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Use of symbolism in kafka metamorphosis
Gregor samsa metamorphosis essay
Use of symbolism in kafka metamorphosis
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Existentialism in The Metamorphosis Existentialism is the philosophy that handles man’s isolation in the universe. Either there is no God or there is a God but he stands alone from man, leaving him free will to make his own choices. Also, in Existentialism the choices you make define who you are. From this basic idea of man being isolated in a purposeless state, many ideas have emerged. One idea that emerged is that existentialists worry that life has become too arduous, and impersonal. As well as people become more involved with their work, which takes them away from their family, friends, and society. An author that prominently shows existential themes in his writing is Franz Kafka in The Metamorphosis. The Metamorphosis is novella …show more content…
His death displays another Existential theme, that man can’t survive by himself. Gregor needs to be a member of society in order to give his life meaning. Before Gregor’s transformation, he lived his life as an isolated loner. Gregor would get up everyday to the same routine, he wake up at four every morning to travel all over the region to sell products, but never had anytime to make a long lasting friendship, he never really even tried to. In his free time he would do anything but make friends, he would read or do artwork alone. Gregor’s employers thought he was trying to cheat them out of their money, so they were ready jump to conclusions and throw him out like a non-human machinery. Gregor acts like a non-human machine rather than acting like a human who socializes, so when Gregor transforms into a non-human insect, which causes him to be a victim of Existentialism. In the Metamorphosis, Gregor has to fight to act like a human, struggling to do everyday tasks. Gregor “once again saw his small limbs fighting one another… he told himself again that he could not possibly remain in bed and that it might be the most reasonable thing to sacrifice everything” and that he must get “himself out of bed in the process.” Getting out of bed is an easy task, yet for Gregor moving at all is a very difficult thing to do that he has to relearn. He has to use all his strength to do something that isn’t difficult at all.
Gregor is obviously trapped by his external appearance. His physical limitations deepen his feeling of futility. His external appearance mimics his internal feelings, as he now feels helpless by not being able to physically carry out his responsibilities.
The story of The Metamorphosis starts out simply, with a human waking up no longer human, but rather like a giant bug. This existential novella is filled with absurdity, as well as betrayal. When Gregor Samsa, the main character, wakes up one day as a bug, his first priority is getting to his job, in order to make money to support his family. But as the story goes on, he is betrayed by the family he loves so much, but worse, he betrays who he is as a person. Betrayal in the novella The Metamorphosis contributes to the overall message of the story that anyone will betray you, regardless of whether they are family, enemies, or even yourself, through showing the actions of Gregor’s father towards Gregor, Grete’s actions against Gregor, and Gregor’s own actions against himself and his family.
...trayed by his family, he is imprisoned in his room; however, he "thought back on his family with deep emotion and love". His affection for his family results in his conviction that he must disappear, so that he can bring them happiness and peace. Gregor sacrifices his life and dies during the night to save his family from hardship. He loves them unconditionally, like Jesus loves his people, and does not criticise them for betraying and mistreating him. Gregor's final sacrifice of his life is the strongest comparison of his Christ-like attributes.
Throughout the entirety of the writing he is met with different challenges and obstacles. Grete, his sister and his parents have a unique bond that is not always the strongest. Gregor has not been close with his parents for awhile, but Grete especially at the beginning was the only person who truly cared about his predicament. This conflict results in the desertion of Gregor and the downfall
Thirdly, he suffers isolation from the physical world, which he is no longer able to participate in due to his presence and lack of mobility. Lastly, he suffers isolation from other people around him, especially his family. By the end even his sister, Grete, the most compassionate member of the family, explanations that they should stop thoughtful of the creature as the person they knew. She says that “the fact that we’ve believed it so long is the root of our trouble” (Kafka 48), which can be taken to mean that at some point Gregor stopped being a person not only because of his entrance but since of his non-conformist actions. The beating he receives from his father shows the extent of the cruelty he endures, though his father knows that “family duty compulsory the conquest of disgust and the use of endurance, nothing but patience” (Kafka 36). The tragedy is that this alienation ends up killing Gregor, who “dies not as a vermin, but as a human being thinking of his family”. The transformation is an indication of the breakdown of Gregor’s psyche and alienation within his self. The reader is not told how the transformation
...s he is stuck in a cycle of suffering caused by his obligations to pay off his family's debt, which causes him to become alienated creating a dependence on his obligations in order to interact with his family. His metamorphosis initially breaks him out of this cycle of suffering only to be thrust into a new one, living confined to his room and completely depending on them for his sustenance and well being. This dependence alienates him further from his family as his care and appearance become to much to bear for his family, leading to his death. in his death he is finally freed from the suffering that plagued his life as well as freeing his family from the burden of caring for him. Gregor's metamorphosis allows him to see the conditional nature that the love his family has for him. In death Gregor is finally freed from the cycles of suffering that plagued his life.
Franz Kafka's The Metamorphosis is a masterfully written short story about Gregor Samsa, a man who devotes his life to his family and work, for nothing in return. Only when he is transformed into a helpless beetle does he begin to develop a self-identity and understanding of the relationships around him. The underlying theme of The Metamorphosis is an existential view that says any given choice will govern the later course of a person's life, and that the person has ultimate will over making choices. In this case, Gregor?s lack of identity has caused him to be numb to everything around him.
As Gregor struggles to get up and prepare himself for work he realizes that he is already late. As he looks around his bed room he thinks that’s he is just dreaming and attempts to go back to sleep. After many failed attempts Gregor realized that he could not turn over on his side, which was the only position he could sleep in. Moments later, each of his family members knock on his door in an effort to see what is taking him so long. Unable to control his numerous legs, Gregor next tries to move his lower body, but finds out that it is almost impossible to move due to the unbearable pain.
Klingenstein, Susanne. “The Metamorphosis: Overview.” Reference Guide to Short Fiction. Ed. Noelle Watson. Detroit: St. James Press, 2009.
In 1915, Franz Kafka published the novella The Metamorphosis, a story that questioned the habits of humanity through the frame of a man transformed into an insect. Through this absurd premise, Kafka is metaphorically able to present hatred and prejudice in an insular display—where the reader’s own opinion of Gregor is not judged or shamed, where both Gregor and the family’s actions can be understood. However, the metaphor of Gregor’s metamorphosis is not rigid in its application. It is fluid and unique, and what gives The Metamorphosis its grim, haunting tone. Kafka’s special metaphor not only broadens the limits of literary analogies, but expands on the nature of alienation and antipathy.
Franz Kafka's The Metamorphosis and Albert Camus' The Stranger, both feature protagonists in situations out of which arise existentialist values. Existentialism is a philosophy that emphasizes the uniqueness and isolation of the individual experience in a hostile or indifferent universe, regards human existence as unexplainable, and stresses freedom of choice and responsibility for the consequences of one's acts . In The Metamorphosis the protagonist, Gregor Samsa, realizes his existentialism towards the end of the novella. In contrast, Monsieur Meursault, the protagonist in The Stranger, knows of his existentialism, only realizing his life's lack of meaning moments after he is sentenced to death. Despite the somewhat absurd nature of The Metamorphosis, and the realistic nature of The Stranger, similar values are communicated to the reader. The easiest to pick out being that it is up to the individual to create his/her own life, and that the inhuman behaviour presented by both protagonists will eventually lead to very bad things; namely death in both novellas. These deaths are, however, very different, as are the methods through which Kafka and Camus have made each novel nothing but `a philosophy put into images' .
Existentialism is defined as a philosophical movement that human beings are completely free and responsible for their own actions. Existentialists will try not to cause waves and remain completely uninvolved with anyone because they do not want to hurt anybody. There is absolutely no such thing as an existentialist because he would have to be so uninvolved to the point where he would not be able to live at all. Although the two stories: The Metamorphosis by Franz Kafka and The Stranger by Albert Camus are very different in approach, their endings are similar in that they both support the basics of existentialism.
The Metamorphosis Gregor the main character in the story “Metamorphosis” written by Frankz Kafka which was not supposed to be published after Kafka died in 1924 but his friend, “Max Brod acted as any serious publisher would have done and ignored Kafka‘s last wishes to have all his works destroyed. Brod had them published” (Krug, 2011). Kafka was a very famous writer back in the 20th century and he spoke German language. Kafka was using his own life as a building block to help him navigate the story about Gregor. Even though he put some fiction into the story of Gregor waking up to being a cockroach, this helped Kafka with the writer and reader connection of how it is when a person is used and devalued.
Gregor’s manager abandons Gregor when he is no longer able to provide his labor, just as a bourgeoisie would treat such a situation. Another Marxist idea is found in the novel when referring to how Gregor’s family treats him after his transformation. After Gregor’s transformation, he no longer has any value to his family. Eventually Gregor’s inability to work causes his death.
Metamorphosis is a common theme in pieces of literature because the author needs the readers to understand if a character was dynamic or static or in other words, whether a character changed thought the piece or remained the same. If a character underwent great and significant changes throughout a story, then the concept of metamorphosis needs to be implying to reflect changes in appearance, personality or even outlook on life.