Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Dramaturgy theory
The theory of dramaturgy
The use of symbolism in the novel
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The Love Scene between George and Maire from Translations
This scene, in my opinion is the dramatic centre of Translations. The
scene displays that George and Maire have fallen in love as they
return from the dance together; the pair find it hard to communicate,
and exhaust every method of communication before reciting place names
to one another. The common language of the place names increases the
tension between George and Maire until, finally, they kiss. The kiss
is witnessed by Sarah who uses her new found talent of speech to tell
Manus. The scene, in my view is very important as it is the catalyst
for the disastrous events which follow, it leads to the disappearance
of George, the search of Baile Baeg by new English soldiers, Maire’s
despair, and the imminent ‘evictions and leveling of every abode’.
The stage directions play a prominent part in the scene, they specify
darkness and music being played, the music is significant as it is a
common form of communication, everybody can relate to it. The ‘music
rises to a crescendo’ as Maire and Yolland enter on stage and the
audience are involved in the excitement and merriment of the pair. The
music also crescendos later after Sarah has seen them which emphasizes
the significance of what has just happened. The stage directions also
describe their actions towards one another, the gestures and the pause
before the kiss; all which would add a lot of drama and pace to the
scene.
Act 2 Scene 1, which is just before the love scene, is very different.
Maire and George at this point are still very shy and use Owen to
translate everything between them:
Maire: Tell him then
Owen: Tell him what?
Maire: About the dance.
Maire is essentially inviting Ge...
... middle of paper ...
...hows that she has gone to tell him about George and Maire,
bring the scene to a climax. It is also poignant that after Sarah has
been given the gift of speech, she is now about to use it to tell her
teacher and change everything in Baile Baeg, possibly costing George’s
life.
As the scene acts as a microcosm of the play’s messages, Friel
displays the themes of translation, cultural differences and conflict
of interests all in one scene. As a result, I think that this is a
very important, if not the most important scene of the entire play, as
the scenes before all build up to this moment, and the later events
preceding it are all results of George and Maire’s union. Brian Friel
has also managed to keep the audience interested by using tension,
pace, irony and suspense; and successfully brings the end of the act
to a climax, keeping the audience engaged.
Act 1, scene 5 is one of the specific scenes that show one of the main ideas of the play, which is that you shouldn’t give up hope, even when the darkest of times are coming and this is shown through the attitude of Anne, as well as Mr. Frank, throughout the play. First off, this scene takes place on the first day of Hanukkah, which is a jewish holiday in which jews celebrate the event of Judah becoming the leader in place of Mattathias. This holiday is celebrated by singing songs, giving gifts, lighting candles, and reading prayers. The Franks, the Van Daans, and Dussel were jews, Dussel still not knowing Hanukkah, so they were accustomed to celebrate the holiday, despite the lack of things to give and the fact that they couldn’t be very noisy because they were
Love waxes timeless. It is passionate and forbidden, and a true head rush. Marriage, on the other hand, is practical and safe, a ride up the socioeconomic ladder. In "The Other Paris," Mavis Gallant weaves the tale of Carol and Howard, a fictional couple who stand on the verge of a loveless marriage, to symbolize the misguided actions of men and women in the reality of the 1950s, the story's setting. By employing stereotypical, ignorant, and uninteresting characters, Gallant highlights the distinction between reality and imagination.
When we think about the force that holds the world together and what makes humans different from animals, one answer comes to our minds - that humans can love. Love is a state of mind that cannot be defined easily but can be experienced by everyone. Love is very complicated. In fact it is so complicated that a person in love may be misunderstood to be acting in an extremely foolish manner by other people. The complexity of love is displayed in Rostand’s masterpiece drama Cyrano de Bergerac. This is accomplished by two characters that love the same woman and in the course neither one achieves love in utter perfection.
Love is something that is so beautiful it brings people together, but at the same time it can be the most destructive thing and it can tear people apart. Edmond Rostand's play, Cyrano de Bergerac, is a tale of a love triangle between Cyrano, Christian, and Roxane. In the play, Cyrano helps Christian make a false identity about himself for Roxane to fall in love for. Christian had the looks while Cyrano had the personality, together they could make the perfect man. Throughout the play, you see similarities and differences between Christian and Cyrano’s personality, looks, and who they love.
to. With all her heart, she longs for a true friend that she can tell her
The Author begins the story by introducing the scene since it will have great significance in understanding the many symbolisms he will be using later. Some experts say that “Although there is a situation, there is no plot” (Henningfield, 2002).... ... middle of paper ... ...
Run Lola Run, is a German film about a twenty-something woman (Lola) who has 20 minutes to find $100,000 or her love (Manni) will be killed. The search for the money is played through once with a fatal ending and one would think the movie was over but then it is shown again as if it had happened ten seconds later and changed everything. It is then played out one last time. After the first and second sequence, there is a red hued, narrative bridge. There are several purposes of those bridges that affect the movie as a whole. The film Run Lola Run can be analyzed by using the four elements of mise-en scene. Mise-en-scene refers to the aspects of film that overlap with the art of the theater. Mise-en-scene pertains to setting, lighting, costume, and acting style. For the purpose of this paper, I plan on comparing the setting, costume, lighting, and acting style in the first red hued, bridge to that of the robbery scene. Through this analysis, I plan to prove that the purpose of the narrative bridge in the film was not only to provide a segue from the first sequence to the second, but also to show a different side of personality within the main characters.
From across the room I could see the bright yellow, pink and red flowers. Taking some steps forward there was even more to like. The overall appearance is a depiction of everyday life. The setting is outside in a grassy area. The sky looks grey but is turning brighter. There is a house in the country whose owner is in the front milking a cow. There is a dead tree that stands bear in the center. The objects that appear closest are a broken fence and the intensely bright colored flowers. All of the objects seem animated and do not seem realistic. The clouds are grey and sharp. Making the viewer feel that something is wrong. It looks like a storm was just taking place. The wind blew the clouds away and is still blowing the grass to the right.
Mise-e-scène is one of the most recognizable conventions in filmmaking. It translates literally from the French to “staging” or “to put in the scene” in English. When applied to film studies, mise-en-scène refers to all the visual elements within a particular shot or sequence. Mise-en-scène consists of 5 distinct categories which assist in the development of a film’s visual narrative: Setting and Design, Costume and Make-up, Lighting, Acting and Movement, and Framing. These elements together and separately help to inform the viewer by giving them visual cues as to the nuances of meaning within a film’s structural form. Mise-en-scène may gives the viewer insight into the nature of a film’s characters and their subsequent state of mind, the time and place in which events are occurring, the mood and meaning intended by a particular scene, and also help the viewer to form expectations based upon the filmmaker’s interpretive point of view. In the film, The Eternal Sunshine of the Spotless Mind, Director Michael Gondry utilizes mise-en-scène to denote the complex temporal relationships between his characters, their circumstances, and a fragmented plot structure which progresses through elliptical patterns between memory and reality. In fact, the use of mise-en-scène in Spotless Mind is central to understanding the inner construct of Joel (Jim Carey) and Clementine’s (Kate Winslet) personalities and personal motives, as well as the antagonistic mechanism at play in their relationship.
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
In addition, the description of people and their actions are very typical and not anomalous. Children play happily, women gossip, and men casually talk about farming. Everyone is coming together for what seems to be enjoyable, festive, even celebratory occasion. However, the pleasant description of the setting creates a façade within the story.
What is love? Many people would answer this question differently. People fall in love, get married, and form families with children, pets and houses. Every family differs from one another. The reason that no identical families exist in this world is that people understand love in their own ways.
True Love in The Merchant of Venice Among the various themes presented in the Merchant of Venice most important is the nature of true love. The casket plot helps illustrate the theme of the book. Through a variety of suitors the descriptions of the caskets, Shakespeare shows the reader how different people view true love. He also shows what is most important to the suitors and in some cases it is not true love, but material things and outward appearance. The first suitor who tries to win Portia's hand is the Prince of Morocco.
...straight ahead of her and comments, “So that pretty little fool has had her fingers in a man’s destiny.”
only tell her that he had found a patient at last, and hoped to have