The Norton Anthology of English Literature. New York: W.W. Norton & Company, Inc., 1993.
Pimple, Kenneth D. Studies in the Novel. Vol. 45 ed. Denton: Studies in the Novel, University of North Texas, 1993. Print.
Manning, Kenneth R. (1983). Black Apollo of Science: The Life of Ernest Everett Just. New York: Oxford University Press
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.
2. Attridge, Derek. The Cambridge Companion to James Joyce. New York: Cambridge University Press, 1990.
In the Nineteenth Century the jewel was the ultimate exotic object, Collins describes the Moonstone as “a yellow diamond- a famous gem in the native annals of India,” (Collins p.33) and clearly credits influence to the Koh-i-Noor in his preface to the novel. Collins builds upon the alien nature of such an object utilising the perceived mysticism of the Orient linking the jewel to a “four handed Indian God” (Collins p.33) [Said’s “exotic being” ?] and superstition, the notion of the jewel “feeling the influence of the deity who adorned it” (Collins p.33) [“remarkable experiences” to Said?]. Collins rapidly develops the exotic object into the cursed object primarily to create a long involving tale with a successfully satisfying denouement. the novel is, of course foremost a detective story; how memorable or lengthy a tale would it have been if the...
The Moonstone, written in 1868 by Wilkie Collins is a mystery novel about a gem called "The Moonstone". The moonstone is somewhat a symbol of what everyone strives for, beauty and power. In the book, justice plays a huge role in terms of doing what is fair and morally right through action and attitude. Although the moonstone is overbearingly beautiful and breathtaking, like all beautiful things, it has a history "..that crime brings its own fatality with it" (Ch. IV). With such great beauty, the moonstone almost takes power and control over people, making them act out in such ways just to get their hands on it.
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.
Abrams, M. H., et al., The Norton Anthology of English Literature. Vol. 1. New York: Norton, 1986.
Rushdie’s Midnight’s Children, published in 1980, was perhaps the seminal text in conceiving opinions as to interplay of post-modern and post-colonial theory. The title of the novel refers to the birth of Saleem Sinai, the novel’s principal narrator, who is born at midnight August 15th 1947, the precise date of Indian independence. From this remarkable coincidence we are immediately drawn to the conclusion that the novel’s concerns are of the new India, and how someone born into this new state of the ‘Midnight’s child’, if you will, interacts with this post-colonial state. To characterise the novel as one merely concerned with post-colonial India, and its various machinations, is however a reductive practice. While the novel does at various times deal with what it is to be Indian, both pre and post 1947, it is a much more layered and interesting piece of work. Midnight’s Children’s popularity is such that it was to be voted 25th in a poll conducted by the Guardian, listing the 100 best books of the last century, and was also to receive the Booker Prize in 1981 and the coveted ‘Booker of Bookers’ in 1993. http://www.bookerprize.co.uk/
Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, 4th ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.