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Afghanistan in the kite runner
A conclusion of afghanistan culture
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The Kite Runner In Khaled Hossenini’s novel The Kite Runner, one of the main themes is separation. Separation is an important theme in this book in order to capture life in Afghanistan and how it reflects the characters’ lives. Afghanistan is a land with many values when it comes to class, gender, religion, race, and political climate. Their culture isn’t based on equity for the people, but the traditions that they’ve had for thousands of years and the teachings from the Quran. Since their traditions are so valued; Afghanistan reflects some of the values of the characters. As the book progresses, you can see Afghanistan separating and effected negatively by terrorism throughout the land. This affects the characters, especially Amir’s relationship with Hassan. Separation is an important factor to this book in order to express the elements of class, religion, and political climate and how it effects to the characters. In the book, Hassan and Amir’s social statues are different. Amir is a Pashtun, which is the majority group of Kabul. Amir is well respected because of his father and he doesn’t get verbally abused due to his race. However, Hassan is a Hazara, which is the minority group in Kabul. Hazaras are looked down upon and used as servants. Hassan is verbally and physically abused due to his race. Assef is the antagonist of the book and he tortures Hassan by calling him “flat-nose” and raping him. Race is one of the main themes of separation that shows how social classes are separated due to race. Amir also looks down on Hassan for being a Hazara. In the book, Amir never shows his friendship with Hassan when in public. Hassan is ridiculed thought out the book but remains loyal and friendly to Amir. As the ... ... middle of paper ... ...made fun of him and treated him badly. This may have been an example of separation in Afghanistan and how society was divided. But when Amir moved to America he buried his past until he got a call from Rahim Khan to come back home. Amir agreed and went back to find out Hassan has died and the Taliban took Hassan’s son Sohrab. Amir agrees to rescue him because he feels like it’s his obligation to Hassan because of all the wrong he has done to him. This may be an example of friendship goes above all and that separation within class, race, religion, or political climate doesn’t matter to Amir. Amir takes Sohrab back home and at the end of the book he flies a kite with Sohrab. When they cut another person’s kite, Amir runs to get the kite and yells to Sohrab “For you, a thousand times over” to reflect Hassan’s memory and how Amir appreciates Hassan’s friendship.
Amir is, to be put bluntly, a coward. He is led by his unstable emotions towards what he thinks will plug his emotional holes and steps over his friends and family in the process. When he sought after Baba’s invisible love, Amir allowed Hassan to be raped in an alleyway just so that the blue kite, his trophy that would win his father’s heart, could be left untouched. In the end, he felt empty and unfulfilled with the weight of his conscience on his shoulders comparable to Atlas’ burden. Unable to get over his fruitless betrayal, he lashes out and throws pomegranates at Hassan before stuffing money and a watch under his loyal friend’s pathetic excuse for a bed, framing Hassan for theft and directly causing the departure of both servants from his household. Even after moving to America, finding a loving wife, and creating a career for himself in writing, he still feels hollow when thinking of his childhood in Afghanistan. Many years later, he is alerted of Hassan’s death and sets out on a frenzied chase to find his friend’s orphaned son. He feels that he can somehow ease his regrets from all of those years ago if he takes in Hassan’s son, Sohrab. He finds Sohrab as a child sex slave for Assef, who coincidentally was the one to rape Hassan all of those years ago. After nearly dying in his attempt to take back Sohrab, he learns that he can take the damaged child back to the states with him. Sadly, Hassan’s son is so
Hosseini’s purpose of writing the Kite Runner was to teach the readers the different ethnic groups in Afghanistan. The main character, Amir, is a Pashtun and Pashtuns are Sunni Muslims, then there are Hazara’s that the Pashtuns do not get along with. Hazara’s are not welcomed by the Pashtuns because they are different social classes.
The way our friends treat us in the face of adversity and in social situations is more revealing of a person’s character than the way they treats us when alone. In Khaled Hosseini’s novel The Kite Runner, ethnic tensions, nationality, and betrayal become the catalyst that drives and fuels Amir, Assef, and other characters to embark on their particular acts of cruelty. Serving as a way to illustrate the loss of rectitude and humanity, cruelty reveals how easily people can lose their morals in critical circumstances. Through Amir, Assef, and the Taliban’s actions, cruelty displays the truth of a person’s character, uncovering the origin of their cruelty. Amir’s cruelty spurs from his external environment and need for love from his father, choosing
The Kite Runner, by Khaled Hosseini, follows the maturation of Amir, a boy from Afghanistan, as he discovers what it means to stand up for what he believes in. His quest to redeem himself after betraying his friend and brother, Hassan, makes up the heart of the novel. For most of the book, Amir attempts to deal with his guilt by avoiding it and refusing to own up to his mistakes. Because of his past, Amir is incapable of moving forward. His entire life is shaped by his disloyalty to Hassan and his desire to please his father over helping his friends. Throughout the novel, his attempts to atone for his sins end in failure, as neither physical punishment nor rescuing Hassan’s son, Sohrab, from Assef prove to be enough for Amir to redeem himself. Only when he decides to take Sohrab to the United States and provide his nephew with a chance at happiness and prosperity that was denied to his half-brother does Amir take the necessary steps toward atonement and redemption. Khaled Hosseini uses a series of symbols to reinforce the message that atoning for one’s sins means making up for past mistakes, rather than simply relying on forgiveness from either the person one betrays or from a higher power.
The novel is told by Amir, one of the novel's main characters. Amir is an Afghan man living in Fremont, California remembering his childhood in Kabul in the 1970s.
On his journey to save Sohrab, Amir discovers that a Taliban official took him from the orphanage. When meeting with that Taliban official, who turns out to be his childhood nemesis Assef, Amir is placed in a situation where he is forced to choose between fleeing from the enemy and saving Hassan’s son. The structure of this scenario is analogous to one earlier in the book when Amir had to choose between saving Hassan by standing up for him and repairing the relationship with his father by bringing the blue kite back. The author uses the similar setting with Assef and the similarities in characterization of father and son in order to provide Amir with the opportunity to make the choice to stand up for what he believes in. When Amir allowed Hass...
...h him; another part to this is because he believes Hassan is just a dirty Hazara boy. “I'd chase the car, screaming for it to stop. I'd pull Hassan out of the backseat and tell him I was sorry, so sorry, my tears mixing with rainwater. We'd hug in the downpour (Hosseini 109).” After Amir causes Hassan to leave, he laments about letting, more like making, his best friend leave him. He sees the dirty Hazara boy as his best friend at that moment. In both of these stories, the main character realizes how similar they are to the other social or religious group.
Book of Genesis in the Old Testament or from the Hebrew Torah. What may be less familiar to
Firstly, the characters in the novel display bravery as they protect one another from physical harm. This can be seen in patterns between generations in families. Early on the reader learns that Amir’s grandfather protects Ali by, “[adopting] him into his own household, and [telling] the other students to tutor him” (26). Since Ali’s parents were killed and he is a Hazaras he would have most certainly been discriminated against at an orphanage. Ali is Hassan’s father. The reader learns near the end that he is not his biological father but he is the man who raised him. Hassan defends Amir from being beaten by Assef who has a reputation in Kabul of being a psychopath. When Assef threatens them Hassan does not hesitate to respond saying, “You are right, Agha. But perhaps you didn’t notice that I’m the one holding the slingshot. If you make a move, they’ll have to change your nickname from Assef ‘the Ear Eater’ to ‘One-Eyed Assef,’ because I have this rock pointed at your left eye” (45-46). Later on Amir stands up for Sohrab, Hassan’s son, as Hassan stood up for Amir countless times before. He demands to Assef, "All I want is the boy" (298), to take Sohrab to a safe place where he would no longer be sexually abused. In return, Sohrab is bold and prevents Amir from being slain. He points the slingshot at Assef’s face, "‘No more, Agha. Please,’ he [says], his voice husky and trembling. ‘Stop hurting him’" (304). At this point Assef is a grown man while Sohrab is only a boy. It would take plenty of courage to protect this man he did not even know. Sohrab’s action fulfills the idea foreshadowed earlier of "one-eyed Assef" as Sohrab shoots a metal ball in Assef’s eye. All these characters guarded the physical well-being of individuals that were important to them by demonstrating bravery.
Guilt tends to stick with us as Platous said, “Nothing is more wretched than the mind of a man conscious of guilt.” In The Kite Runner Amir lives with the guilt of having witness Hassan get raped. “I opened my mouth, almost said something. Almost the rest of my life might have turned out differently if I had, But I didn't, I just watched Paralyzed.” Throughout the most part of the book we see that Amir lives full of guilt for not helping Hassan and the guilt really gets to him towards the end of the book.
Amir, the main character and narrator in the Kite Runner, belongs to a wealthy family in which his father is a powerful businessman. Amir is also a part of the dominant Pashtun ethnic group and Sunni religious group. Amir in the Kite Runner tells the story of his friendship with Hassan. Hassan and his father, Ali, are Amir’s servants. Hassan on the contrary is a low-caste ethnic Hazara and belongs to the minority Shi’it religious faith. This provides many of the Afghan’s who are different such as Sunni’s, who make up 85% of the Muslim faith, to persecute people like Hassan for their religion.
The Kite Runner focuses on the relationship between two Afghan boys Amir and Hassan. Amir is a Pashtun and Sunni Muslim, while Hassan is a Hazara and a Shi’a. Despite their ethnic and religious differences, Amir and Hassan grow to be friends, although Amir is troubled by Hassan, and his relationship with his companion, one year his junior, is complex. Amir and Hassan seem to have a "best friend" type relationship. The two boys, Hassan and Amir, are main characters in the book titled, The Kite Runner. The two boys have a relationship that is significantly different compared to most. There are many different facets that distinguish the relationship the boys possess. The boys do write their names in a pomegranate tree as the "sultans of Kabul" (Kite Runner 27) but, their friendship is not strong and it is one sided. Hassan has love for Amir. He loves him like a brother. Hassan is exceedingly loyal to Amir. The relationship between the two boys is emotionally wearing and rather gloomy for the most part. The main reason for their complicated relationship is the fact that Amir is Pashtun, and Hassan is Hazara. The Afghan society places Hassan lower than Amir. Hassan is Amir's servant. The placement of Hassan in the Afghan society disenables Amir from becoming Hassan's true friend. Amir sees Hassan as lower than human. Amir ruins the chance for friendship between himself and Hassan because he is jealous of Hassan, he thinks of Hassan as a lower human, and because Amir possesses such extreme guilt for what he has done to Hassan. Amir is an unforgivable person overall.
In Khaled Hosseini’s novel “The Kite Runner,” he illustrates a fine line between what is defined as moral good and evil. During their lives as kids, Amir and Hassan had always been close, but there had always been one problem. Amir was the son of a rich and powerful Pashtun man who was almost always given everything he wanted, while Hassan was a Hazara boy who had spent his life serving Amir and his family with his father. Although the two of them seemed to always be inseparable when they played games or flew kites, there was always the defining factor of who they really are, a servant and his master. Being a Muslim and living in Afghanistan, there are certain rules and morals that you must live up to.
As implied by the title, kites play a major role in the novel The Kite Runner by Khaled Hosseini. They appear numerous times within the text and prove to be surprisingly versatile in their literary function. They provide common ground for characters whose interests do not normally intersect. They are also present as a very powerful symbol, which adds an extra dimension to this already literary rich novel. Reversing the roles transcending generations, it shows itself to be a multifaceted medium.
The film opens in 1935 when Lawrence is killed in a motorcycle accident. At his memorial service at St Paul's Cathedral, a reporter tries (with little success) to gain insights into this remarkable, enigmatic man from those who knew him. The story then moves backward to the First World War, where Lawrence is a misfit British Army lieutenant, notable for his insolence and education. Over the objections of General Murray, Mr. Dryden of the Arab Bureau sends him to assess the prospects of Prince Faisal in his revolt against the Turks.