The Madina Collection of Islamic Art at the LACMA
Introduction
The Los Angeles County Museum of Art (LACMA) announced recently that it had acquired “the remarkable Madina Collection of Islamic art. The collection contains works of various media dating from the late 7th through 19th centuries from the vast areas that comprise the Islamic world, from Southern Spain to Central Asia” (Los Angeles County Museum of Art, 2005). While the museum already had quite an extensive collection of Islamic art, this particular exhibit truly adds the collections as a whole.
The Madina Collection of Islamic Art
The first item to be examined is a bowl from the 14th century, from either Egypt or Syria (Los Angeles County Museum of Art, 2005). It is ceramic, fritware and is underglazed-painted (Los Angeles County Museum of Art, 2005). It is 10 and ¾ inches in diameter. The design is very symmetrical and incredibly colorful in its green and cream along with black lines. Without knowing what the design symbolizes one could imagine that it is very much an Islamic design, and appears to be religious or spiritual in content. There is a Mandela presence to the design, with very strong lines and striking elements. http://collectionsonline.lacma.org/mwebcgi/mweb.exe?request=record&key=8533
The next piece to be examined is cup from the 13th century, from Greater Iran. This cup is “Silver, gilded, chased and punched” and measures “3 7/8 x 4 5/8 in. (9.84 x 11.75 c...
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
The Los Angeles County Museum of Art, or LACMA as it is commonly known, is among the world’s largest art collections in North America, and to be specific enough the most prevalent artwork in the western United States (Compton 165). This massive art museum has a collection of over 100,000 artworks, which extends from the ancient times to present days (Gilbert and Mills 174). These collections, which are mainly from Asia, Africa, Europe, Latin-America and America itself, are grouped into several departments within the museums buildings, depending on the region, culture, media, and time period. This paper analyzes the different genres of art and explains the main features that make the Islamic artworks distinguish themselves as historic masterpieces, by using stylistic and interpretive analysis methods.
Flood, Finbarr B. "Between Cult and Culture: Bamiyan, Islamic Iconoclasm, and the Museum." The Art Bulletin (2002):
Dreams are not just empty ideas, they give people ambition, and it is the pursuit of that ambition, which shapes a person. However, society instils an illusion about what can be achieved. Dreams can be tied to identity, but they can be good or bad. The Great Gatsby [F. Scott Fitzgerald] and Shattered Glass [Teresa Toten] share the similes in which both main characters dream of finding themselves and reach their end goals, through pressure and love. Both authors imply that dreams should be verified that they are possible before you start following them, otherwise they can ended up deadly.
The artworks of Mesopotamia, Ancient Egypt, the Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation. These countries were not always wealthy, clever, creative and powerful enough to gain supplies, but they all find a way to create art with what they had. They have all influenced on each other’s cultures and belief through their artistic values and ways, ranging from the materials and tools they use, position and representation of their monuments and their religious intent.
However, the artefacts brought to England from Benin in 1897 were an anomaly. The craftsmanship and sophistication were such that some were reminiscent of the beautiful figures in the Hofkiche, Innsbruck 1502-1563 (plate 3.1.12. Visited...
The Metropolitan Museum of Art. ‘Egyptian Art’, The Metropolitan Museum of Art Egyptian Art. New Series, Vol. 41, No. 3, Egyptian Art (Winter, 1983-1984): pp. 1+3-56
The Oriental Institute featured an exhibit focused on the development of ancient Middle East Pioneers to the Past: American Archaeologists in the Middle East 1919–20 January 12 - August 29, 2010. And this was the exhibit I found most intriguing and most i...
vol. 31, New Haven, Conn., Department of Antiquities of the Government of Iraq and the American Schools of Oriental Research, p. 133 (# 56). 1965,
Ramsis #53 Mon. 4:00-6:40 History 110 Nobiletti 12/12/13 Four freedoms 11 months before the United States of America would declare war on Japan, President Franklin D. Roosevelt delivered a speech to the American people known as the “four freedoms” on January 6, 1941.1 The main purpose of this speech was to rally support to enter World War 2, however in order to declare war the United States of America had to abandon the isolationist policies that emerged out of WWI. These four freedoms would establish human rights after the war, but more importantly they would resonate throughout the United States for decades after the war. Some of these freedoms have remained the same, and some of these freedoms have changed throughout the years. We will be looking at three periods and comparing how the freedoms varied from each of the three periods.
Gardner, Helen, and Fred S. Kleiner. "Chapter 1: South and South East Asia Before 1200." Gardner's Art through the Ages: Non-western Perspectives. Boston: Wadsworth/Cengage Learning, 2010. 1-31. Print.
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
According to Sigmund Freud and Carl Jung, dreams are a gateway to the unconscious mind and an individual’s deepest desires (scientificamerican.com 1). The American Dream is about gaining a large success through hard work. Deep down every individual wants to strive to achieve the best at what they acquire. However, not everyone will attain their life long goals. This is evident in The Great Gatsby written by F. Scott Fitzgerald and There Will Be Blood written by Paul Thomas Anderson. Between these two texts the destruction of hopes and dreams can derive from smaller issues such as the lack of money, the anger and jealousy of others and the disappointment of impossibly high goals.
Dreams are one of the hardest accomplishments to achieve in life today, But they are also
of all Islamic lands.”1 Although this is a highly dynamic art, which is often marked