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Parental abuse effects on children
Cause/ effects of abuse/ neglect on children
Parental abuse effects on children
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Sita’s childhood was not a normal one. She grew up without a mother to care for and a father who is unaware of her being, and is forced to isolate herself and create a world of her own. Her father was a freedom fighter and a social activist who had an incestuous relationship with her elder sister. Deprived of the love of her father, she could also not get the love of her mother as her mother had left the family long ago.
Moreover, she was also not satisfied with her married life. Thus due to all this pessimism, there developed a negative attribute in her personality. “The text presents her over wrought mental condition as the cumulative outcome of a difficult childhood followed by a stressful marriage.”
Her life was not infected by the problems
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In childhood, it’s her Father and brother Jivan who control her; in youth she lives under her husband’s will and later, it is her children who dictate her life. She rarely gets to be herself. And no, her husband, Raman, is not at all an evil man—he’s not a wife-beater like Pappachi of The God of Small Things nor does he cheat on her. The problem is their incompatibility. He is totally prosaic in his approach to life – practical to the core. On the other hand, Sita is deliriously romantic. The problem here is that Sita and Raman are more like strangers living under the same roof. And the society ordains that in a marriage, the individuality of the husband reigns supreme.
In Where Shall We Go This Summer? the protagonist Sita who in the beginning is a victim of loneliness and alienation and lacks identity, changes and recognizes her true- self with the course of time. Sita is an over-sensitive middle- aged woman who feels alienated from her family due to her emotional attitude towards day today happenings. She is inflexible and incapable of adjusting to her family and also to
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
pity in the reader by reflecting on the traumatic childhood of her father, and establishes a cause
A woman’s self-worth and self-esteem are vital to experiencing happiness in a marriage. In addition, low self-esteem will cause a woman to feel abandoned, because she is not getting enough emotional support from her husband. Cisneros demonstrated this through the character of Cleofilas in the story. For example, Cleofilas often reminds herself why she loves Juan Pedr...
This story represents the suffering induced by the isolation. In the time period on which this history was reflected, it was socially tolerable for wives to be
...her to feel despair. Her misery resulted in her doing unthinkable things such us the unexplainable bond with the woman in the wallpaper.
Sripathi’s intolerance of spending money on anything but himself leads to the disgust of his wife. During the planning of Maya’s engagement, he worries about “how much that [would] cost” (102) and even calls his wife a “foolish woman” (102). This is significant because it shows that Sripathi cannot bear the thought of splurging on his daughter’s engagement. This shows that he does not care about pleasing other people who are invited to ceremony; rather, he cares about his own financial future. Through the exchange between him and his wife, Sripathi is portrayed as a selfish person who only cares about his own opinions. He even belittles his wife for not accepting his opinion as the best idea. However, after Maya’s death, Sripathi copes by becoming more empathetic. He recalls what he has done to Maya and wonders how he will be able to face his grandchild with the knowledge that he is responsible for her mother’s death (245). This is significant because Sripathi begins to reflect and consider how others feel. Through this personal thought, this reveals how much his character has changed since the death of Maya. He now understands that he will not be able to face his grandchild because of how disowning Maya contributed to her death. Sripathi now tries to atone for what he has done to Maya by attempting to get closer to Nandana. This helps him to
...d express herself and her opinions. Anzaldúa’s mother pressures Anzaldúa to conform and limits because of her fear. Cooper’s and Anzaldúa’s family influence them in different ways, but ultimately both harm their ability to express themselves and develop unique identities.
Deepa Mehta’s Fire uses a lesbian relationship to challenge the idea of women in India being undermined, sexually constrained, and emotionally repressed, especially in their arranged marriages. Sita and Radha are sisters-in-law, living within a joint family in New Delhi. Radha is married to Ashok, who, with the help of Radha, Sita, and the servant Mundu, runs a take out-food business. Sita is married to Ashok’s brother Jatin, who runs a family business video-rental shop1. Both marriages suffer as neither of the husbands devote enough passion and emotion to their wives.2 Ashok refuses to have a sexual relationship with Radha after finding out that she is infertile, he uses this as an opportunity to make a vow of Grandhian celibacy3, in which he tests his ability to resist his wife sexually by lying next to her and resisting sexual desires. He calls this her “duty to him as his wife”, leaving Radha emotionally and sexually suppressed. Sita, who has just married Jatin, is in a similarly dispassionate relationship as Jatin is in love with an Asian woman and agreed to marry Sita only for the purpose of pleasing Biji and his family. As the film progresses, Si...
The Ramayana is the most famous and well-known of all Indian epics, originally based on an epic poem it has taken many variations and forms over the centuries. Traditionally the story centers on the hero Prince Rama, who is the embodiment of virtue and perseverance, as he is wrongfully denied his birthright of being crowned king and instead is unjustly exiled into the forest where he encounters his fair share of dilemma. In R. K. Narayan’s condensed, modern version of The Ramayana the classic conflict of duality is a predominant theme, as Rama faces many instances of uncertainty and trivial chaos which are eventually balanced by order and goodness under the laws of karmic causation and dharma alike which he virtuously strives to uphold. Nina
People can not judge others based on what they take from the story. Nina Paley stated “The aspect of the story that I focus on is the relationship between Sita and Rama, who are god 's incarnated as human beings, and even they can 't make their marriage work.” This goes to show that she wanted to portray the relationship between Rama and Sita. This is what she took from the story and created her version of the Ramanya. We can 't say that it is wrong because it 's her own person views and opinion. People can argue with her version of the story because she did portray what happened in the Ramanya. Rama did abandon Sita because he didn 't trust her words and purity. He was so worried about what others were saying that he let go of his own wife. Many people don 't want to accept that because that will hurt Ramas image and name. He is always portrayed as the ideal man. Doing what 's right and moral. What he did to Sita was not right. Even till this day many people in India and other Asian countries perceive Rama and Sita as the ideal couple and they are the example of how a couple should be.They have set expectations for how a couple should live because of the stories that were told by others. Everyone has their own version of the Ramanya that has been passed down through their family and elders. No one can pinpoint and say that one
The short stories “Souls Belated” and “The Yellow Wallpaper” have in common ‘Marriage’ as main theme. However, the marriage is treated quite differently in both short stories. In "Souls Belated", Lydia chooses to take control of her destiny, to deviate from conventions and to choose what is good for her. She is the strongest character of the couple. Whereas, in "The Yellow Wallpaper", the name of the main character who is also the narrator of the story is not known. She is identified as being John’s wife. This woman, contrary to Lydia in "Souls Belated" is completely locked up in her marriage. This essay will first describe and compare the characters of Lydia and John's wife in the context of marriage, and then it will look at how marriage is described, treated and experienced by couples in these two short stories.
We trace her struggles with personal grief, a restricted social life, socio-economic decline, and romantic misfortune, a long history of trauma and repression.”(445)
Throughout the narrator’s elaborate life; he experienced love, friendship, and sickness; as well as many other things described in his book: Love in Exile. This book discusses the different cultures and personalities that the narrator observes, the love of the narrator’s life, Brigitte, and the life of Bahaa Taher in general and the kinds of cultures he experiences.