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What symbolizes loneliness in literature
What symbolizes loneliness in literature
Themes about loneliness
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The rains of woe fell upon me, a lone traveler, as I looked upon the cave of dread, Set on a quest to seek audience with the master of tears. My heart was aflame with the flames of desolation as I slowly entered the cave whose only god was that whose name is Death. I have witnessed twenty winters, winters so cold that the icy breath of Boreas would freeze newborn babes to their mother’s breast, but none could compare to the icy chill that dwelled inside the cave. Each wind flayed my skin, leaving it blistered and purple. Bereft of the fruits of life, the only inhabitants were black stones splashed with blood, a red as vibrant as wine. Skeletons, blackened with age, litter the ground, painting a grotesque display. Abhorred by the sight, my heart begged me to escape …show more content…
[I grasped the blade in my hand and looked into its steel face, my own eyes stare back at me.]
NOW: Are you a bewitched blade that can speak without a face?
Blade: Oh my gentle child, this forest bares many enchantments, and those who dwell beneath its rooted fingers are burdened with god’s foolish gift to men. I send my thoughts to your thoughts. Your mind is not that of a knight or knave. Nah, you come to seek dialogue with my lord and master. A story from him will only be ill words. I will gift thou with my song instead.
NOW: If you can speak words like a man, what song must you sing?
Blade: The song of despair. Born from a liquid fire was I and by man’s hand I became a long claw. I was not made to be a tool of war or the hunt. I am the holy blade for the men of sin to seek reprieve on. A gift, a gift of infinite darkness! Mortal men clutch me close and bestow upon me a crimson cloak. My kiss is a cold release and from their breast pours the spring of relief.
NOW: What evil is this you speak of? What unholy bloodshed does thou partake
Lily is thinking “how much older fourteen had made [her]. In the space of a few hours [she’d] become forty years old.” She makes this connection after she realizes that maybe her mother's death could have not been her fault and that it could have been T. Ray’s and he was punishing her for it. This caused Lily to pack “...5 pairs of shorts, tops, ... shampoo, toothpaste...” $38 and a map (41-42). By doing this, it made her feel like she had aged, feeling like a 40 year old.
John Riquelme’s essay For Whom the Snow Taps: Style and Repetition in “The Dead” proposes two possible interpretations of the story. The essay describes the variations of meaning behind the recurring thematic purpose of the story, but even more so, points out the repetition of the symbol of snow. Focusing mainly on the celebrated last passage of the story, Riquelme harps on the transformat...
Coincidentally, it is the lack of warmth, the coldness, which classifies one as a corpse, which additionally suggests that the Beast is about to reach the limits of his mortality. To conclude, by comparing the vibrant and static house which seemed to exist in a dimension of its at the beginning of the narrative, to its forlorn condition after the departure of Beauty, the extent of the suffering in which the Beast endures is visually revealed.
Hearts pounding with sword, and shield in hand dripping blood, and covered in dust. Men
I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are the first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation (39).
“I think water should be free, so it started from that idea, and then it evolved from that and what kind of world would we be in the future where all commodities air, water, sunlight is sold to us” said Wanuri Kahiu, director of Pumzi(2010) (Kahiu 2:55), in an interview about her short film. In her movie she uses the setting to emphasize the harmful effects currently placed on the environment. During the movie Asha, Pumzi’s protagonist, receives a package containing soil with a high concentration of water. She leaves the city after being denied a visa, and pursues the soils original location. When she finally reaches her destination, it’s a barren wasteland while still being able to support life. Asha plants the seed, giving it every last ounce
As I inched my way toward the cliff, my legs were shaking uncontrollably. I could feel the coldness of the rock beneath my feet when my toes curled around the edge in one last futile attempt at survival. My heart was racing like a trapped bird, desperate to escape. Gazing down the sheer drop, I nearly fainted; my entire life flashed before my eyes. I could hear stones breaking free and fiercely tumbling down the hillside, plummeting into the dark abyss of the forbidding black water. The trees began to rapidly close in around me in a suffocating clench, and the piercing screams from my friends did little to ease the pain. The cool breeze felt like needles upon my bare skin, leaving a trail of goose bumps. The threatening mountains surrounding me seemed to grow more sinister with each passing moment, I felt myself fighting for air. The hot summer sun began to blacken while misty clouds loomed overhead. Trembling with anxiety, I shut my eyes, murmuring one last pathetic prayer. I gathered my last breath, hoping it would last a lifetime, took a step back and plun...
“The blackness of eternal night encompassed me. Was I left to perish of starvation in this subterranean world?” (310). In other words, the man feels like he is buried alive, isolated from the world. The gothic settings Poe uses, “blackness of eternal night” and “starvation in this subterranean world” emphasizes the suspense and fear of the main character.
Forgive me Father for I have sinned. I was told in Sunday school that we are all God’s creatures, but if so then some are slithering snakes who engulf the timid skeletons of the meek mice in this world. You see, a swallowed mouse appears no different than a snake. Their hearts beat together, the mouse’s growing fainter with every gargled breath. I swear to you Father, I am a mouse, a simple mouse whose soul has been swallowed by the most gnarling of demons.
Introduction Gothic literature is known for its dark themes and spooky atmosphere, often getting associated with life and death. I have chosen to explore the theme “In Gothic literature, the veil that separates life and death is vague and frail”. This theme can be observed in the novels ‘Frankenstein’, by Mary Shelley, ‘The Picture of Dorian Gray’, by Oscar Wilde and in the short stories ‘The Masque of the Red Death’ and ‘The Pit and the Pendulum’, by Edgar Allan Poe. P1 - Frankenstein In Frankenstein, through a series of letters, Robert Walton, the captain of a ship bound for the North Pole, recounts back to his sister his encounter with Victor Frankenstein.
The deconstruction of the conventions of the theatre in Anton Chekhov's The Cherry Orchard predicts the more radical obliteration presented later by Pirandello in Six Characters in Search of an Author. The seed of this attack on convention by Chekhov are the inherent flaws of all the characters in The Cherry Orchard. The lack of any character with which to identify or understand creates a portrait much closer to reality than the staged drama of Ibsen or other playwrights who came before. In recognizing the intrinsic flaws of its characters, we can see how Chekhov shows us that reality is subjective, reality is not simple, linear, or clean, and that the real benefit of theater is to show this inane, subjective reality.There are essentially three flaws that permeate over the characters of The Cherry Orchard. The obvious first flaw is nostalgia.
The script does a good job of showing that his father doesn’t approve of Jack’s lifestyle, his friends, or his writing career. Jack is driven to prove his father wrong and he’s motivated by the need to take care of his mother. This adds to Jack’s stress and is well conveyed in the script. The other subplot involves the political conspiracy, in which the agents want Jack to spy and report on his friends.
Prologue Narrator: It was a cold harsh winter day, the wallows devoid of people, the world blindingly white. It was the middle of nowhere where a man lays. Gaunt. Feverish.
We all remember these grey gloomy days filled with a feeling of despair that saddens the heart from top to bottom. Even though, there may be joy in one’s heart, the atmosphere turns the soul cold and inert. Autumn is the nest of this particular type of days despite its hidden beauty. The sun seems foreign, and the nights are darker than usual enveloped by a thrill that generates chills to travel through the spine leaving you with a feeling of insecurity. Nevertheless, the thinnest of light will always shine through the deepest darkness; in fact, darkness amplifies the beauty and intensity of a sparkle. There I found myself trapped within the four walls of my house, all alone, surrounded by the viscosity of this type of day. I could hear some horrifying voices going through my mind led by unappealing suicidal thought. Boredom had me encaged, completely at its mercy. I needed to go far away, and escape from this morbid house which was wearing me down to the grave. Hope was purely what I was seeking in the middle of the city. Outside, the air was heavy. No beautifully rounded clouds, nor sunrays where available to be admired through the thick grey coat formed by the mist embedded in the streets. Though, I felt quite relieved to notice that I was not alone to feel that emptiness inside myself as I was trying to engage merchant who shown similar “symptoms” of my condition. The atmosphere definitely had a contagious effect spreading through the hearts of every pedestrian that day. Very quickly, what seemed to be comforting me at first, turned out to be deepening me in solitude. In the city park, walking ahead of me, I saw a little boy who had long hair attached with a black bandana.
When discussing the poetic form of dramatic monologue it is rare that it is not associated with and its usage attributed to the poet Robert Browning. Robert Browning has been considered the master of the dramatic monologue. Although some critics are skeptical of his invention of the form, for dramatic monologue is evidenced in poetry preceding Browning, it is believed that his extensive and varied use of the dramatic monologue has significantly contributed to the form and has had an enormous impact on modern poetry. "The dramatic monologues of Robert Browning represent the most significant use of the form in postromantic poetry" (Preminger and Brogan 799). The dramatic monologue as we understand it today "is a lyric poem in which the speaker addresses a silent listener, revealing himself in the context of a dramatic situation" (Murfin 97). "The character is speaking to an identifiable but silent listener at a dramatic moment in the speaker's life. The circumstances surrounding the conversation, one side which we "hear" as the dramatic monologue, are made by clear implication, and an insight into the character of the speaker may result" (Holman and Harmon 152).