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Essay on the movie matrix
Essay on the movie matrix
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The 1999 film "The Matrix" addresses the philosophical ideas from multiple points of view and it turning into a moral story as helpful to this era as Plato's was to his. It is likely as the main genuine contrast between the film and Plato's idea is the new innovation and the acknowledgment that it turning into our new the truth is exceptionally conceivable. The primary philosophical idea that The Matrix addresses exceptionally well is like the Brain in a Vat hypothesis. Other thought trials, for example, Plato's moral story of the cavern and the idea of the "Insidiousness Demon", made by Rene Descartes, will likewise be taken a gander at and how they identify with the motion picture.
Brain in a Vat is in light of a thought, basic to numerous
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This is what Plato's hole portrays. The situation includes a social occasion of individuals who lived fastened to the mass of a buckle the majority of their lives, confronting an alternate hole divider. The individuals watch shadows anticipated on the divider by items passing behind them and they assign names to them. This is as close as they get to review reality; be that as it may, a detainee is liberated from the hollow and comes to comprehend that the shadows don't make up reality whatsoever, as he can see the valid from of reality instead of the minor shadows seen by the detainees.
The film utilizes a comparative idea as a part of the way that the entire motion picture can be seen as pretty much an adjustment of "Plato's hole" in a modernized and mechanically upgraded way. In the film, Neo is oblivious in regards to the genuine reality and acknowledges the world that he lives in, before being gone up against by Morpheus, like the detainee from "Plato's cavern" that is discharged from the hole and endeavours to tell the populace of the falseness of the truth that they have confidence
Plato's Allegory of a Cave, Wachowski's Matrix, and Marge Piercy's Woman on the Edge of Time
In one of Plato’s works called The Allegory of the Cave he goes over what it means to get higher knowledge and the path you have to take to get to this higher knowledge. Plato also goes over how this higher knowledge or enlightenment will affect people and how they act. He ties this all together through what he calls the cave. Plato tells Glaucon a sort of story about how the cave works and what the people within the cave have to do to get to the enlightenment. A while down the road the Wachowski siblings with the help of Warner Brothers Studios made a movie titled The Matrix. This movie follows the came concept that Plato does in the cave. With saying that the world that Neo (the main character) was living in was in fact not real but a made
The Matrix, directed by the Wachowski brothers, a film about the journey of Neo discovering the real and simulation world, revolves around how he is “The One” destined to save mankind. As critics may say that The Matrix is either an action packed movie containing philosophy or a philosophical movie containing action, critics also miss the fact that it could possibly be considered as a religious themed movie because it contains a plethora of Biblical references, such as symbolic evidence. In Gregory Bassham’s article, “The Religion of The Matrix and Problems of Pluralism”, he discusses how the film contains Christian themes, non-Christian themes, and lastly, religious pluralism. The rhetorical
...The Matrix” and Plato’s “The Allegory of the Cave” almost gives the idea that the movies writers may have had a lot of influence from Plato’s allegory. The creation of this movie gives and futuristic prospective of “The Allegory of the Cave” letting the people who have seen the movie think about reality and the truth. In conclusion, Plato’s story of the cave brings up many philosophical points and most significantly, addresses the topic of society’s role in our lives. On some level, we are all influenced by the thoughts and actions of everyone else, but at the same time, we as humans have the ability to question, make our own conclusions, and finally make our own choices.
As people, we tend to believe everything we see. Do we ever take the time to stop and think about what is around us? Is it reality, or are we being deceived? Reality is not necessarily what is in front of us, or what is presented to us. The environment that we are placed or brought up has a great impact on what we perceive to be the truth or perceive to be reality. Plato’s Allegory of the Cave is one of the most significant attempts to explain the nature of reality. The cave represents the prisoners, also known as the people. They are trapped inside of a cave. They are presented with shadows of figures, and they perceive that to be reality. The cave can be used as a
In "The Allegory of the Cave," prisoners in a cave are forced to watch shadows as people behind them are forced to accept these shadows as reality -- "To them... the truth would be literally nothing but the shadows of the images. One prisoner, however, is released, and stumbles into the real world, containing more depth and complexity than they had ever known. At first, the prisoner will be pained at the bright, piercing light, but will eventually recover. According to Plato, the freed prisoner is then obligated to return to the shadows of the cave, to inform the shackled prisoners left behind of the real world. The prisoners, however, will not believe the freed prisoner, and may even go as afra s to kill him for such "lies" contrary to their "reality." The pursuit of the truth is, therefor, a painstaking but rewarding process. According to Plato, the physical world is a world of sight, one that lacks meaning if left alone. Only those who manage to break into the sunlight from the cave will ascend to the intellectual world. The prisoners in the shadows only know of the dull physical world, while those who ascend into the sunlight learn of the spiritual world, and are exposed to the first hints of truth. The soul ascends upward into the realm of goodness and of the truth, where "... souls are ever hastening into the upper world where they desire to dwell.." The pursuit of goodness and of the truth, then, improves the soul, as the soul desires to be elevated to a higher state of knowledge and morality. Caring for the self and the soul involves freeing the shackles of the physical world and ascending to the "... world of knowledge... the universal author of all things beautiful and right... and the immediate source of reason and truth in the intellectual..." The soul yearns to dwell in a world of morality and knowledge, and only the pursuit of
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
The word, rhetoric has many origins. However it mainly came from the French word “rethorik” and the Latin word “rhetorice”. It was created by the Greek and Romans to persuade and teach others with reason. The French and other European countries began using it in the fourteenth century. Rhetoric then was a part of the Seven Liberal Arts and the Trivium to effectively use language to influence others. In the seventeenth and eighteenth century, rhetoric even grew to be considered as a tradition and an art that should be studied more. So the word and the method of it continues to be used today.
The Matrix is a 1999 science fiction film written and directed by The Wachowskis, starring Keanu Reeves and Laurence Fishburne. It tells a story of a future in which reality to most humans is actually a computer program called "the Matrix”. In "the Matrix” humans are really sleep while their bodies are fed on my machines. The movie while directed to entertain audiences but also gave us many insights into philosophy. Many scenes in this movie reflect Descartes, and his many writings explaining them in a visual manner. In this paper I will show various examples of philosophy within the scenes and give commentary explaining each scene.
In the film The Matrix (1999) in the scene “The Two Pills” help characters and relationships are developed and continuation of the films narrative through various components of cinematography and mise-en-scène. Most notable in The Matrix is the use of costuming, sound effects, props, setting and camera movement. Through the use of these techniques the audience becomes more involved in the narrative as Neo meets Morpheus for the first time and is given the opportunity to learn the secrets of the matrix.
They cannot walk. They cannot move their heads. They have no way to see past the walls of the prison they have grown so used to- or knowledge that any other “reality” even exists. The only movement or interaction the prisoners come across is of or with the shadows of figures they cannot see walking past the fire behind them. Shadows are real, right? To the prisoners, they surely are. As Plato explains, “Their lives are centered on the shadows.” (Pojman, 55 ) As humans do, they define themselves and their world based on what they know. What they know, is based off of what is accessible to them. The reader is then asked to imagine one of these prisoners has been liberated. That he was “forcibly moved from the only home and social milieu he had ever known.” (Pojman, 55) The language Plato uses here seems backwards upon the first read. “Forcibly”? It is hard not to think: why would anyone want to be stuck in a cave? After all, reality is so much fun (right?) According to the Stanford Encyclopedia of Philosophy, Metaphysics, or alternatively ontology, is that branch of philosophy whose special concern is to answer the question ‘What is there?’ Well, for a human being who has never been exposed even to sunlight- the sudden journey into a gigantic world is- at the very least- a lot to take in. As Plato
In Plato’s Cave the world is created by fire and shadows, while in Descartes’ piece it is created by demons, and in The Matrix it is created by a super computer. Descartes and The Matrix are the closest in this aspect; they are created on purpose by another being. In Plato’s Cave the world that the individual perceives is created almost by accident by people walking on a road between the wall in front of the individual and a fire. The shadows are not an intentional effect, and are not important to the main antagonist. One of the other main differences is exactly how the individual is freed. In Plato’s Cave the protagonist frees himself, and likewise in Descartes’ Mediation I. In The Matrix however, the protagonist is freed by a third party, separate from the original world he knew. In this manner it gives the story much more emotional depth, due to the change being completely out of the control of the individual and instead places the event in the hands of a “higher power.” In conclusion, some of the biggest differences between the three works arise from the identity and intent of the antagonist, and the method of
In the movie The Matrix we find a character by the name of Neo and his struggle adapting to the truth...to reality. This story is closely similar to an ancient Greek text written by Plato called "The Allegory of the Cave." Now both stories are different but the ideas are basically the same. Both Stories have key points that can be analyzed and related to one another almost exactly. There is no doubt that The Matrix was based off Greek philosophy. The idea of freeing your mind or soul as even stated in "The Allegory of the Cave" is a well known idea connecting to Greek philosophy. The Matrix is more futuristic and scientific than "The Cave" but it's the same Idea. Neo is trapped in a false reality created by a computer program that was created by machines that took over the planet. Now the story of course has many themes such as Man vs. Machine, Good vs. Evil, and our favorite Reality vs. Illusion. Neo is unplugged from the matrix and learns the truth and becomes "the one" who is to save the humans from their machine oppressors. "The Cave" is similar in that it has humans trapped in a cave and chained up to only face one direction. The "puppeteers" then make shadows against the wall the humans face using the fire from the outside as a light source. One big difference is that "The Cave" is about two philosophers conversing about the cave as one explains what needs to happen and that the prisoners must free their souls to find truth. The Matrix is the actions of what the philosopher describes actually happening. The comparing of the two stories will show how things said in "The Cave" are the same as in The Matrix, of course with the exception that one is futuristic ...
People would walk behind the wall holding up objects and talking to make the prisoners think the shadows were talking giving the prisoners a false sense of reality. Socrates then talks about an escape prisoner who was forced to look behind the wall but struggle to believe what he was seeing and then turned back to what he knew and was familiar with, the talking shadows. Socrates states what would happen if someone was to drag that prisoner out of the cave and allow him to see the sun and everything around. The prisoner would be blinded by it and would take time to understand it but would come to terms with what he was seeing and be happier because of it. The prisoner would have seen the real world and a not one made up by someone. There are some similarities between “The Cave” and The Matrix. One similarity between the prisoner and Neo was the astonishment and uncertainty to find out the truth about the false reality and the true reality. The difference was that the prisoner reality was made of shadows and Neo’s reality was made up of a virtual super
Plato, a student of Socrates, in his book “The Republic” wrote an allegory known as “Plato's Cave”. In Plato's allegory humans are trapped within a dark cave where they can only catch glimpses of the world above through shadows on the wall.2 Plato is describing how the typical human is. They have little knowledge and what they think they know has very little basis in fact. He describes these people as prisoners, in his allegory, and they are only free when they gain knowledge of the world above the cave.