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Lord of the rings good and evil
Lord of the rings good and evil
Lord of the rings good and evil
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Darkness, if given strength, has the potential to destroy the world. In a battle between good and evil, the inhabitants of Middle Earth discover how vulnerable their world actually is. One ring holds the fate of the world; its existence threatens the life of all living creatures. If Darkness recaptures its creation, the world as the citizens of Middle Earth know it will cease to exist. One individual, Frodo Baggins, holds the fate of the world in his hands as he fights to destroy the ring. Throughout Peter Jackson’s film The Lord of the Rings: the Two Towers, Saruman’s evil forces continually try to destroy those trying to save Middle Earth. In order to enhance the reality of the film, Peter Jackson uses many different film techniques. To appreciate these techniques, it is beneficial to first understand the plot of the film.
The Lord of the Rings: the Two Towers takes place in a mythical land called Middle Earth. Thousands of years ago, the Dark Lord of Mordor, Sauron, forged the one ring to rule all other rings in the possession of the leaders of Men, Elves, and Dwarves. The ring corrupts all who encounter it. In order to save Middle Earth from the terror of Sauron, the ring must be thrown into the pit of Mount Doom, where the ring was forged. Frodo Baggins is given the seemingly impossible duty of destroying the ring. Sauron’s forces repeatedly try to overtake Frodo, but his inner strength overcomes the darkness. Through various terrains and dangers, Frodo and his friend, Samwise Gamgee, travel to Mordor, the birthplace of the evil ring. Film techniques allow the audience to experience all the adventures and trials each character goes through.
One of the techniques used in The Lord of the Rings is panorama. Panorama shows the...
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...inually throughout the course of the movie.
These film techniques are important to understand, especially for young people. Young people should be knowledgeable in film and technology because these things are becoming more important in the modern world. If young people do not learn to understand things like films, they will lack the knowledge to use them to enrich their lives. Young people are always watching movies, playing video games, or surfing the internet throughout the day. Film creators put excesses amounts of effort into making movies and video games realistic and entertaining. If young people will learn to be knowledgeable about different film techniques, they will have the ability to discover the parts of a movie the director wants to stand out within a film, which will increase their enjoyment and appreciation of something so important in today’s world.
Peter Jackson’s film “The Lord of the Rings: The Fellowship of the Ring,” revolves around a young hobbit by the name of Frodo Baggins and his unique group of companions. They go on a journey to destroy the One Ring of Sauron (the Dark Lord). In short, the One Ring has malevolent powers to whomever wears it.
When Frodo’s journey is about to unfold, the ring that was given to Frodo by his uncle/cousin Bilbo turns out to be the One ring that holds the essence of the dark lord Sauron. Because of Gollum, the previous owner of the ring, Sauron becomes aware of the rings locations and sends out the Black Riders to collect his precious.are sent out to claim the ring (Tolkien). This conflict is foreshadowed on page 13 and 14 of the prologue. “ He returned to his home at Bag End on June the 22nd of the fifty-second year (S.R. 1342), and nothing very notable occurred in the Shire until Mr.Baggins began the preparations for the celebration of his hundred-and-eleventh birthday (S.R. 1401). At this point this history begins.” Tolkien is very subtle with most of his writing, besides imagery and personification, examples like foreshadowing and metaphors are very hard to pick up on. This event sets the story in motion, and gives the readers a glimpse of what challenges Frodo is to face in the future. Another very important conflict arises between Boromir, Captain of Gondor and Frodo Baggins. In chapter 10 of the second book when the Fellowship is at Amon Hen, Boromir follows Frodo into the woods,and insists that Frodo let him have the ring but Frodo says no. Boromir attacks Frodo for the ring due to the influence of the ring pulling him in, but Frodo slips on the ring becoming
The Hobbit by J.R.R Tolkien is said to be one of the greatest children's novels of all time. The novel, due to its use of such characters as goblins, elves, trolls, giants, and others is in tradition, a fairy tale. The tale centers on a small hobbit by the name of Bilbo Baggins. It follows the journey of a band of dwarves, a wizard named Gandalf, and their robber, Bilbo on their way to retrieving treasure that had long been taken away from them. The hobbit traveled all over Middle-Earth, beginning with Bilbo's tiny hobbit-hole in the ground, to Mirkwood forest, to finally reaching the Mountain in which the dragon Smaug lives. Tolkien uses a large amount of imagery in his writing which can been seen through settings in The Hobbit. The imagery is usually either dark or light, depending on Bilbo's mood and contrast of his surroundings. J.R.R Tolkien uses dark and light imagery in The Hobbit to effectively set an eerie and mysterious mood and to foreshadow events such as Bilbo's journey in Mirkwood and his adventure in the Mountain.
A few of the camera angles used are long shot, medium shot, high angle and bird’s eye view. A long shot to show the link between characters/subjects and their environment and draws the audience’s attention to a particular aspect of the surroundings. It can also indicate the atmosphere of the film. A medium shot shows a characters facial expression and body language, and for us to get to know the characters and how they relate to each other more closely. A high angle shot makes the person or object look weaker, inferior, under pressure or vulnerable. Lastly, a bird’s eye view gives the audience an overview of where the character or subject is positioned and enables the audience to see what is going on away from the characters immediate
It is very important how you put things up on the screen. It tells the viewer what the movie is about. Every single frame in a movie tells the fate of the characters.
Just before he leaves, Gandalf asks Bilbo for his ring. Due to the power in which the ring possesses while it is in his possession, he does not want to give it up. The novel ends with the destruction of the Fellowship due to the power in which the ring contains. One of the prime facts of the Middle Earth is power. Power is not neutral, but is always evil.
Dark, imposing, devious, powerful beyond measure, Sauron is evil personified in the Lord of the Rings universe. He is the be all and end all when it comes to villiany in the Lord of the Rings tale. He is a major reason that the Lord of the Rings is regarded as a pinnacle of epic fantasy story telling. But he is not an overly complex villain, with morally gray motivations that some may say are required if an evil character, especially the central one, is to be regarded as important and beneficial to the plot. But the genius of Sauron's villaint is his absence of complex reasoning or motives that could be seen as not entirely evil. His one goal is to destroy the world of men. He can't be reasoned with or sympathized with, and this is what the this insatiable, all powerful, purely destructive nature of his villainy so vital to the Lord of the Rings. Sauron and his purely diabolical nature are the constant that every protagonist is leaned against and tested upon, and the podium on which Tolkien showcases the character growth of the many protagonists in this novel from the beginning of the story until the end.
One day the old wizard Gandalf comes to the Shire, and he tells Frodo of an evil named Sauron who wants to capture the Ring for himself. In ages long past Sauron stole the Ring from the Elves, to protect him from the Powers of Good; but the Ring was stolen from him by a creature named Gollum, and then stolen from Gollum by Bilbo, who finally gives it freely to Frodo. "Sauron has been searching for the Ring for years," Gandalf tells Frodo, "and now he has sent his nine Black Riders, to the Shire to look for it." Frodo and Sam consult with their loyal friends Merry and Pippin, and when the Black Riders appear, the hobbits trick them into going into a mushroom-patch, disorienting the Black Riders just long enough to escape the Shire.
middle of paper ... ... But by the end, according to Frodo, “I tried to save the Shire, and it has been saved”, though it most certainly bears some scars of its own. The Shire not only represents the hobbits’ home, but the reader’s too, this creates a love between the reader and the Shire, therefore the driving force behind the hobbits’ actions, becomes the reader’s too. The different types of love present in The Lord of the Rings, and the Hobbit as well, are constantly being shown as the impetus behind all things that eventually lead to the demise of Sauron. These examples start off simple, a love for a friend, one’s homeland, a leader, but they result in saving Middle Earth and it’s people from the theft of their free will and the dominion of Sauron.
The structure of the history of Middle-earth is based on the natural cycle of life. Tolkien’s chronicle, stretching back through the various ages of the world, is at its heart a simple story of good vs. evil. The balance of power does not swing chaotically however. Tolkien sets the world on a cyclical system. As Gandalf says, “Always after a defeat and a respite, the Shadow takes another shape and grows again.”(Fellowship, 76).
Film theorist Kristin Thompson decided to explore her love for Tolkien’s work and her passion for film by writing “The Frodo Experience” Thompson explains her claim in the introduction. (Rings) “can fairly claim to be one of the most historically significant films ever made.” She wrote the book, to trace its influences in filmmaking, marketing, and merchandising; as well as its impact on the New Zealand film industry that existed before the trilogy came there. Bottom line; Thompson did a good job at explaining why the film held such historical significance. She talks in depth about the costumes, props and different technology designed specifically for this film. The Rings changed how movies were made.
Nature plays an important and powerful role in J.R.R. Tolkien’s Lord of the Rings. Often, it is used to Shakespearean effects, in order to foreshadow doom. At other times, descriptions of the “green earth,” in particular, are used to render Middle-Earth into an almost maternal, life-giving persona. One could argue that these descriptions of “green earth” take on a life of their own, treating place as character. After all, places in Lord of the Rings often possess multi-dimensional qualities and are capable of change. In Aragon’s words, the “green earth” is “a mighty matter of legend” (The Two Towers 424). “Mighty” is not always the most appropriate word for places or objects, except when they hold power—perhaps even autonomously so. For example,
J.R.R. Tolkien's concept of too much power is summed up by Lord Acton when he once said, "Power corrupts, but absolute power corrupts absolutely." In Tolkien's first book of his fantasy based trilogy, Lord of the Rings, the Fellowship of the Rings tells a story of a quest to destroy a powerful ring throughout Tolkien's created "Middle Earth". This quest was headed by a "Hobbit" named Frodo Baggins who, in the end, becomes corrupted by power himself. This corruption begins when Frodo uses his ring to become invisible over and over again to escape certain situations. The quest to destroy the powerful "Ruling Ring" forms the basis for this story.
The two hero’s Harry Potter and Frodo Baggins are two very ordinary people before discovering what lay in store for them. Harry lived with his aunt and uncle in terrible conditions after his parents were murdered and Frodo lived with his uncle after his parents drowned. Harry learns of his true powers when he is twelve, he someone tells him that he was the one who killed Voldemort "To Harry Potter - the boy who lived"(Rowling). Harry’s parents were murdered but there love for him protected him, and when Voldemort tried to kill him, his spell backfired and nearly killed him. Harry doesn’t find this out until he is twelve years old, old enough to go to wizardry school. In the Lord of the Rings, middle earth can not agree on what to do with the ring. They finally decide to destroy it, but now can not decide who will carry it. Frodo volunteers to carry the ring when all the other races can not agree who will take it.
If we go back beyond Lumière Brothers’ projection of their cinematography in Paris over Christmas 1895, which is too straightforward birth narration of cinema; ancient visual forms like Egyptian hieroglyphics or pre-cinematic technologies of image capture and projection, known as magic lanterns, employing a series of lenses and light sources, were early proof of humanity mesmerised by the play and tricks of light and shades.