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Culture of puerto ricans
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Ancient Earth Religion
In his book, The Liberating Spirit: Toward an Hispanic American Pentecostal Social Ethic, Eldin Villafañe examines the role and importance of the fiesta in Latino culture. This book continues his theoretical approach with an examination of how the fiesta is played out in Espinazo in the cult of the Niño Fidencio. Villafañe describes the Latino fiesta as follows:
“The fiesta in Latin American culture and society is deeply meaningful. The fiestas patronales/patron saints (such as El Niño Fidencio), is typical throughout the Latin American world. Religious and non-religious events in the calendar year mark the occasions that are the basis of a marvelous sense of community that celebrates life through fiesta.”
Catholic theologian Virgilio Elizondo places the fiesta in an even more primal context, “The happiness and joy…is immediately obvious to outsiders. The tragedies of their history have not obliterated laughter and joy…fiesta is the mystical affirmation that life is a gift and is worth living….In the fiesta the Mexican American rises above the quest for the logical meaning of life and celebrates the very contradictions that are of the essence of the mystery of human life (Elizondo, 1983).”
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It should be noted that the Mexican fiesta is based in folk-Catholicism and Villafañe describes the importance of the worship of saints.
Elizondo’s fiesta is very different from the indigenous cargo cult fiestas studied by American anthropologists in southern Mexico and Guatemala in the 1960s and 1970s. Anthropologist Waldemar Smith in his book, The Fiesta System and Economic Change, states that one distinguishing feature of the fiesta system is the extraordinary costs that families bear during their year in office in the cargo cult. “Fiesta sponsors are expected to hire ritual specialists, perform considerable ceremonial labor, and host a fiesta complete with food, drink, and musical entertainment for other members of the community (Smith,
1977).” The labor and expense of the Fidencista fiesta is very much the same but the funds are accumulated by the materias and their followers in their hometowns and then invested in a fiesta played out in Espinazo at the Niño Fidencio’s pilgrimage site (Villafañe, 1993 and Sanchez-Walsh, 2003). Waldemar Smith points out that: “The fiesta system (in Mayan communities) is less a cause of the Indians’ cultural and social status than a consequence of how Indians have been integrated into Mesoamerican colonial regimes. Exclusion of Indians from cosmopolitan social life, coupled with their subjugated economic position and their freedom in running their own community affairs, are the larger conditions that motivate fiesta sponsorship.” This is exactly how I characterize the fiesta system in Espinazo, Nuevo León, a celebration in memory and honor of El Niño Fidencio. Fidencio was a barefooted kitchen boy who became a folk-saint. His fame as a taumaturge/miracle worker and curandero comes from the attribution of the people he helped and not from self-promotion. As in the description of the Indigenous fiestas above, the followers of Fidencio are themselves more often than not at the bottom of the Mexican economic scale. Additionally, they suffer from exclusion from cosmopolitan social life that is combined with their subjugated economic position.
side of a border town made Smeltertown residents American, Perales looks at how they also never left their Mexican culture and customs behind. The San Jose’ de Cristo Rey Catholic parish served as a place for Esmeltianos to reimagine what it meant to be racially and culturally Mexican in an American border town. The Catholic chapel on the hill became the locus of what it meant to Mexican in a border town. Through their sense of community and the Catholic parish, Esmeltianos retained many aspects of their Mexican culture: Spanish language, Mexican patriotism, Catholicism. “Blending elements of national and ethnic pride, shared language, and a common experience with Catholicism provided a foundation on which Esmeltianos reconfigured what it meant to be Mexican in a U.S.
Many countries have the pleasure of celebrating Independence Days. These historic holidays are filled with nationalistic celebrations and delicious traditional food. In Chile, the natives celebrate their break from Spain with Fiestas Patrias. In Mexico, the president begins the celebration by ringing a bell and reciting the “Grito de Dolores” and he ends his speech by saying “Viva Mexico” three times.
Union between two quarrelsome objects can be the most amazing creation in certain situations, take for instance, water. Originally, water was just hydroxide and hydrogen ions, but together these two molecules formed a crucial source of survival for most walks of life. That is how marriage can feel, it is the start of a union that without this union the world would not be the same. A Hmong mother, Foua took it upon herself to perform a marriage ceremony for the author of “The Spirit Catches You and You Fall Down”, Anne Fadiman. In this miniscule event, two cultures with completely conflicting ideas came together to form a union. In this union, an American was celebrating an event in a Hmong way, truly a collision of two cultures.
Julia Alvarez in her book, Once Upon a Quinceañera, explores the quince tradition from cultural, historical and personal angles. Herein, she seeks to clarify some of the myths and ideas that surround this tradition from the notion that quinceañeras are from old Aztec traditions to the idea that this rite has been passed down from one Latino generation to another. She discovers that most contemporary quinces are firsts for many families and are different from those of the past. Consequently, the tradition depicts a group that is experiencing transformation who seek to establish their roots in a past that is somehow bleak. Many have often described the US has a melting pot of cultures. Therefore, Americans from different cultures find themselves amalgamating their values with those of the American society, thus affecting the overall culture of their communities. In Once Upon a Quinceañera, the author demonstrate and applies the cultural myth of melting pot.
Within the works of “Fiesta, 1980” it takes us in the lives of a Latin American family. We are described a traditional style Latino family were there is a dominate father figure, a submissive mother, and obedient children more or less. There are two boys the eldest Rafa and the youngest Yunior and their younger sister Madai. During the transgression of the story it is conveyed through the eyes of Yunior. And like any typical family it has its own story to tell.
School children also often get a chance to try their hands at creating basic Mexican cuisine. In some areas of the southwest, particularly in the city of Los Angeles, celebrations of regional Mexican dancing and music are held. However, regardless of the area of celebration, one could almost certainly find mariachi band filled restaurants, outdoor festivities, and social gatherings with large amounts of Dos Equis and Corona beer for the adults. Cinco de Mayo has evolved into a day that focuses on celebrating Mexican heritage and the Mexican way of life, but still pays homage to the battle that gave way to Mexico’s independence. Whether one is dancing in a large parade, or simply bonding with loved ones, it is important to always recognize the true purpose of Cinco de Mayo, and to remember and thank those who helped secure Mexico’s freedom so many years ago.
In his chapter “The Devil Dances,” Limón (1994) argues that the devil is a metaphor for Latinos and Latinas. For Latinos, the devil symbolizes a threat and for Latinas the devil is a sexualized charge sight of admiration and delight. By examining a rumor of the devil appearing at a local dance in Texas, Limón shows a critical reaction to an increasing saturation from an intensifying culture of postmodernity. The struggle for cultural survival and authenticity, especially for women who are always on the lowest rung of the socioeconomic ladder, is the necessity for engaging with those devils. It is through this lowest rung that causes tension and trauma. The devil is a symbol of threat, fear, and domination. This symbol is derived uncousinly, according to Limón, and is used as a coping
I am going to tell you about a famous, yet kinda eerie celebration that takes place in mexico. This is a tradition celebrated by the Mexican Natives, most Mexican Americans (including myself) don’t even acknowledge this day, unless they happen to be visiting mexico at the time of this event.
The traditions my parents instilled in me at a young age are important to me. They are part of my Latin culture and identity. One of the most important traditions that I value the most is our devotion to “La Virgen de Guadalupe” (The Virgin of Guadalupe), and although I don't go to church or share a specific a religion, I believe in La Virgen as a protector and a guardian figure and maintain her presence in my daily life. The story of La Virgen de Guadalupe goes back to 1531, during the time of the Spanish conquest, an indigenous man named Juan Diego encountered the apparition of La Virgen who told Juan Diego that a church should be built in her honor at the top of Tepeyac hill, where she appeared, which is now in the suburbs of Mexico City.
I am familiar with both the Mexican culture and the regular American Culture. Those two cultures aren’t alike. Mexicans celebrate different holidays. In American culture, we celebrate 4th of July because of the declaration of independence. But in Mexican culture, we also celebrate Independence Day but on the 16th of September, because we won the war against the Spaniards. Also, in American culture we celebrate the holiday that all kids love, Halloween on October 31st. Halloween is a day to go trick-or-treating and have fun. In Mexico, we celebrate “El Día De Los Muertos “(Day of The Dead) on November 1st. Day of the dead is a day where we remember all the people that have died and that holiday is in honor of them. Mexicans also celebrate “El Día De Los Reyes Magos” also known as “Day Of The Three Wise Men”. This day is celebrated for the day that the three wise men took each 1 gift to the Virgin Mary’s son. Columbus Day is a holiday that is celebrated in both American and Mexican culture. But besides the holidays, Mexican food is different from the all American food that is seen everyday. From pozole, tacos, quesadillas, and so many other foods, the cultures aren’t the same.
An article reviewed, described the term spirituality among Latinos, rather than Latino spirituality, was used to denote different perspectives that may exist across various Latino populations. Multiple, socially constructed phenomena such as racialized and gendered identities, class, immigration status, language, and adherence to Catholic Church doctrine or another religious denomination all may contribute to diversity among Latinos ' expression of spirituality. Personalismo is an important Latino cultural value that is characterized by warmth, closeness, and empathy in one 's relationship with others. In faith experiences, this translates to a direct and intimate relationship with one 's conception of a universal being, which may include Christian concepts of God, Jesus, the Virgin Mary, the Virgin of Guadalupe, and/or various saints
...l Castillo, R. 1994. La Familia: Chicano Families in the Urban Southwest, 1848 to the present. Notre Dame: University of Notre Dame Press.
Crouch, Ned. Mexicans & Americans : Cracking The Cultural Code. NB Publishing, Inc., 2004. eBook Collection (EBSCOhost). Web. 21 Nov. 2011.
Kanellos, Nicolás, Felix M- Padilla, and Claudio Esteva Fabregat, eds. Handbook of Hispanic Cultures in the United States: Sociology. Houston: Arte Publico Press, 1994. Print.
...ife, giving spiritual meaning to the Hispanic culture. I feel that is one of the Hispanic’s group strong point is the balance of spiritually and how it important to the family way of life.