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Why is minor character important in hamlet
Social hierarchy in western society
Why is minor character important in hamlet
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The World of Status
From the beginning of time man has dealt with the issue of status. Status is measured through ones tangible items, money or job. Status was, is, and always will be equivalent to ones respect and power in society. During Shakespeares time a persons social standing was tied to the honor of ones family as well as ones company. Shakespeare created Borachio as a minor character who has a major impact on the plot. Borachio influences the play by being a member of Don Pedros company. In Much Ado About Nothing, minor character, Borachio, assists Don John in successfully defaming Hero, in order to jeopardize the status of Don Pedro and his company.
Borachio is portrayed as a gentlemen due to the manner of his appearance and company, even though his actions oppose him. Borachio is a member of Don Perdros company, who collaborates with Don John. Even though he is dressed and presented as a gentlemen he is a conniving, deceitful and manipulative man. Don John is jealous of Don Pedros power like he has always been, so he uses Borachio to spy on Don Pedro and his friends. In the play Borachio brings Don John news of an intended marriage, “I came yonder from a great supper. The Prince your brother is royally entertained by Leonato, and I can give you intelligence of an intended marriage” (Ado 1.2.40). This shows that Borachio has just come from supper where he overheard Don Pedro, who is referred to as the prince, and Leonato, father of Hero, discussing an intended marriage between Hero and Claudio. The fact that Don John is referred to as the Prince shows that he is respected by all which equals that he has a high status in the community. In addition to spying on Leonato and Don John, Borachio plots a scheme t...
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...unting everything to Conrade, Borachio and Conrade are taken into custody by the watch due to the fact that Borachio committed a crime. When in jail Borachio confesses to everything in front of Dogberry, head of the watch, which leads Dogberry to take him back to Leonatos so he can tell Don Pedro himself. When in front of Don Pedro he says, “ How Don John incensed me to slander the Lady Hero and saw me court Margaret in Hero’s garments,” (Ado 5.1.235). This quote proves that Hero was innocent and how Don John played them all.
Much Ado About Nothing has a lot of minor characters but none as important as Borachio because of how he influenced the plot. he was the one who came up with the scheme to defame Hero for money, while Don John wanted him to defame Hero to ruin the status of his brother, Don Pedro. Money and social standings will always be connected.
Hero is resembled by Claudio as a “well-mannered young lady” who is content with her own unchangeable, elegant personality. This quote shows Hero is matron, and consistent of her elegance throughout the book and it is because of her personality that causes Claudio to be drawn to her. Claudio on the other hand, admits to Don Pedro that he is “hasty in (his) emotions”, which resembles his skeptical and uncertain personality when it comes to actually admitting his love for Hero. This evidence supports how Claudio is unsure of himself, and because of Claudio’s doubtful and unsure qualities he is quick to believe Don John when he says Hero has been unfaithful. Nevertheless, Claudio and Hero’s differences in the play it stirs up the plot and conflict, but it is their similarities and strong willed love that draws them together in the
...ce Borachio confesses about his and Don John's plot, everyone lays their grudges and challenges aside. Claudio still marries Hero while Benedick and Beatrice also wed together.
How Shakespeare Presents the Character of Claudio in Much Ado About Nothing and How Interpretations of His Character Can Vary
The four characters that learn the art of love are Beatrice, Benedick, Claudio and Hero. From the first viewing/reading of the play, Claudio and Hero seem to be the main focus. However, looking deeper into the entire play, and/or if you read any scholarship on Much Ado About Nothing, the true fascinating plotline involves Beatrice and Benedick.
Whedon's production of Much Ado About Nothing is a modern, black and white retelling of the famous Shakespeare play of the same name which tells the story of love and deceit between two couples: Hero and Claudio, and Beatrice and Benedick. While Hero and Claudio court and prepare to marry each other, Beatrice and Benedick steal the show away with their wit, humor, and constant bickering. Though they both insist that they hate each other, the flashback presented at the start of the film suggests that there is far more to the story than meets the eye. While the style of the film certainly enhances the story being told, making it a timeless classic entangled with modern society, it is the ensemble cast that work both individually and as a unit which make the film a true masterpiece, as well as the genius idea of a change in scenery that propels a sense of realism not often found in your average Shakespeare adaptation.
It is reported to Don John by Borachio that “…The Prince should woo Hero for himself, and having obtained her, give her to Count Claudio.
Shakespeare’s Much Ado about Nothing is, on the surface, a typical romantic comedy with a love-plot that ends in reconciliation and marriage. This surface level conformity to the conventions of the genre, however, conceals a deeper difference that sets Much Ado apart. Unlike Shakespeare’s other romantic comedies, Much Ado about Nothing does not mask class divisions by incorporating them into an idealized community. Instead of concealing or obscuring the problem of social status, the play brings it up explicitly through a minor but important character, Margaret, Hero’s “waiting gentlewoman.” Shakespeare suggests that Margaret is an embodiment of the realistic nature of social class. Despite her ambition, she is unable to move up in hierarchy due to her identity as a maid. Her status, foiling Hero’s rich, protected upbringing, reveals that characters in the play, as well as global citizens, are ultimately oppressed by social relations and social norms despite any ambition to get out.
William Shakespeare said: “Women may fall when there's no strength in men” (Romeo and Juliet). Throughout history gender role have been a big, whether someone is a feminist or someone believes there is no equality between males and females; everyone has different opinions when it comes to the matter of gender roles. The same thing can be said about William Shakespeare who was a feminist (Shakespeare of Stratford). This ideology can be seen in his play Much Ado about Nothing. In this comedy Shakespeare focuses on two pairs of lovers named Claudio and Hero who are set to be married in a week but before their marriage day, they plan to conspire with Don Pedro, the prince of Aragon to trick their friends Beatrice and Benedick to admit their love for each other. Don John, the brother of Don Pedro, meanwhile plots to prevent marriage of Claudio and Hero by accusing Hero of being unfaithful. Don John initially succeeds in his plan as Hero is accused and ashamed at the marriage ceremony, but at the end Claudio and Hero are united and marry each other. Also, Beatrice and Benedick finally declare their love for each and dance at the end of the play. Shakespeare uses a lot of sources for this comedy and one of them is “Orlando Furioso” written in 1591, which gave Shakespeare the idea of Hero and Claudio’s marriage and Don John’s plot to prevent it. Another source Shakespeare used to write the play is the courtier written in 1588, which gave him the idea of the romance between Beatrice and Benedick. And also “La Prima de la Novelle” written in 1554 by Matteo Bandello gave Shakespeare the idea of putting the setting in Messina, Italy (Shakespeare in quarto). Because Shakespeare was a feminist, some of the women appear as supporting and central...
... One day he meets a girl, who happens to be his friend’s daughter, and falls in love. She falls in love with his stories and he falls in love with her passion. One troublemaker tries to cause problems by accusing Othello of stealing his friend’s daughter using drugs and witchcraft. All this happens after Othello and Desdemona gets married. Othello is put in the position of defending his honor, and Brabanzio in the position of defending his daughter’s honor. Iago is the villain who started the nasty rumor. Brabanzio is also a man who does not believe in mixed marriages and Othello was a black man. This is a story that does not end very well. Shakespeare tackles the issues of race, lies, friendship and jealousy.
Othello is the central character of the story and Shakespeare emphasizes his nobility and charisma. He has "magic" in the words he uses and the stories he tells and his ability to speak towers above other characters. He is an excellent officer and possesses the virtues of honesty and fortitude.
Don John is the illegitimate half brother of Don Pedro in the play. Don Pedro is the Prince of Aragon and is highly respected throughout the play, whereas Don John is treated with cautious attention and indifference. In Act one scene three, Leonato greets Don Pedro rather enthusiastically and respectfully,
Arguably, the most predominant and important character to the play is the character Othello. Othello is considerably an outsider to those in this play. This distance is created and found due to the race of Othello. Within Act 1 Scene 1 of Othello, one of the characters refers to Othello as “thicklips” (Shakespeare, Othello line 68) and another refers to him as “an old black ram” (Shakespeare, Othello line 94). These slurs are indicative of the race of Othello and show that he is unlike the rest of the characters. Though race is a quality of Othello and contributes to his outsider personality, Othello is also very easily manipulated throughout the play. The character Othello is very gullible and gives trust where it is not deserved which is a factor to this easily manipulated personality that he has. As Kyrstin Gallagher states, “Othello seems to be a very impressionable character. He so quickly believes what others tell
Shakespeare makes this scene significant and dramatically effective through dramatic irony and by using two very different, charismatic figures.
Much Ado About Nothing by William Shakespeare focuses on the enormous gap between the power of men and where women stand. Women were expected to be obedient and dependent on men, innocent, and were also expected to be good wives. Shakespeare wanted women to see how the roles are changing for the better. In this play, there is difference between the traditional roles of women back then, and the ones that stand out from the rest. He depicts this through two characters. In the opening scene, where characters and their personalities, and roles are established; Hero has only one line, which is seven words. Even said that, these lines are just a comment on Beatrice. Hero is the daughter and the property of her father, Leonato. Her helplessness comes from her being overprotected by her father, and the need to obey him. Beatrice, by contrast, does not have a father, she lives on her witty personality and her intelligence. Beatrice has a dream to spend her life “where the bachelors sit, and there live we, as merry as the day is long” (2.1.40-46) When Leonato tells Hero, “Daughter, remember what I told you: if the prince do solicit you in that kind, you know your answer,” (2.1.60-63) she just stands there, silently obeying her father. Hero’s looks are her only advantage as a women, as they are what attracts Claudio. He falls in love with her at first sight in the first act, based only on her appearance.
Bosola's inconsistency makes him different to some of the other characters in the play; the Cardinal is always cold and calculating, Antonio is honorable and benevolent and Ferdinand is fierce and aggressive, even in his mad state. There is no change in their characters, yet Bosola reaches beyond the confinements of the stereotypical role of `black malcontent', as Antonio describes him, altering his opinion of the Duchess as a prostitute, `this precise fellow is the Duchess' bawd', to seeing her as a noble woman and feeling compassion for her in her last moments of life, `Return fair soul from darkness, and lead mine out of this sensible hell!' Bosola's capricious nature makes him more convincing and realistic as a character. At the beginning of the play, the audience will probably dislike Bosola's cruel, pessimistic look on life. His change in opinion t...