In 1927, Edgar Istel wrote an article on Mozart 's opera The Magic Flute that stated "The Magic Flute represented his [Mozart 's] highest achievement in the realm of German opera." (Istel, 1927). This statement deemed The Magic Flute more powerful than his earlier works Don Giovanni, Cosi Fan Tutte, and Tito which were all set in an Italian opera style. Istel also states, "(…) he succeeded, in truly Shakespearian fashion, in combining into a complete picture of most unique sort the elements of comedy with those deeper emotions whose impress the chastening influence of time had left on his own nature" (Istel, 1927); subsequently, telling us that the Shakespearian influence seen in Mozart 's work was one that has gone appreciated for …show more content…
Because Mozart was married to Constanze Weber, daughter of Fridolin Weber, he felt as if their two children should only seek education at expensive boarding and private schools while trying to live a lavish lifestyle. This lavish lifestyle would eventually cause burdens after Mozart 's young death at the age of 35, prompting his widowed wife Constanze to do anything necessary to financially support her two children. The A&E television network stated …show more content…
Although Mozart 's exact cause of death was uncertain because he suffered from bipolar disorder and depression that could not be effectively monitored, rumors have surfaced that he was either poisoned by Italian composer Antonio Salieri out of jealously or the rheumatic fever that constantly troubled his life had finally taken its toll. Miraculously, not long before his death, Mozart showed true dedication to his music by premiering his opera The Magic Flute before falling severely bed ridden. This opera would go on to be reproduced and re-appreciated for many years.
In the 2006 Metro Opera reproduction of Mozart 's The Magic Flute, Mozart 's musical genius was truly captured. This opera exhibited very bright and colorful lighting, that was described in a newspaper article as "the forces of light absolutely turn off the dark" (Tommasini,2010), simply saying that with so much light throughout the opera that there was no chance for darkness. The scenery for The magic flute was very dramatic, so the bright and detailed stage appeal complemented the over the top costumes seen throughout. The actors present in the opera had great performance skills that helped bring the characters to life, and they also amplified good tone and clarity while
Also in the movie it shows that Mozart was more experienced at music than Salieri and proved that he could have a spot to work for Salieri’s boss Emperor Joseph 11. Once Salieri heard that the Emperor
Wolfgang Amadeus Mozart was one of the most prolific and important musical innovators we have ever seen. His style of music helped re-shape music and the Classical period. Mozart was born in Salzburg, Austria in 1756. Mozart was a child prodigy, claiming most success as a youth. At the age of six, Mozart could play the harpsichord and violin, improvise fugues, write minuets, and read music perfectly. At the age of eight, he wrote a symphony and at eleven, an oratorio. Then amazingly, at the age of twelve he wrote an opera. Mozart's father was Leopold Mozart, a court musician. Both Mozart and Beethoven had help from their fathers in different ways. Mozart's father helped him travel around as a young musician and with this he traveled many places and seen many well-known people and aristocrats. With Mozart's early successes came many challenges to his life. He had greater expectations from the community and from his father. Unlike, Beethoven, Mozart was a bit spoiled as a youth and because of this he would not tolerate to be treated as a servant. He completely relied on his father to help him and would not work with the archbishop. This would become a problem when Mozart did not develop enough initiative and could not make decisions on his ow...
So when the six-year-old Wolfgang had proved his extraordinary talents at the keyboard, Leopold was keen to exhibit those talents along with those of his gifted pianist daughter, Nannerl. Thus Leopold undertook a four month tour of Vienna and the surrounding area, visiting every noble house and palace he could find, taking the entire family with him. Mozart's first known public appearance was at Salzburg University in September of 1761, when he took part in a theatrical performance with music by Eberlin. Like other parents of his time, Leopold Mozart saw nothi...
...the opera Cosi Fan Tutte (All Women Are Like That, 1790), much of his early instrumental music, and canons (rounds) with nonsense words. Mozart also produced deeply serious music. His most profound works include the piano concerto in D minor, several string quartets, the string quintet in G minor, and his last three symphonies - E flat major, G minor, and the Jupiter. Larger works may contain both serious and light elements, as does Don Giovanni. Mozart belonged to the Order of Freemasons and wrote several compositions for their meetings. Some scenes from his fairy-tale opera The Magic Flute was inspired by Masonic traditions and beliefs. A catalog of Mozart’s works was first prepared by Ludwig Kochel (1800-1877), a German music lover. Today, Mozart’s works are still identified by the number Kochel assigned to them. Today Mozart’s music is well known and admired throughout the world. His compositions continue to exert a particular fascination for musicians and music lovers today.
"The Mozart Project- Biography." The Mozart Project. mozartproject.org, 25, Apr 1998. Web. 22 Jun 2010. .
Somewhere around 1782 he married Constanze Weber as compensation for their alleged intimacy. Mozart was originally affectionate for Constanzes’ sister Aloysia, however their love didn’t last due to Mozart leaving for France to perform. It is said that his mother in-law had schemed around this event and encouraged their marriage. Leopold was angry and didn’t consent to the marriage. In letters we can tell that while she wasn’t as witty as Mozart, he fell in love with her kind heart and common sense. A few months after th...
Wolfgang Amadeus Mozart is perhaps the most well-known composer of all time. Countless accounts of his life have been created through the years, and all of them approach the topic of his life with a slightly different perspective. Amadeus provides a humorous and insightful look into the life of Mozart through the flashbacks of an elderly Italian man named Salieri. In his old age, Salieri confesses to a priest that he felt God taunting him throughout life because he always had a profound appreciation for Mozart’s music, but yet could never produce anything like it. Therefore, he turned bitter and spent his life trying to ruin Mozart and his career. Through Salieri’s lense, the audience learns about Mozart’s unique personality. Mozart is shown in the movie as a musical prodigy with an impeccable ability to play and compose. However, Mozart also has a childish, socially awkward side that causes him to be misunderstood by many adults. He lacks practicality and appreciation for social graces, instead preferring to make inappropriate jokes and attend wild parties. Our class’s textbook, The Enjoyment of Music, also
In 1790, Mozart received money for his published works. Mozart was asked to compose a comic opera, asked to write requiem mass and asked to write opera to celebrate coronation where Mozart accepted all three requests. The comic opera was a great success, however the coronation opera was not a great success for Mozart. For the requiem, it was unfinished because he died writing it. Mozart had a tragic death, he became increasingly unwell with visions of his own death. Mozart was obsessed with the requiem. Mozart became ill while in Prague in September but was in good spirits and optimistic about the future. In November of 1791, Mozart became more ill and was confined to the bed. Mozart lived until age 35. Wolfgang Amadeus Mozart died on December 5, 1791 at 1:00am in Vienna. “Severe miliary fever” was the certified cause and later “rheumatic inflammatory fever” was named. He had a simple funeral and buried in a multiple grave which is the normal thing at the time in Vienna. After death, Constanze got music finished and published. Mozart had many different accomplishments throughout his life. He became a freemason in December of 1784, because accepted by Joseph Haydn and Joseph the 2nd, Mozart also earned his father’s
At the age of the Enlightenment, Antonio Salieri becomes the most triumphant musician in the city of Vienna, however, without any warning his harmonious universe comes to an utter halt. Salieri’s absolute faith in the world, in himself, and in God is all at once diminished by this spontaneous child composer. When the two opposite ends meet, there emerges a fury, a rage, and a passion in Salieri to sabotage the boy that has secured Salieri’s deserved God given talent; to destroy the one pubescent child that has made him so mute and naked now in a world of discordance. Salieri’s entire reputation and boyhood prayer to attain fame thus rests on his ability to annihilate that child prodigy, Wolfgang Amadeus Mozart.In analyzing the two composers, Salieri and Mozart, there is a distinct line that clearly divides them. Salieri’s operas receive astounding receptions, making them the “talk of the city,'; shaking the roofs, buzzing the cafes, and even the name Salieri “sounds throughout all of Europe'; (2,3). The reason for Salieri’s success, as well as many musicians of the eighteenth century, is because they have become enslaved by the well-to-do and hence are “no better than servants'; (1,3). This applies especially to the king. For example, in Amadeus, His Majesty forbid any ballet in his operas. Imperial commands such as this are not to be interpreted in any way, in other words, they are to be merely obeyed without any dispute. Since operas tend to the needs of the high society in order to obtain recognition, the operas must communicate through the language of the nobility, that is, Italian. In addition, since the majority of the audience is made up of the upper class, the subject matter of the operas must consist of elevated themes. Such as, mythological heroes, kings, and queens, and so forth. According to the eighteenth century view, operas are supposed to be a sublime and an aggrandizing art. The elevated subject matter is then chosen in order to venerate and honor the nobility. It’s purpose is to “celebrate the eternal in man'; says Van Swieten (2,4). Meaning that there is an element in a noble person that lasts without any end, like God who is immortal. God represents the everlasting and the eternality of existence, thus God gives inspiration to operas that...
In 1762 the Mozart children played at court in Vienna; the Empress Maria Theresa and her husband, Emperor Francis I, received them cordially. Later the Mozart children displayed (1763-66) their talents to audiences in Germany, in Paris, at court in Versailles, and in London (where Wolfgang wrote his first symphonies and was befriended by Johann Christian Bach, whose musical influence on Wolfgang was profound). In Paris the young Mozart published his first works, four sonatas for clavier with accompanying violin (1764). In 1768 he composed his first opera, La Finta Semplice, for Vienna, but intrigues prevented its performance, and it was first presented a year later at Salzburg. In 1769-70, Leopold and Wolfgang undertook a tour through Italy. This first Italian trip culminated in a new opera, Mitridate, re di Ponto, composed for Milan. In two further Italian journeys he wrote two more operas for Milan, Ascanio in Alba (1771) and Lucio Silla (1772).
Countless dozens of Ph.D theses must be written about Mozart's The Magic Flute and yet it is so lively with elements of fantasy and free-flying imagination that it is often the first opera to which children are taken. It has a plot of such complexity that it takes several viewings for all but the most studious opera buffs to sort out the characters and follow the ins and outs of the multilevel story. At the same time it has so much easily accessible charm and so many glorious Mozart tunes that even the novice will be captivated.
Johann Chrysostom Wolfgang Amadeus Mozart baptized as Johannes Chrysostomus Wolfgangus Theophilus Mozart born January 27, 1756, in Salzburg Austria. Mozart was an esteemed composer, widely recognized as one of the greatest composers in the history of Western music. Unlike other composers in musical history, he wrote in all the musical genres of his day and excelled in every one. His taste, his command of form, and his range of expression have made him seem the most universal of all composers; yet, it may also be said that his music was written to accommodate the specific tastes of particular audiences. His father, Leopold was the author of a famous violin-playing manual which was published in the year of Mozart’s birth. His mother, Anna Maria Pertly, was born of a middle-class family active in local administration; Mozart and his sister Maria Anna were the only two of their parents’ seven children to survive. Mozart was extremely talented at an early age his father considered him the miracle of Salzburg, his early life and two of his biggest masterpieces are the three topics that will be discussed in this paper.
Mozart became ill suffering from headaches and fever for several months. Mozart was under the illusion that he was to write music for his funeral.
The Classical Period brought forward new musical innovation. The sudden change in emotion and contrast in the music from the classical era is one of the many fascinating topics. However, the topic most talked about to this very day is Mozart’s Requiem. The mystery of which parts were composed by Mozart puzzles many. Even the rumor that surrounds Mozart’s cause of death is fascinating. Peter Shaffer’s play Amadeus, added more controversy to this intriguing mystery.