The Love Poems of Rich, Marvell and Campion
Adrienne Rich’s “Twenty-One Love Poems,” which explore the nature of lesbian love, differ strikingly from classic love poems written by a man to a woman, such as Andrew Marvell’s “To His Coy Mistress” and Thomas Campion’s “There Is a Garden in Her Face.” Rich’s poems focus on the “us” aspect of love, the concept of two strong, yet imperfect women facing all oppositions together, while the love poems written by men are far more reverent, almost worshipful of their subjects. The lesbian poems have a sense of love being “real”, a connection based on far more than physical attraction, whereas the men’s poems focus on an idealized view of the woman: beautiful, pure, distant. The women in Marvell and Campion’s poems are lovely façades, storybook figures without any real depth or imperfections. Perhaps the lesbian love poems could be seen as less eloquent, or less flawlessly romantic, but the romance in them is found in the genuine nature of the love. Rich is doubtlessly writing about experiences she has had, real people she has loved, whereas Marvell and Campion could ostensibly be writing about any beautiful, but otheriwse characterless, woman that they’ve seen.
The stress that Rich places on the two members of the couple as equals is a striking contrast to Marvell’s and Campion’s poems, in which the female subject is placed on a pedestal and kept at a distance. There is little sense of a real-life relationship between the man and the woman. The men’s poems are mere descriptions of the woman and their love for her, with little discussion of how they interact, or how they may feel about her personality. Rich, however, creates an atmosphere of “us against the world”, writing “I touch you knowing we weren’t born tomorrow, / and somehow, each of us will help the other live, / and somewhere, each of us must help the other die” (Rich 237). Certainly, this discrepancy is at least partially a product of the different eras in which the poems were written; Campion and Marvell were writing in the 16th and 17th centuries, respectively, while Rich’s “Twenty-One Love Poems” was written in the mid-1970’s. Victorian and Elizabethan culture dictated that the woman be far more removed from the often vile realities of life – revered, but not seen as an equal partner in a relationship. Sexuality would not have been a topic to be openly discussed.
While Anna Williams views escaping the confines of marriage as a desirable thing, Charlotte Lennox’s greatest lament, as expressed by her poem “A Song,” is merely to have the freedom to love who she pleases. Although Charlotte Lennox has a more romantic view of men and love than Anna Williams, neither woman denies the need for companionship. Charlotte Lennox’s opinion towards love is expressed clearly in her piece “A Song.” The poem’s female speaker is experiencing unrequited love.
Love. Love is generous, boundless and is one of the greatest gifts one can obtain from God, however when in love anything can transpire. And that is exactly how the poets Mariam Waddington’s, “Thou Didst Say Me” and Alfred Tennyson’s, “Now Sleeps the Crimson Petal” navigate their poems. Both offering conflicting sentiments toward love relations to the table and ultimately delivering a unique testimony about the subject of, love.
Although Stalin had been tyrannical and crazy, he made Russia seem stronger, and is still seen as a good person today. Many people look at him like he was a murderous person, but other look at him as the man who made Russia better. He was a great leader, in a way, but that only depends on what the Russians believed in, and whether or not they (or someone they know) worked for Stalin.
"What say you? can you love the gentleman? This night you shall behold him at our feast; Read o'er the volume of young Paris' face, And find delight writ there with beauty's pen; Examine every married lineament, And see how one another lends content; And what obscur'd in this fair volume lies Find written in the margent of his eyes. This precious book of love, this unbound lover, To beautify him, only lacks a cover: The fish lives in the sea; and 'tis much pride For fair without the fair within to hide: That book in many's eyes doth share the glory, That in gold clasps locks in the golden story; So shall you share all that he doth possess, By having him, maki...
Google Glass is a new form of technology that has heads turning everywhere. Glass is a wearable computing device with a frame-like construction that is comparable to everyday glasses. The frame consists of nose pads, a touchpad, and a small heads-up display that lies just above the right eye. The problem is not the device itself, but what the device is capable of. A camera lies beside the displa...
A Google glass is a wearable computer like device with a new development technology called optical head-mounted display (OHMD). Google holds the patent for this device, and Google in collaboration with Luxottica, an eyewear company is commercializing this technology. It displays the information using a smart phone like free format and wearers communicate using the internet and also via natural language commands.
Google glass capabilty to augment reality makes it probable to become widely used and be one of the most promising ”wearable computing” device. The augmented reality in google glass can be used in practical scenarios such as translating and presenting text to the user in realtime, or can be used as navigation system by showing location of the user on the map.
The concept of love has long been the preferred topic of conversation among prominent male poets. Towards the closing of the sixteenth century, however, the emerging of the female poet took place. With the introduction of Queen Elizabeth, an initial path was now cleared for future women poets to share their views on the acclaimed topic of love. Due to this clashing of ideas, the conflicting views of two exceedingly different sexes could manifest itself. Who better to discuss the topic of love then Elizabeth Barrett Browning, who expresses her ideas with intelligence comparable to the best male poets, and Emerson, world renowned for his poignant opinions? In accordance with the long history of conflict between males and females, both Emerson’s "Give All to Love" and Browning’s "Sonnet 43" convey the pleasure love brings, but while Emerson’s poem urges the retention of individualism in a relationship, Browning pleads for a complete surrender to love.
Some could say dance events are just as fun sober as they are on something. Some could say substances enhance an individual’s festival experience. Either of these opinions could be right, but what remains a fact is that substances are indeed, in one way or another, deeply involved with music. It is not because of the music itself, however influential it may seem, but rather the choice of fans that has caused this. Everyone wants to have a great experience at a music festival. If they are offered a greater experience, then of course they will be open-minded. Although substances may be an experience for some, they may be the divider between life and death for others. From alcohol poisoning at Toby Keith shows and meth use at Metallica concerts, substance abuse has proven to be something widespread and dangerous throughout music festivals (Baca, par. 8). Society can make substances a taboo, say ...
So began my two-year ethnography on the American rave subculture. The scene described above was my initiation into the underground subculture where rave kids, typically under twenty-one years old, are given secret invitations to attend private warehouse parties with dancing, drugs, and thousands of their closest friends. Because of my youthful and unorthodox appearance, I was invited to join the then-highly-exclusive underground scene and attended numerous raves in several major cities in North Carolina. Although my chosen subculture was not typically examined by academia, I conducted an academic ethnography of what Maton (1993) describes as a "group whose world views, values and practices diverge from mainstream North American and social science cultures" (747). As a result, I received three graduate credit hours for "supervised research in ethnography" and conducted what may be the only academic ethnography on raves.
Mikhail Gorbachev was born on March 2nd, 1931 in Stavropol, Russia Soviet Federative Socialist Republic. His family consisted of migrants from Voronezh Region and Chernigov Province of Ukraine. His father, Sergei, operated a combine harvester for a living, and was a World War II veteran. His mother, Maria, worked on a collective farm her whole life. As a child growing up in a native village Privolnoye, Mikhail, his two sisters, his parents, and close relatives all faced the Soviet famine from 1932-1933. During that famine, half of the population of his village starved to death counting his two sisters and his uncle. Mikhail was only 2-3 years of age when this tragic famine struck him and his family. Mikhail mostly lived with his grandparents Pantelei and Vasilisa, and in 1937, Pantelei was arrested and sent to exile in Siberia for 14 months for supporting Leon Trotsky. In his later years, as a young adult, Mikhail operated combine harvesters on shared farms. During his college years, he met his future wife, Raisa Titarenko, at his college Moscow State University. At the age of 22, on September 1953 they married, and moved to Stavropol during Mikhail’s graduation. Mikhail and Raisa welcomed their daughter, Irina Mikhailovna Virganskaya in 1957. Not having any more children, Raisa died at the age of 42 from leukemia. Gorbachev has two granddaughters and one great granddaughter.
Relationships between two people can have a strong bond and through poetry can have an everlasting life. The relationship can be between a mother and a child, a man and a woman, or of one person reaching out to their love. No matter what kind of relationship there is, the bond between the two people is shown through literary devices to enhance the romantic impression upon the reader. Through Dudley Randall’s “Ballad of Birmingham,” Ben Jonson’s “To Celia,” and William Shakespeare’s “Shall I Compare Thee to a Summer’s Day?” relationships are viewed as a powerful bond, an everlasting love, and even a romantic hymn.
There are those who might find a book to analyze music that often aims for the effect of a sledgehammer to the head a mite pretentious. Yet the radicalism of dance music lies precisely in its "meaninglessness," which, paradoxically, requires intellectualization in order to get at its significance. This problem is particularly acute for Reynolds, who wants to both valorize everything about techno that makes it resistant to rock-crit "literary" analysis, and also explain exactly why it really did mean something, man. His central tool for resolving this contradiction is the idea of the "drug-tech interface": the reciprocal relationship between Ecstasy (and other less central intoxicants) and machine music that resulted in a feedback loop between sounds geared to enhance the rush, and rushes that inspired producers to take sound into new spaces. The drug-tech interface gives "Generation Ecstasy" a narrative backbone that applies again and again, across continents and cultures from Texas, where Ecstasy culture first reared its head in the mid-'80s, to Scotland, Holland, and Germany.
Gorbachev graduated from Moscow State University and received a degree in law. He joined a Communist party while he was still in university and played an important role within it. With his position in the Communist Party, Gorbachev was able to help his people with better working and living conditions, and simply helping better the lives of the Soviets. In 1985, following the deaths of thr...
Authors use poetry to creatively present attitudes and opinions. “A Man’s Requirements,” by Elizabeth Barrett Browning, and “A Letter to Her Husband, Absent upon Public Employment” are two poems with distinct attitudes about love that contain different literary approaches. In both of the poems, love is addressed from a different perspective, producing the difference in expectation and presentation, but both suggest the women are subservient in the relationships.