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Women in the 19th century
Women in the 19th century
19th century french gender roles
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Recommended: Women in the 19th century
Elvis Karenzi
Laura Ighade
English 102-006
October 9th 2015
Secrets
Guy de Maupassant’s “The Jewelry” teaches that people often choose to ignore the perceptions we have in the fear that the reality will hurt us. M. Lantin chooses to see his wife’s good deeds only because she is the main source of his happiness. It is until he is revealed to her shady character that he is subjected to face reality and made to feel pain. Madame Lantin presents herself very well in front of the public but keeps secrets even from her own husband, and this was very common for women in the 19th century when this story is set. The veneer of cosmopolitan behavior expected from females in French society leads to and justifies the blatant dishonesty, the acceptance
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of gifts from other men, and the consistent theatre dwelling of Madame Lantin. The dishonest and seemingly disloyal behavior of Mme.
Lantin was not only ubiquitous behavior among women of her time period, but it was also crucial to the stability of her home. “There were on two points upon which he ever found fault with her—her love of the theatre, and her passion for false jewelry”(P.90). It is interesting to see how the author wants the reader to focus on the details. M. Lantin put his wife on a very high pedestal and yet he was able to find fault in her. The author’s use of the words ‘love’ and ‘passion’ are a subtle way of implying that these gifts and performances meant more to her than she let on. They symbolized the existence of her extra-marital affairs. ‘’Secrecy was thus both deemed necessary to bourgeois notions of privacy and viewed as potentially dangerous to public order’’.(P. 47)
Although accepting gifts from other men made it look like Madame Lantin was cheating on her husband, it helped her maintain the social nature of the upper-middle class woman of the late nineteenth century while supplementing the paycheck of M. Lantin. Women of middle class and of higher stature in 19th century France were often surrounded by men; at the theatre, at dinner parties, salon and so on. The relationship between men and women was not conservative. ”But it also appears that the discreet infidelities of upper middle class women were increasingly tolerated in Paris at the end of the nineteenth
century”(P.532). Reputation and privacy were highly valued in 19th century France. “She refused for quite a while- thinking it would not look very well to go out thus unaccompanied by her husband” (P. 91, par. 1). During this period in France, more emphasis was put on holding up appearances rather than on the virtue of sin. Madame Lantin was well aware of this, as long as her marriage looked nothing less of perfect to everyone including her husband, then her shady acts were somewhat justified. In conclusion, Madame Lantin’s action although seen as despicable to some were a social norm for a middle class woman of her time. The relationship between men and women was explicitly sexual and women were less conservative. Nothing was more important than reputation and status and thus explains all Madame Lantin’s secrets.
McMillan, James F. Housewife or Harlot: The Place of Women in French Society 1870-1940. New York: St. Martin's Press: 1981.
In “The Necklace” by Guy de Maupassant the character Madame Loisel was always longing for expensive possessions, larger
In “The Necklace,” Guy de Maupassant uses setting to reflect the character and development of the main character, Mathilde Loisel. As a result, his setting is not particularly vivid or detailed. He does not even describe the ill-fated necklace—the central object in the story—but states only that it is “superb” (7 ). In fact, he includes descriptions of setting only if they illuminate qualities about Mathilde. Her changing character can be connected to the first apartment, the dream-life mansion rooms, the attic flat, and a fashionable public street. [This is a well-defined thesis statement.]
In Guy de Maupassant’s story, The Necklace, he utilizes situational irony in order to highlight the theme. He displays this irony in order to reveal several themes that can be observed in the story. One of the major themes in this short story is how appearances can be misleading.
With the restoration of Charles II to the throne following the fall of the Commonwealth and Puritanism came a surge of sexual and artistic freedom in England. This new libertine ideology brought with it not only the reemergence of the theatre, but and a society that embraced freedom of sexuality and thought in a way that was unprecedented. It is this new libertine society that provided a context for the writings of Aphra Behn. While Behn observed men like rakish Charles II and the effeminate Earl of Rochester enjoying England’s newfound open mindedness, she was forced to navigate, or rather circumnavigate, the limitations that remained in place for women. In a time when actresses were first appearing on stage and Charles II’s mistresses were regarded practically as pop culture icons, women were finally breaking out of the private sphere and being thrust into the public eye.1 While women, and even their sexualities were at last being celebrated outside of the domestic sphere, it was far from on their own terms, and entirely relative to the roles they filled for men. While the society so often characterized by the court of Charles II was on the whole highly performative, women were expected to perform in a much more specific way than their male counterparts. On and off stage women were expected to conform to a limited selection of character types that started with wife and ended with whore, and the spectrum between was narrow if not nonexistent.
In America, the 1890s were a decade of tension and social change. A central theme in Kate Chopin’s fiction was the independence of women. In Louisiana, most women were their husband’s property. The codes of Napoleon were still governing the matrimonial contract. Since Louisiana was a Catholic state, divorce was rare and scandalous. In any case, Edna Pontellier of Chopin had no legal rights for divorce, even though Léonce undoubtedly did. When Chopin gave life to a hero that tested freedom’s limits, she touched a nerve of the politic body. However, not Edna’s love, nor her artistic inner world, sex, or friendship can reconcile her personal growth, her creativity, her own sense of self and her expectations. It is a very particular academic fashion that has had Edna transformed into some sort of a feminist heroine. If she could have seen that her awakening in fact was a passion for Edna herself, then perhaps her suicide would have been avoided. Everyone was forced to observe, including the cynics that only because a young
Over the course of the short story, The Jewelry, written by Guy De Maupassant, the main character, M. Lantin, goes through a clear change in personality, behavior, and values. At first M. Lantin is very content with his life and seems to love his wife, Madame Lantin. Then, after her death, M. Lantin is extremely depressed and filled with grief over his wife, however by the end of the story M. Lantin 's personality appears to change completely as he forgets his grief and is able to move on very quickly after being presented the money from the jewelry he sold. At the beginning of the story M. Lantin is very happy in his relationship with his wife, Madame Lantin.
At the beginning of “The Jewels”, Lantin meets the woman of his dreams (and of every other man’s) and immediately falls in love with and marries her. Their lives go on in perfect harmony and happiness, and every day Lantin falls more deeply in love with his adorable wife. Lantin has only two complaints about the character of his wife: her love of the theater and her love of fake jewelry. Eventually Lantin stops going to the theater, and his wife goes alone. After returning from the theater one night, his wife develops a cough and dies eight days later. This point marks the beginning of Lantin’s misery as he uncovers more about his wife than he might have wanted to know.
It is said that “everything that shines isn't gold.” A difficult situation can result a vast illusion that is not what one thought it would be, which leads to disappointment and despair. Just like Guy De Maupassant stories, “The Necklace” and “The Jewel.” In the first story, the protagonist, Mathilde Loisel’s need for materialistic fulfillment causes her hard labor which ends her natural beauty. In the second story, the husband Monsieur Latin ends up living a dreadful life due to the passing of his wife and her admiration for jewels. “The Necklace” and “The Jewel” both share many similarities such as the unconditional love each husband haves toward their wife, the necessity each wife haves towards materialistic greed, the beautiful allurement
In conclusion, the story of “The Jewelry” gives clarification to Madame Lantin’s characteristics. Guy De Maupassant not only gave us clarification of Madame Lantin’s characteristics, but did an excellent job of backing these characteristics up with certain events in this story. Clarification of her character traits included admiration, modest and strong willed. These character traits will leave not only a lasting impression on the readers but also made the story mysterious with an unexpected twist at the end.
Values are spread all around the world, and many people’s values differ. These can lead to people being judged, or indirectly characterized by other people. In “The Necklace” Mme. Loisel is a beautiful woman with a decent life, and a husband that loves her, and only wants to make her happy. She is not rich but she makes it along, she insists of a better, wealthier life. When her husband gets her invited to a ball, she feels the need for a brand new fancy dress and tons of jewelry. When the couple realizes they cannot afford jewelry as well, they search out to borrow her friend, Mme. Forestiers’ necklace. She comes to notice she no longer has the necklace on when she leaves the ball. This later troubles her, as she has to work for a long time to collect enough money to buy a new necklace. This story describes the relationship between a couple, who have different dreams, and how desires can revamp your life. Guy de Maupassant, the author of “The Necklace” uses literary devices to prove people come before materialistic items.
Around the world, values are expressed differently. Some people think that life is about the little things that make them happy. Others feel the opposite way and that expenses are the way to live. In Guy de Maupassant’s short story, “The Necklace”, he develops a character, Madame Loisel, who illustrates her different style of assessments. Madame Loisel, a beautiful woman, lives in a wonderful home with all the necessary supplies needed to live. However, she is very unhappy with her life. She feels she deserves a much more expensive and materialistic life than what she has. After pitying herself for not being the richest of her friends, she goes out and borrows a beautiful necklace from an ally. But as she misplaces the closest thing she has to the life she dreams of and not telling her friend about the mishap, she could have set herself aside from ten years of work. Through many literary devices, de Maupassant sends a message to value less substance articles so life can be spent wisely.
Guy de Maupassant is a realist whose claim to fame is the style in which he conveys political and socioeconomic themes in his literary publications. He achieves his writing style by putting small unfortunate life events under a spotlight. His literary performance is described in his biography from Cambridge, the writer says “He exposes with piercing clarity the small tragedies and pathetic incidents of everyday life, taking a clear-sighted though pessimistic view of humanity” (Halsey, par. 1). Guy de Maupassant’s story The Necklace is a great representation of the style he uses. In The Necklace the main character Mathilde Loisel a beautiful but impoverished woman married to a clerk is in conflict with her lack of wealth and desire to acquire
“The Necklace”, narrated by Guy de Maupassant in 3rd person omniscient, focuses the story around Mathilde Loisel who is middle class, and her dreams of fame and fortune. The story is set in 19th century France. One day, Mathilde’s husband brings home an invitation to a fancy ball for Mathilde; to his surprise Mathilde throws a fit because she doesn’t have a dress or jewelry to wear to the ball. M. Loisel gets her the beautifully expensive dress she desires and Mathilde borrows a diamond necklace from Mme. Forestier, a rich acquaintance of Mathilde. Mathilde goes to the ball and has a night she’s dreamed of, until she gets home from the ball at 4 A.M. to find
There have always been class divisions in England’s social groups, but it was not until the nineteenth century that they were labeled. The lower class was often uneducated and overlooked and mostly servants and prostitutes, the middle class generally had steady jobs and members of the higher classes were born to old money and did not have to work. The French Lieutenant’s Woman written by John Fowles is a complex “Victorian novel filled with enchanting mysteries and magically erotic possibilities” (Canby) in which, Fowles describes a Victorian society in 1867 that is still largely separated by class, which creates strong restrictions with respect to sex and marriage. Notably, conflict in the novel involves scandals where these restrictions are disregarded. Fowles shows that sex and marriage were still largely dictated by whether a person belonged to the lower, middle or upper class in order to highlight that there were more restrictions for higher-class men and women.