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Shakespeare settings plays
Analyses merchants of Venice
Analyses merchants of Venice
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Two brave movie directors, Michael Radford and Trevor Nunn, took upon themselves the task of bringing Shakespeare’s The Merchant of Venice to life. Each director’s interpretation of the play greatly influenced the outcome of their movie. He wanted to make Shakespeare’s story come to life. Overall, the Michael Radford version of The Merchant of Venice is better because of the setting, story development, and character interpretation.
First of all, the setting plays a big role in how the audience understands the story. Radford stayed true to the play by placing the characters in Ancient Venice around the 16th century. Nunn, on the other hand, turned the story into a modern tale by placing them in between WW1 and WW2. Establishing the story in
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According to Radford, this play is “about all humanity”(Murray 1). This is why he worked interminably at making the characters relatable to the audience. Shylock is the perfect example of this; he is depicted in a way that relates to every human. Radford portrays him as a victim of human greed and desire; whereas, Nunn portrayed Shylock as a heartless moneylender and gives him the image of a great villain. It is easier to relate to a character that struggles with the same problems seen in our day. Shylock is someone all humans can relate to, he is just a man who was wronged and got carried away in rage. This happens all too often in society, people get carried away and forget about mercy. Another example of good character interpretation is that of Launcelot. The presentation and aura of his character is drastically different from one version to the other. “Certainly my conscience will serve me to run from this Jew my master” is one line that was interpreted two very different ways (2.2.1-2). Radford shows the true struggle between launcelot and his conscience, while Nunn turned the whole thing into a stage comedy act. A struggle between the mind and the conscience, rather than a comedic monologue, serves as a great connection to the audience. Radford made good choices when it came to character
However, the Noble film is very good, and is even better if you know about the play, and you can imagine the scenes and the setting. Even though, I still prefer the realistic, naturalistic Hoffman version, to the surrealistic dreamy Noble film.
Williams believed in the director and never interfered much towards the creative input of the movie. Elia Kazan proved Williams' confidence in him and justified it through a movie which retained the spirit and the original thought behind the play. Elia Kazan, unlike many other directors, has shown complete trust in his screenplay writer Williams, thus a cooperation like this translated the play into a movie in a very seamless manner. Plot of the movie closely follows the play structure which was established by Williams.... ...
Throughout William Shakespeare’s play, The Merchant of Venice, there is a strong theme of prejudice. Portia has to deal with prejudice against her sex, the Prince of Morocco has to deal with prejudice against his race but the character that is most discriminated against is Shylock. He is hated for being a Jew and a money-lender, but Shakespeare has not made Shylock a character easy to sympathise with. He appears to be mean and cruel and it seems as though he loves money above all things. However during the play there are moments when Shakespeare gives Shylock speeches which show his humanity. In these moments, the audience is made to feel sorry for Shylock. Shakespeare has created a character that the audience’s feelings will change for by the minute.
In Act 1 Scene 3, we are first introduced to Shylock, we see him as
It is difficult to say if Shylock is a complete villain or a victim, as his character is complex and ambiguous. However, it is difficult to view Shylock as anything other than a devious, bloodthirsty and heartless villain in the majority of the play. There are a few points in the story where he can be viewed as victimised, as most Jews were at that time, but Shakespeare has purposely portrayed Shylock as a stereotypical Jew, greedy, and obsessed with money. Shylock has been written to be very inflated and exaggerated. Even when Shylock makes his first appearance in the play, his first words are “Three thousand ducats,” Act 1, Scene 3.
All of the characters are defined through Shylock. Launcelot Gobbo, Shylock’s servant, treats his father disrespectfully, but this disdain is not ill-received by the audience; like the other examples of inequity, Launcelot’s apathetic attitude toward his near-blind father is inexplicably tolerated by past and contemporary society (Picker). Launcelot’s contempt is generally assumed to be a result of his underprivileged upbringing, if it is noted at all. His lack of education has deprived him from good manners as well as good sense. The scene itself initially seems inconsistent with the rest of the play.
with how Shylock treats him since he calls Shylock “a kind of devil” and also
Everyone who reads The Merchant of Venice must bear in mind that it is, like any other literary work, a creation of a skillful writer, rising a case that can be a subject for many interpretations and not necessarily revealing a specific view of its writer, however it aims to convey a certain moral to the readers. Therefore, the character of shylock, being stereotyped or not, with its controversy is a tool manipulated to convey a moral message: when people live in a society that is open to cultural diversity and that values the contributions of all society members – regardless of cultural and ethnic backgrounds, race, life styles, and beliefs – they will be one step closer to living in a civil society. Works Cited 1) Encyclopaedia Britannica, the definition of "Anti-Semitism". 2) E. E. Stoll, Shylock (an essay in Shakespeare Studies, 1927). 3) John Palmer, Comic Characters of Shakespeare, Shylock. 4) John Palmer, Comic Characters of Shakespeare, Shylock.
In looking at Shylock, the sixteenth-century audience would deduce all view except the greedy, selfish, manipulating, Jew. In accordance with the normative view, Jews were believed to be out of tune with the universe. This is re-enforce in act 2 scene 5 lines 27-30 when Shylock is comment...
The way that Shylock is portrayed in the play is also a good indication of the feelings towards him. Shylock is portrayed as miserly and selfish. This is shown by his attitude towards his daughter Jessica especially when he finds out that has stolen his money.
It is difficult to say if Shylock is a complete villain or a victim, as his character is complex and ambiguous. However, it is difficult to view Shylock as anything other than a devious, bloodthirsty and heartless villain in the majority of the play. There are a few points in the story where he can be viewed as victimised, as most Jews were at that time, but Shakespeare has purposely portrayed Shylock as a stereotypical Jew, greedy, and obsessed with money. Shylock has been written to be very inflated and exaggerated. Even when Shylock makes his first appearance in the play, his first words are “Three thousand ducats,” Act 1, Scene 3.
Shylock Deserves Sympathy Shylock is indeed a complex character and has the dimension of pain-he has suffered, still suffers and is one of a people who have suffered over centuries. However, to what extent should Shylock suffer and does he deserve our sympathy or hostility. Although anti-Semitism is totally unacceptable today, it was quite normal in Shakespeare's time. However, as he has done with other villains, Shakespeare actually plays around with his audience's preconceptions and makes Shylock an interesting, complex and sometimes likable character.
In many of Shakespeare’s plays, Shakespeare uses multiple settings to contrast opposing ideas that are central to the meaning of the work. In The Merchant of Venice, Shakespeare uses the settings of Venice and Belmont to represent opposing ideas. The city of Venice is an international marketplace. Venice is diverse and full of people from many countries who practice their own religions. Venice is marked by its cultural melting pot and friction, along with its focus on business and greed. In contrast, Belmont is a city in which people flee to in order to get away from the realities of commerce. The city of Belmont is marked by harmony and peace. Many of the characters in the story leave the avaricious city of Venice in order to reside in the
Shylock is a wealthy Jew who invests money into shipments and trades. When Shylock’s enemy, Antonio, requests a loan of 3000 ducats, “Shylock adopts this Christian model of "kind" lending in his bond with Antonio as a means for lawful revenge.” Shylock’s agreement is that if the ducats are not returned, Antonio must repay his loan in human flesh. This is a way for Shylock to either make money or kill a Christian, either will satisfy him. Lee describes Shylock’s feelings towards Christians, “Indeed, although Shylock will neither "eat," "drink," nor "pray" with the Christians, he is willing to "buy" and "sell" with them.” This is where Shakespeare first introduces the devil inside Shylock. Had Antonio been a Jew, there would not have been a payment of flesh. Shylock’s hatred propels the story from start to finish. His hatred causes him to lose his daughter, drives Portia to use her money and wit to save Antonio, and why he ends up losing
In this play, three timeless elements that are very relevant today and throughout history are prejudice, money, and love. Shakespeare included many examples of all these themes in his play. Bassanio, Antonio, Gratiano, Lorenzo, Portia, and Shylock are the main representatives of these themes. You could take anyone in history and compare him or her to anyone in this play. An example of this would be the prejudice and mean spirit that both Shylock and Hitler share. Shakespeare did a very good job showing these elements in real life scenarios. Samuel Taylor Coleridge put it perfectly; this play is a “representation of men in all ages and all times.”