In the stories of Kate Chopin’s “The Story of an Hour” and Sherman Alexie’s “The Lone Ranger and Tonto Fistfight in Heaven there is an external conflict of man vs. man. A conflict is the struggle between opposing forces in a story or a play, according to Prof. Clay. The conflict can either be internal or external, but in this case it is external because both characters struggle with a man vs. man conflict. Both stories also share a motif of a love/hate relationship. A motif is an idea or symbol that repeats itself throughout a literary work, according to Prof. Clay. There can be many motifs in a story. In Sherman Alexie’s “The Lone Ranger and Tonto Fistfight in Heaven” there is a conflict of man vs. man because Victor is dating this girl, …show more content…
They loved each other dearly and lived together, but later realized they could not be together. “She and I never tried to hurt each other physically. I did love her, after all, and she loved me. But those arguments were just as damaging as a fist. Words can be like that, you know?” (Alexie in Gardner, Lawn, Ridl & Schakel, 2013, p.404). He would make fun of her and her profession of being a school teacher. “She was a kindergarten teacher and I continually insulted her for that. “Hey, schoolmarm,” I asked. “Did your kids teach you anything new today?”” (Alexie in Gardner, Lawn, Ridl & Schakel, 2013, p. 404). They both knew that the relationship was not healthy and they needed to go their separate ways, which they eventually did. “All I know for sure, though, is that I woke from that dream in terror, packed up all my possessions, and left Seattle in the middle of the night. “I love you,” she said as I left her. “And don’t ever come back.”” (Alexie in Gardner, Lawn, Ridl & Schakel, 2013, p. 405). Their love was not enough to keep them together in the …show more content…
Mallard had a love/hate relationship with her husband. She loved him dearly, but it was very apparent that in some ways she did not always like him very much and that showed in her actions after she found out he died. “She knew she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her; fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.” (Chopin in Gardner, Lawn, Ridl & Schakel, 2013, p. 60-61). That clip leads you to believe that the husband sometimes looked at her as if he did not love her also. Mrs. Mallard makes it very clear that is sad that he has died, but is not sad that she is “free” from him. “And yet she had loved him – sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being! “Free! Body and soul free!” she kept whispering.” (Chopin in Gardner, Lawn, Ridl & Schakel, 2013, p. 61). From the story you cannot tell why Mrs. Mallard feels the way that she feels about her husband, but whatever the reason is, she was very happy to get away from it and start her new life, husband
Explain how the conflict arises and go on to discuss in detail how the writer uses it to explore an important theme.
In the short stories “A Drug Called Tradition,” “The Approximate Size of My Favorite Tumor,” and “The Only Traffic Signal on the Reservation Doesn’t Flash Red Anymore” collected in The Lone Ranger and Tonto Fistfight in Heaven, author Sherman Alexie uses humor to reflect the life on the Spokane Reservation. In “A Drug Called Tradition,” the story starts with a joke by having Thomas sit down inside a refrigerator in response to Junior’s comment as to why the refrigerator is empty. The Indians are having a party hosted by Thomas, who gets a lot of money from a corporation for leasing some of his land. Alexie’s three second selves, Victor, Junior, and Thomas, later go to the Benjamin Lake and use the drug that Victor brings with him. In “The Approximate Size of My Favorite Tumor,” Jimmy Many Horses, who suffers from terminal cancer, humorously describes his tumors to his wife, Norma, who cannot bear Jimmy’s humor and leaves him. At the end, Norma comes back to Jimmy because the person she lives with is too serious. In “The Only Traffic Signal on the Reservation Doesn’t Flash Red Anymore,” Victor and Adrian talk about the basketball stars on the reservation, hoping that someone on the reservation can resist alcohol and develop his or her basketball skills to be a successful ballplayer. The function of Alexie’s humor shifts throughout his stories. In “A Drug Called Tradition,” Alexie’s humor effectively accomplishes one of his goals by obliging readers to reconsider their concepts, while his humor helps his characters improve their situations in “The Approximate Size of My Favorite Tumor.” In “The Only Traffic Signal on the Reservation Doesn’t Flash Red Anymore,” humor mitigates the characters’ pain and despair. One common function hum...
Her husband and her were apart a lot, so that even if they had been in a good relationship the time apart would have still caused problems “I believe in out of sight out of mind, rather than, absence makes the heart grow fonder.
In literature there are 3 diffrent types of conflict, man versus man, man versus nature and man verus himself. A conflict is something that opposes the protagonist in the story.
Conflict, by definition, is a back and forth struggle between two opposing forces. In the literary work, Of Mice and Men, by John Steinbeck, it is clear, the protagonist, George Milton, undergoes many conflicts that lead to the novel’s overall purpose. Steinbeck weaves together George’s conflicts with others, himself, and with society to illustrate what the true meaning of friendship is.
Chopin depicts marriage as a prison institution that confines women to life. In the story, there is no possibility of divorce and death seems to be the only way out. Evidently, since marriage is dictated by society, women do not seem bothered by their lack of freedom since they feel it is their obligation to run their homes without complaining. From the story, Mrs. Mallard does not seem perturbed by her present situation until she gets a taste of freedom after receiving the news about her husband's death. Precisely, we are told that she was beginning to recognize this thing that was approaching her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been.
Mrs. Mallard is the example of a typical housewife of the mid 1800’s. At the time, most women were not allowed to go to school and were usually anticipated to marry and do housework. During that time, the only way women could get out of a marriage was if they were to die or their husbands was to die. In that time period, the husband had control of all of the money, so it would not be wise if the wife were to leave the financial freedom that was provided by the husband. This is most likely why Mrs. Mallard never leaves her husband’s death, she is sad at first but then experiences an overwhelming sense of joy. This shows that she is not in a fulfilling marriage as his death means she will finally have own individual freedom, as well as financial freedom being the grieving widow who will inherit her husband’s wealth. In the words of Lawrence I. Berkove he states, “On the other hand, Chopin did not regard marriage as a state of pure and unbroken bliss, but on the other, she could not intelligently believe that it was desirable, healthy, or even possible for anyone to live as Louise, in the grip of her feverish delusion, wishes: to be absolutely free and to live totally and solely for oneself.” (3) Mrs. Mallard’s reaction to her husband’s death is Chopin’s way of expressin...
Kate Chopin’s story, "The Story of an Hour," may seem to be about Mrs. Mallard’s unexpected and ironic reactions to the news of her husband’s untimely death due to a railroad disaster. At least that’s what I thought when I read the story. It seemed to me that she led a normal life with a normal marriage. She had a stable home life with a kind, loving husband who cared for her. She seemed to love him, sometimes. She had some kind of "heart trouble" (Chopin 25) that didn’t really affect her physically, until the very end. I thought Mrs. Mallard would have been saddened and filled with grief for an adequate period of time after her spouse died, but her grief passed quickly, and she embraced a new life that she seemed to be content with. Therefore I believe there is good evidence that Mrs. Mallard was an ungrateful woman who did not appreciate her husband or his love for her. That evidence is found in her selfish behavior after the death of her husband, Brently Mallard.
...ge that she does not wish to be in. This woman suffers a tremendous amount from the commitment of her marriage, that the death of her husband does not affect her for long. A marriage such as this seems so unbelievable, yet a reader could see the realistic elements incorporated into the story. This begs the question of how undesirable marriage was during Chopin’s life. The unhappiness felt by Mrs. Mallard seems to be very extreme, but Chopin creates a beautiful story that reflects upon the idea of marriage as an undesired relationship and bond to some women in the nineteenth century.
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion
Conflict is apart of the model of society. It is a very common component of reality and also in stories and other forms literature. In stories, it adds sensation and stimulates the minds the people who are reading it. Characters can be in conflict with another character, an object, or themselves. When characters are having conflicts however it is more than just a mere disagreement but it is a situation in which the characters detect a threat to their physical, emotional, power and status well-being.
Mallard. Her self-assertion surpassed the years they were married and the love she had for him. She is beginning to realize she can now live for and focus on herself. The text insists “There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature.” (Chopin 477.) Finally she can live freely and no longer worry about being confined in her marriage and inside her own home. She has come to realization that she is now independent and can think freely and achieves happiness and freedom. She is no longer held down or back by her marriage. She will no longer be someone’s possession she will be free and respected. Her husband Brently returns and he is alive the happiness and freedom she once possessed briefly with the mere image of her deceased husband were quickly torn away. “When the doctors came they said she died of heart disease of joy that kills” (Chopin 477). She was free but still confined without the knowledge of her husband who wasn’t dead. Chopin illustrates at the end that she was free because joy killed her. She was joyous because she was finally set free but she is now once again confined by the grief knowing her husband was not killed
Several different elements are necessary to create a story. Of all the elements, the conflict is most essential. The conflict connects all pieces of the plot, defines the characters, and drives the story forward. Once a story reaches its climax, the reader should have an emotional connection to the both story and its characters. Not only should emotions be evoked, but a reader should genuinely care about what happens next and the about the end result for the characters. Guy de Maupassant’s “The Necklace” is the perfect example of how a story’s conflict evolved the disposition of its characters.
The first reader has a guided perspective of the text that one would expect from a person who has never studied the short story; however the reader makes some valid points which enhance what is thought to be a guided knowledge of the text. The author describes Mrs. Mallard as a woman who seems to be the "victim" of an overbearing but occasionally loving husband. Being told of her husband's death, "She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance." (This shows that she is not totally locked into marriage as most women in her time). Although "she had loved him--sometimes," she automatically does not want to accept, blindly, the situation of being controlled by her husband. The reader identified Mrs. Mallard as not being a "one-dimensional, clone-like woman having a predictable, adequate emotional response for every life condition." In fact the reader believed that Mrs. Mallard had the exact opposite response to the death her husband because finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow. "Free! Body and soul free! She kept whispering." We can see that the reader got this idea form this particular phrase in the story because it illuminates the idea of her sorrow tuning to happiness.