Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essays on death in literature
Loss of innocence literature
Essays on death in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essays on death in literature
The unimaginable thought, yet the inevitable conclusion, to life is death. Everyone wonders what happens when we pass away but there is no way of knowing for sure. People come into this world with a life sentence, but don’t know when, where, how, or why they die. In thinking about the end of life, the last thing someone often imagines is being murdered. Susie Salmon found this out the hard way. Susie Salmon, a character in The Lovely Bones, written by Alice Sebold, was raped and murdered at the age of fourteen by a neighbor. Susie, who is narrating from heaven, watches over her loved ones, including her father, mother, sister, and grandmother. Susie’s character is difficult to understand and a devastating story to even consider. She provides a different perspective on Earthly happenings, and on how the dead and the living interact. Susie is essentially “living” life after death.
Many people associate tragic heroes with a fatal flaw such as pride, greediness and/or nobility. These flaws eventually consume their heroic characters and lead to his or her death. Aristotle
…show more content…
defines a tragic hero as “a character who makes a judgment error, that inevitably leads to his/her own destruction” (Aristotle, 1). Though a judgement error a tragic hero makes is typically a result of dignity, other characteristics of a tragic hero often go unnoticed. Trust, curiosity, and innocence. Susie Salmon possesses all of these traits (trust, curiosity, and innocence) which, essentially lead to “her own destruction.” As a tragic hero, Susie suffered more than she deserved. She put her trust into her murderer. She let her curiosity get the best of her. And Susie’s innocence left her dead. "I was no longer cold or weirded out by the look he had given me. It was like I was in science class: I was curious“ (The Lovely Bones, 34). Unfortunately, Susie realized, after the fact, that not all people are good. She had no idea that people like her murderer even existed, especially in her own neighborhood. Sadly, Susie had nothing but a slight instinct to warn her about her future killer. But her curiosity and innocence took over while she mistakenly and fatally gave her trust to the wrong person. Susie watches her killer get away with murder, she watches her father become obsessed with figuring out exactly what happened, and the hardest thing Susie watches over is her family growing up, while she remains young. She watches her younger sister grow older than her and she slowly begins to see her family move on. “We had been given, in our heavens, our simplest dreams” (The Lovely Bones, 17). Susie strongly suggests that when we pass away, our Earthly traits remain with us, and we continue to grow and change after we die. "If you stop asking why you were killed instead of someone else, stop investigating the vacuum left by your loss, stop wondering what everyone left on Earth is feeling, you can be free.” (The Lovely Bones, 52). As much as Susie wants to remain a part of Earth, she understands life continues to grow, even when she does not. She watches her family on Earth collapse and slowly rebuild from the tragic event of her murder. Susie represents life after death and the stages of grief she witnesses below her. She symbolizes the ideas of maturation and understanding. Although Susie dies at the age of fourteen, she is able to watch her peers and loved ones grow which gives her a sense of her own maturity. Susie does not change physically but she emotionally and mentally grows. While at first Susie felt anger and self-pity as she witnessed from heaven her sister receive her first kiss, she later felt happy for her and eventually loved watching her family grow and move on. Though it takes time, Susie slowly alters her focus away from her loved ones below, and transitions away from her existence on Earth. “When the dead are done with the living, the living can go on to other things,“ Franny said.
“What about the dead?“ I asked. “Where do we go?” (The Lovely Bones, 145). When Susie asks this to her friend in heaven, she hasn't yet understood why she must let go of her loved ones from Earth. She still wants to be a part of their life and watch them grow. But Susie must grow herself and let go of what she wants to be apart of most, Earth. When Susie speaks of Earth, she always capitalizes it, but whenever she speaks of her heaven, she keeps it lowercased. This indicates where Susie’s heart really is (Pink Monkey, 2). Many people understand the loved ones of a victim grieve, but no one understands how the victim grieves. Susie gives the readers this experience. She enters her own stages of grief and does not accept she has passed away. She wants to be there for her family and is unable to let them
go. Though Susie is absent from Earth, she remains a huge part of everyones life from heaven. She communicates with them from the in-between and she remains in their memories. Susie also brings characters together through her death that would not have existed previously. While Susie is in heaven she carries with her the ability to grow and the capability of letting go of relationships she once tried so desperately to hold onto. From her personal heaven, Susie must watch as the world she left behind change in which she cannot be there to stop it from changing. While she realizes that she is no longer physically a part of the world, she still must grow up in order to move on from her earthly connections and into her adult version of heaven. Susie experiences this coming of age through the painful acceptance of watching her peers live life and figure out the meaning of her own death. “These were the lovely bones that had grown around my absence: the connections – sometimes tenuous, sometimes made at great cost, but often magnificent – that happened after I was gone. And I began to see things in a way that let me hold the world without me in it. The events that my death wrought were merely the bones of a body that would become whole at some unpredictable time in the future. The price of what I came to see as this miraculous body had been my life” (The Lovely Bones, 363). When Susie speaks of “these lovely bones,” she is talking about everyone who was affected by her death. Her father, who became obsessed with figuring out what happened. Her mother, who in her own way, became absent and non existent when her family needed her the most. Her sister who grew and became all that Susie wished she could've been. Susie thinks about the strength her loved ones gained from her death. The Lovely Bones is a hauntingly beautiful story about acceptance and death.
A tragic flaw, a fatal flaw, hamartia, a personality defect -- people can call it what they like, but ultimately, a tragic flaw is a personal fault in a character that leads to his downfall. The person who has the tragic flaw is known as the tragic hero. However, there are several more components that make up a such an individual. One idea is that tragic heroes in a story are usually dynamic; they change at least once throughout the narrative. An example of a tragic hero is King Creon in the play Antigone, but real people can be regarded as tragic heroes as well. Like Creon, in the play Antigone by Sophocles, Drew Barrymore should be considered a tragic hero because both have high status, noble qualities, and a tragic flaw. They recognize their flaws and suffer the consequences.
...in her character during her stay at the hospital. Susie realizes that her patient is afraid of dying and thus she comforts her as she weeps and makes her feel loved.
It is universally acknowledged that one who comes into this world must also leave. Just like everything else, even life and death is a binary composition. You cannot have one without the other. Although not many people like to think about it, death is a very important factor not only in life, but also in literature. Most often, death is portrayed as evil or gruesome, especially in commercial fiction. However, there are literary texts, which portray death through other factors. Through the depiction of the deaths of Arthur Dimmesdale and Mr. Shimerdas in Nathaniel Hawthorne's The Scarlet Letter and Willa Cather's My Antonia, respectively, the reader is able to associate the significance of such issues as guilt, revenge/murder, religion, and the consequences of the two deaths. It may seem odd that instead of concentrating on the central female characters to portray these important issues, I have chosen two male characters. However, it is through the deaths of the male characters that the central females, Hester and Antonia are able to shine as women.
The defenition of a tragic hero a literary character who makes an error of judgment or has a fatal flaw that, combined with fate and external forces, brings on a tragedy. This defenition is perpetuated most clearly by one of the major characters. This character is the noble roman Brutus. Brutus is the tragic hero because of the fact that he fulfills the requirements of a tragic hero. He is a person of noble bith. He does have a tragic flaw, he does come to some understanding, and he does finally meet his end due to his tragic flaw. The tragic flaw of Brutus is his idealistic view, which ultimately leads him directly and indirectly into his death.
Event 3: Up in Susie’s own heaven, she watches down on earth and is very upset and frustrated because her murderer, Mr. Harvey is continuing his life as nothing even happened while her whole family is suffering and there is nothing that she can do.
She did not deserve what happened to her, but if it hadn’t been her then Harvey would have killed someone else. He obviously had done the killing before since he was quite smart with what he was doing and showed that he got pleasure from it all. In the last chapter it showed that her father was trying to talk to all the leads and it showed his determination to find his daughters killer. After that it showed that Susie’s little brother Buckley was showing his friend nate the secret spot under her bed where she kept all her secret things she didn’t want anyone to find, it also revealed that Buckley could actually see Susie’s ghost, however I think it said that Susie doesn’t reveal herself to him and so I was a little confused. I am hoping that Susie actually does reveal herself to her family and I hope she would be able to tell them who her killer was, eventhough it definitely wouldn’t help with the investication and make her family look kind of crazy. Over all I am really enjoying this book and cannot wait to read more of
Death is a common theme in literature. It is the end of the line on the human train of life. People have different views on death, with some fearing it and some embracing it as a passage to something else. Death can be interpreted in ways other than just loss of physical life, including loss of a loved one or even loss of sanity. Both Emily Dickinson’s poem “I felt a Funeral, in my Brain” and Ambrose Bierce’s story “An Occurrence at Owl Creek Bridge” deal with the theme of death, albeit in different ways. However, they are both losing what they hold dearest to them. These two pieces of work by Dickinson and Bierce are similar in that they convey the theme of the death or something they care about.
"The boundaries which divide Life and Death are at best shadowy and vague. Who shall say where one ends, and where the other begins?" Edgar Allan Poe, The Premature Burial (Bartlett, 642). To venture into the world of Edgar Allan Poe is to embark on a journey to a land filled with perversities of the mind, soul, and body. The joyless existence carved out by his writings is one of lost love, mental anguish, and the premature withering of his subjects. Poe wrote in a style that characterized the sufferings he endured throughout in his pitiful life. From the death of his parents while he was still a child, to the repeated frailty of his love life, to the neuroses of his later years, his life was a ceaseless continuum of one mind-warping tragedy after another.
I think Alice Sebold emphasised Susie’s loneliness because it is something that many people can relate to in the fact that even though someone might seemingly be in a perfect world (heaven), they can still be extremely lonely. One quote which shows Susie’s loneliness is “The penguin is alone in there, I thought, and worried for him. When I told my father this, he said, don’t worry, Susie; he has a good life. He’s just trapped in a perfect world.” There is emphasis placed on the word “trapped” which foreshadows the isolation that Susie would feel as the novel progresses. This gives us a slight insight into the book and helped my understanding of the Lovely Bones because it was as if we were Susie’s confidants, willing on the other characters who came close to figuring out who killed Susie.. Another character who experiences isolation is George Harvey. George Harvey had a traumatic period during his childhood where he stole items off roadside victims which led to him feeling isolated at the time and also at the time in the book where he murders Susie.
Many people experience grief when they lose a loved one. Each individual deals with grief in a different manner; when someone passes away, one feels upset, angry, and/or guilty, these are all common emotions. When losing a loved one, the process of recovery can be very difficult, especially if it is a tragic one. There can also be positive things when death occurs. Alice Sebold's novel The Lovely Bones could be read as a study in transformation caused by a tragic event. Fourteen year old Susie Salmon, the main character, is murdered by her neighbour Mr. Harvey. Susie watches in heaven over her grief-stricken family as well as her killer. Author Alice Sebold demonstrates that the effect of loss can also lead to positivity,
The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with their grief differently, there is one common denominator: the reaction of one affects all.
In his classic work "Poetics" Aristotle provided a model of the tragic hero. According to Aristotle, the tragic hero is more admirable than the average person. This results in the tragic hero being admired by the audience. For the audience to accept a tragic ending as just, it is crucial that the tragic hero be responsible for their undoing. At the same time though, they must remain admired and respected. This is achieved by the tragic hero having a fatal flaw that leads to their undoing. One of literature's examples of the tragic hero is Achilles from Homer's The Iliad. However, Achilles is different from the classic tragic hero in one major way - his story does not end tragically. Unlike the usual tragic hero, Achilles is able to change, reverse his downfall, and actually prove himself as a true hero.
Lovely Bones written by Alice Sebold is an intense, and tragic novel that portrays the life, death and afterlife of Susie Salmon, who at the age of 14 was brutally raped and murdered by her atrocious neighbour in a wintery cornfield. In the first chapter Susie’s killer, and method of her horrid assault is revealed, creating a compelling intro. Susie observes the repercussions of her death above from “her heaven” a place that is in between heaven and earth for souls that refuse to depart from earth, this is represented through the dialogue “you're not supposed to look back, you're supposed to keep going .” Her parents marriage was torn apart by grief and loss, her father plagued by and obsessive determination to bring her offender to justice,
own destructive downfall. A tragic hero can be described as a great or virtuous character in a
A tragic hero can be defined by several different factors; the hero usually has a major flaw that prevents him from seeing the truth that lies in front of him, which contributes to the character’s peripeteia due to mistaken judgement. This mistake then leads to achieving anagnorisis, usually at the end of the play, but is too late to change anything, and results in death.