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Discuss the role of lady macbeth in Macbeth
Macbeth power struggles
Power struggles macbeth
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In order for a relationship to survive, the two people in the relationship must sustain an equilibrium, but should one person exercise more power over the other, the relationship will fail. In Shakespeare’s Macbeth, Macbeth’s and Lady Macbeth’s marriage suffers immensely when Lady Macbeth tilts the equilibrium by manipulating her husband into killing the king of Scotland. “Macbeth, usually dated 1606, is the story of a Scotch nobleman, related to King Duncan of Scotland, tempted into murdering the king to gain the crown for himself” (Gerwirtz 10). While Lady Macbeth’s initial stronger influence urges Macbeth to usurp the throne through regicide, the unconscious personality reversal prevents new king and queen from enjoying their ill-gotten positions. Lady Macbeth’s instinctive desires, or her id (in Freudian terms), constantly battles with Macbeth’s conscience, or superego, but once Lady Macbeth’s superego dominates her mind and Macbeth’s id drives him to madness, the couple instigates their own tragic downfall. According to Freud, every human’s basic needs and initial wants originate in the id (“Freud’s Concepts”). The id does not recognize right from wrong; it supplies “all of our aggressions and desires.” Also known as the “pleasure principle,” the id, if not contained, could lead to the destruction of others and possibly the destruction of oneself. Because of these destructive tendencies, theologians believe the Devil possesses any person with an overpowering id (Guerin et. al. 157). In the first half of Shakespeare’s Macbeth, Lady Macbeth represents a preeminent id. Even though her conscience grows in strength throughout the play, a crucial difference between Lady Macbeth and her husband lies with her ability to stifle her ... ... middle of paper ... ...peare A to Z. New York: Roundtable, 1990. Print. "Freud's Concept of the Personality." Making the Modern World. The Science Museum. Web. 20 Apr. 2011. "From LECTURE XXXI (1932) The Anatomy of the Mental Personality." The Anatomy of The Mental Personality. Web. 15 May 2011. . Gerwirtz, Arthur. Monarch Notes: William Shakespeare's Macbeth. New York: Monarch, 1963. Print. Guerin, Wilfred L. et. al. A Handbook of Critical Approaches to Literature. 5th ed. New York: Oxford UP, 1992. Print. Hazlitt, William. "Macbeth." Essays by William Hazlitt. New York: Charles Scribner's Sons, 1924. 146-59. Print. Shakespeare, William. Macbeth. New York: Washington Square, 1992. Print. The New Folger Library Shakespeare.
This essay will explore one of the possible combinations of theories on personality and explain how it can be applied in practical therapy.
Schultz, D. P., & Schultz, S. E. (2013). Theories of personality (10th ed.). Belmont, CA: Cengage/Wadsworth.
Lady Macbeth’s wicked character has an extreme impact towards her husband. Lady Macbeth is responsible for influencing her husband to commit both crimes; she unleashes the dark side of him and motivates him to become an evil and horrendous man. In various parts throughout the story we find that Lady Macbeth strives beyond limits to be converted into a bitter and sour women. The audience is revolted by her horrific actions and although she may seem repugnant, she is an extremely talented actor. In her role, having a deceitful and convincing character is important
As Macbeth becomes less dependent on his wife, she loses more control. She loses control of her husband, but mostly, of herself, proving her vacillating truth. Lady Macbeth’s character gradually disintegrates through a false portrayal of unyielding strength, an unsteady control of her husband and shifting involvement with supernatural powers.Throughout the duration of play Lady Macbeth’s truly decrepit and vulnerable nature is revealed. Lady Macbeth has been the iron fist and authority icon for Macbeth, yet deep down, she never carried such traits to begin with. This duality in Lady Macbeth’s character plays a huge role in planting the seed for Macbeth’s downfall and eventual demise.
Lady Macbeth is one of William Shakespeare’s most famous and frightening female characters. As she is Macbeth’s wife, her role is significant in his rise and fall from royalty. She is Macbeth’s other half. During Shakespearean times, women were regarded as weak insignificant beings that were there to give birth and look beautiful. They were not thought to be as intelligent or equal to men. Though in Shakespeare's play, Macbeth, Lady Macbeth is the highest influence in Macbeth’s life. Her role was so large; in fact, that she uses her position to gain power, stay strong enough to support her unstable Lord, and fails miserably while their relationship falls apart. Everything about Lady Macbeth is enough to create the perfect villain because of her ability to manipulate everyone around her. It appears that even she can’t resist the perfect crime.
The ego lies within the conscious and unconscious realm and seeks to satisfy the id’s
Guerin, Wilfred L., Earle Labor, Lee Morgan, Jeanne C. Reesman, and John R. Willingham. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, 1999. 125-156.
There were several aspects of Shakespeare’s novel ‘Macbeth’ that led to the downfall of Lady Macbeth. The mentality of Lady Macbeth in the play changes dramatically from the wife a Noble General, to an evil aggressive murderer (brought upon by the witches predictions), and finally a woman who had de-graded to such an extent that she took her own life.
Guerin, Wilfred L. A Handbook of Critical Approaches to Literature. New York: Harper & Row,
A.C. Bradley’s interpretation of Macbeth finds him human, conflicted, and comparable to his wife, Lady Macbeth, in many respects. They share a common ambition and a common conscience sensitive enough to feel the effects of their ambition. But the story, Bradley contends, is built upon the traits that set them apart. He focuses mainly on Macbeth. Macbeth is a character of two battling halves: his reason, or ambition, and his “imagination.” Bradley attributes the hysterical nature of Macbeth’s visions, the dagger, the specter of Banquo, and other ghosts, to his wild imagination. He “acts badly” (Bradley, 136) and loses his composure whenever his imagination triumphs over his practical side; however, Bradley also asserts that Macbeth’s imagination is “the best of him, something usually deeper and higher than his conscious thoughts” (133). Macbeth is therefore unable to make use of the “better” imagination with which he was endowed and instead only appears “firm, self-controlled and practical” when he is “hateful” (136). A product of these clashing sides, Macbeth’s murder of Duncan is borne of his inability to properly acknowledge the conclusions drawn by his imagination. In his soliloquies and in...
The story of Lady Macbeth throughout Macbeth is one unlike those of its time in its unusually forward-thinking portrayal of a woman with thoughts and actions which would have been considered indecent. This is seen through the representation of her relationship with Macbeth and how they interact. It is also illustrated through Lady Macbeth’s morals and their effect on how she acts and reacts in situations which would weigh heavily on most peoples’ conscious. Her power-hungry attitude is one often reserved for men, especially in this era of literature. All of these factors create a character in Lady Macbeth which is dissimilar to the classic portrayal of women in the seventeenth century.
Guerin, Wilfred L., et.al. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, 1992.
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
The basis of this approach is that psychological factors play a major role in determining behaviour and shaping personality. Freud argued that personality is composed of three major systems the id, the ego, and the superego. The id (biological part of personality) is present at birth and consists of inherited instincts and all psychological energies. The id operates according to the pleasure principle, seeking to reduce tension, avoid pain and obtain pleasure. The ego (executive part of personality) is conscious part of the mind, the “real” us.
Thorndike, E., & Murchison, C. (1936). Edward Lee Thorndike. In C. Murchison (Ed.), A history of psychology in autobiography volume III (pp. 263-270). Clark University Press. doi:10.1037/11247-011