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Metaphors in shakespeare
Metaphors in shakespeare
Metaphors in shakespeare
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Iago’s repetition of the phrase “Put money in thy purse” acts as a subliminal, metaphorical command for Rodorigo to follow. Iago wants Rodorigo to take control of the situation he is on while still unknowingly fulfilling his larger plan of destroying Othello’s relationship with Desdemona. Indeed, Rodorigo is known to have an infatuation with Desdemona (1.1.101-107) and thus when he is distraught that he will never be able to love her due to her marriage to Othello, Iago plays on this by this to his advantage. Rodorigo states, “It is silliness to live when to live is torment […]” (1.3.328) which means that a life without Desdemona is not a life worth living to which Iago responds by saying, “Our bodies are our gardens, to the which our wills are gardeners […]” (1.3.339) which Iago uses to plant the idea that Rodorigo is not helpless in this situation at all. …show more content…
For Rodorigo to act on his own accord in regards to his infatuation with Desdemona fits well into Iago’s larger scheme to undermine everything that Othello has. As for the repetition, Iago has been shown to go on longwinded monologues in the past (1.1.42-68) so it assumed that Rodorigo would take this as one of the rhetorical devices Iago has used before. Furthermore, Iago’s tone and prose when talking to Rodorigo is much different than his tone when talking to Othello. The monologue he delivers to Rodorigo has a commanding yet convincing tone in order to persuade him to follow his
In this scene we learn of Roderigo’s love for Desdemona. He tells Iago that he plans to drown himself out of lovesickness. Iago speaks to him as if he were a fool. He tells him that he must take charge of his life. That if he wants Desdemona, he must put in the work for her. He relates his life to the garden. “Our bodies are our garden to the which our wills are gardeners: od that if we will plant nettles, or sow lettuce […] either to have it sterile with idleness or manured with industry, why the power and corrigible authority of this lies in our wills.” This is not only showing the audience that he has control over his actions, but that he is starting to plant his own seed in other peoples’ brains. We see this in this scene when Iago starts to persuade Roderigo to “put thy money in thy purse”. He has been spending his money intuitively and tells him to focus on making money rather than
In his soliloquy from Act 2, Scene 1 of Othello, Shakespeare underlines Iago's search for justification as he conducts a plan to destroy Othello through repetition, connotation, and absolutes. Firstly, Shakespeare incorporates the repetition of "love" in Iago's soliloquy creating an appeal to logos as well as pathos. The use of "love" in the beginning if Iago's soliloquy when he accuses Cassio and Desdemona of being in love with each other is an example of his search for justification: "Cassio loves her, I do well believe't./ That she loves him, 'tis apt of great quality". The reader knows Iago has no proof of an affair; his accusation is simply an attempt at convincing himself and the reader that the chaos he will soon cause is just by using logos. Then, creating an appeal to pathos, Iago describes his love for Othello and Desdemona, as if admitting this will make up for what his plan entails: "I dare think he'll prove to Desdemona/A most dear husband. Now, I do love her too" (2.1.311-312). The repetition of love changes meaning, but still represents Iago's search for excuses and forgiveness for his upcoming actions.
be easily manipulated and influenced by love can take a toll on the weakest and the strongest people living on earth. Manipulation fueled by love is something that is invariably unrecoverable from. Like the rest of society, Othello, a fictional and heart-struck character in the play Othello, let his heart and the people around him manipulate his mind and take advantage of his authority. Dependent on the thoughts of others, Othello is a gullible person with an emotionally unstable nature that would shatter his love for the innocent and graceful Desdemona.
Everyone at some point in their lives attempts to convince someone to behave certain ways and to do specific things that ultimately will only benefit the person doing the convincing. Throughout the entire book, Othello, Iago attempts to convince numerous people in order to in the end only benefit and help himself. In this scene, Roderigo is explaining to Iago how he no longer wants to love because he is without Desdemona’s love. Iago then focuses on convincing Roderigo not only out of suicide, but also into getting Desdemona back. If Iago was unable to encourage Roderigo to go back after Desdemona, his plans would have been ruined. In lines 296-395, Iago uses many different uses of language in order to convince Roderigo to do what he wants him to do.
For Shakespeare’s Iago, humans are affected by their emotions - these can be empowering or debilitating. Literature naturally mirrors this and within Othello Iago is empowered by Roderigo’s infatuated debilitation. In Act I Scene III, Roderigo is brought into a deep despair due to his inability to court Desdemona. He proclaims, “I will incontinently drown myself”; the hyperbole represents how much he craves for Desdemona. However, Roderigo is not the focal point; it is in fact Iago who feeds off his vulnerability by manipulating him into fighting with Cassio. This represents Iago’s Machiavellian nature in that he is able to make Roderigo give him money as well as bringing Cassio into a state of fury; this is so he is stripped of his Lieutenant rank and in turn promoting Iago to Lieutenant. This parallels what Iago’s monologue at the very end of Act I Scene III is trying to establish; the foreshadowing of the events that will occur. In a way this does allow for the concept that through Iago’s seeming adversity, he has strengthened his motives. On the other hand, Rodrigo’s adversities have led him down a path of turbulence making
	Iago uses a different tactic to manipulate Brabantio. He changes Brabantio's way of looking at the marriage of his daughter Desdemona to Othello. He awakes Brabantio by saying "Awake! What, ho, Brabantio! Thieves! Thieves! Look to your house, your daughter, and your bags! Thieves! Thieves!" (I.i.76-78) By saying this, Iago shows a new perspective to Brabantio by insinuating that Othello has stolen his daughter. Iago reinforces this when he say's,
...na. Rodrigo pays him so he can get Desdemona so Iago finds this pleasing as he is benefiting from the love of Rodrigo. He also mocks on how Othello is a trusting guy and how much he hates him. He believes Othello can be easily manipulated by love and uses his love for Desdemona as a tool for his plan. He seeks to corrupt their love by planting lies n Othello’s mind. In doing so, his aim is to break the love Othello has for her love for her.
In Othello, Iago is a manipulative person in Act 1. He manages to convince Roderigo into selling all his land instead of committing suicide. In Scene 3 of Act 1, Roderigo is very upset because Othello and Desdemona are still together. There was hope when Montano found out about their marriage; nonetheless, the two remained married. (IC; CA, IC) Roderigo loves Desdemona and seeing her with Othello makes him want to die. Iago pulls Roderigo’s puppet strings and gets him to save money instead. He convinces Roderigo that Desdemona is the type of a girl that would marry a man for money; thus, he should save all the money he can. (IC; CA, IC) Then she will lov...
Iago utilizes an unassuming manner of speech that reflects his guise of loyalty to persuade Othello of Desdemona’s infidelity. Iago knows that the idea of Desdemona’s adultery will be manifest itself much more powerfully in Othello’s
This paper contains 237 words of teacher’s comments. What one perceives is influenced by one’s environment. The setting and commentary surrounding events changes our perception of them. Any innocent gesture can be perceived in the wrong way with enough persuading from someone else. Even if someone has total faith in another person's innocence, they can be persuaded to doubt them through the twisting of events. Once just a small amount of doubt has been planted, it influences the way everything else is seen. This occurs throughout the play, Othello. In this play, Iago influences Othello's perception of events through speeches and lies, making him doubt Desdemona's fidelity. Iago uses his talent of manipulating events to exact his revenge on Othello. Iago's twisting of events in Othello's mind leads to the downfall of Othello as planned, but because he fails to twist Emilia's perception as well, he facilitates his own eventual downfall.
In the first scene we are thrown right into the action with the argument between Iago and Roderigo. This first argument shows us how Iago is cunning and sly because he has already manipulated a weak Roderigo into paying him for something he hasn't even done yet. Roderigo who is obviously weak and simple has asked Iago to help him woo Desdemona in exchange for money, he thinks Iago has not done this because Desdemona is now at this moment marrying the moor. Yet Iago manages to convince Roderigo of his sheer hatred for Othello and swindle him out of his money. As he later exerts in his soliloquy at the end of Act I.3 ' thus do I ever make my fool my purse' this shows his attitude to Roderigo he is just money for Iago a pawn in his plan. This attitude shows how to a certain extent Iago primes the character he will use later in his plan showing a consistent strategy, he knows he can use Roderigo in the future so keeps him on his side instead of being rude and sharp with him. You can see that Iago finds Roderigo tedious but keeps him a friend for his money and possible use in the future.
Iago states that the only reason he spends time with Roderigo is for his own wealth and pleasure. His plan is to continue giving Roderigo unfulfilled promises. Iago continues to manipulate Roderigo. He convinces him that Desdemona will soon grow tired of Othello and begin to search for a younger, handsome man to fulfill her desires. Continuing to build on Rod...
When Othello says this, he means how he is indebted to Iago, but the hidden, ironic meaning is that Othello is now the property of Iago, and will not escape his evil grip until death. These sorts of ironies again bring out the idea of the villains talking in a riddle, which gets passed on to Othello. This whole idea I think is showing how evil is so powerful that once it has you, there is no escape.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with