William Shakespeare’s Hamlet is one of his most influential plays, and his character, Ophelia, is arguably the most iconic female in all of his plays. As the daughter of the King’s advisor, Ophelia is obedient and loyal to her father, Polonius, however after his murder, she descends into an insane, helpless woman. She eventually commits suicide by falling off a willow tree and drowning, and her death and events leading up to continue to be revolutionary. Lilly E. Romestant argues in her 2015 essay “Ophelia and the Feminine Construct” that Ophelia and her death is a significant influence to our society’s pop culture. She says, “Ophelia is immortalized through her own tragic circumstances,” which includes her decision to commit suicide and dependence …show more content…
Hamlet wants to use Ophelia for his sexual desire, but also to provoke his uncle-father and mother. Polonius warms that Ophelia will not get what she expects out of this relationship, showing her that there are other people who will care for her more than Ophelia. The word “beguile” means to enchant, so, again, Polonius warns Ophelia that he will take advantage of her for his own good, and Ophelia should be aware of all the consequences that will follow when the relationship ends. At the end, Polonius suggests that Ophelia should talk to Hamlet and end their relationship. Ophelia responds with the submissive, “I shall obey, my lord.” This shows how submissive Ophelia is and how loyal she is to her father. Although Ophelia is loyal, too much of anything is a bad thing. Because of her unbounded loyalty, Ophelia is defined as Polonius, she doesn’t know how to be an individual. At one point, Romestant suggested that “without the presence of a mother figure, Ophelia grew up sandwiches between [Polonius] and his rigid ideas alone, and did not have an opportunity to develop any kind of sophisticated identity,” (6). Although this claim seems reasonable, Ophelia has been bound to Polonius from birth, and if you replaced him with a woman, she would still be dependent on the woman. The dependence of her mother would be fueled by Polonius, therefore Ophelia …show more content…
Ophelia’s tendency to follow everything the men say is crucial in explaining why she is not a good influence to the modern woman. Especially today with high power males being accused of sexual assault, women are learning to challenge these men and not succumb to the power these men have. It is amazing to see how women, like Ophelia, have come from being afraid of speaking out to speaking out without hesitation. This fearlessness is a trait we all can expand on, so we are able to make the world a better place for our gender. Our defiance will model to the younger generation the need for more people to stand up for themselves and what they believe in. With time, I believe that women will continue proving themselves in order to show that we have the power to change society’s views of our
“Pretty Ophelia,” as Claudius calls her, is the most innocent victim of Hamlet’s revenge in Shakespeare’s play Hamlet. Hamlet has fallen in love with Ophelia after the death of his father. Ophelia “sucked the honey of his music vows” and returned Hamlet’s affection. But when her father had challenged Hamlet’s true intentions, Ophelia could only say: “I do not know, my lord, what I should think.” Ophelia was used to relying on her father’s directions and she was also brought up to be obedient. This allowed her to only accept her father’s views that Hamlet’s attention towards her was only to take advantage of her and to obey her father’s orders not to permit Hamlet to see her again.
Often overlooked in Shakespeare’s famous play Hamlet, Shawna Maki analyzes Ophelia’s restricting role as a woman in a patriarchal society and how it essentially leads to her death being the true tragedy of the play. Maki supports this argument by stating, “Whereas Hamlet has the power and potential to change his fate, Ophelia does not and her death is tragic because the only escape she sees from her oppression is madness and death.”. The comparison between Hamlet and Ophelia is a common parallel because both characters are inevitably labeled as tragic deaths due to the quick deterioration of their state of mind.
Ophelia falls to the floor, her screams contrasting eerily with the song pieces she uses as her speech. In an instant she is writhing and thrusting her pelvis in such a gross sexual manner that it becomes clear that, in his film interpretation of William Shakespeare's Hamlet, Kenneth Branagh wants to imply a strong relationship between female insanity and female sexuality. Such a relationship is exactly what Elaine Showalter discusses in her essay -- "Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism" -- "I will be showing first of all the representational bonds between female insanity and female sexuality" (Showalter 223). "Tracing" various representations of Ophelia throughout history, Showalter attempts to tell Ophelia's story by examining the way in which the culture of a society, their views of women, and psychiatric theory relates to the representation of Ophelia at that time. With the amount of attention Branagh affords the role of Ophelia in his film, and because Branagh's Ophelia represents many of Showalter's ideas about Ophelia's drowning death, the bond between sexuality and insanity, and the conventions of femininity, Branagh's Ophelia can supplement Showalter's essay -- her "trace" of the history of representation of Ophelia -- serving as a Post-modern example of the representation of Ophelia.
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
Culturally, women have been expected to be soft spoken, gentle, delicate flowers. They should not question a man's opinion or go against their will. Ophelia, in William Shakespeare’s Hamlet, is an example of a young naive girl who faces the dangers that come from only following what others want, and not thinking for herself. The men in this play use her for their own benefit and she suffers the repercussions, which leads her to madness and “accidental” death.
When reading the text, one can comprehend that Ophelia is caught in the middle between two opposite sides. Her family (father and brother) believe that Hamlet is a womanizer rather then the philosopher that he is. They also believe that he will use her in order to achieve his own purposes, and that he would take her precious virginity only to discard it because he would never be her husband. But, Ophelia's heart mesmerized by Hamlets cunning linguistics is set on the fact that Hamlet truly loves her or loved her, even though he swears he never did. In the eye of her father and brother, she will always be a pure, wholesome girl, an eternal virgin in a sense, (due to a parents nature to always see their offspring as a child) they want her to ascend into her stereotypical role in life as a vessel of morality whose sole purpose of existence is to be a obedient wife and a committed mother. However, to Hamlet she is simply an object used to satisfy and fulfill his sexual needs. He also seems to hold her at a distant which suggests that he may...
During Hamlet, Polonius and Laertes use Ophelia for their own self-gain not taking her feelings in consideration. In the article “Jephthah's Daughter's Daughter: Ophelia,” Cameron Hunt reveals that Polonius disregards Ophelia’s wants for his ...
It is widely believed that “Living life without honor is a tragedy bigger than death itself” and this holds true for Hamlet’s Ophelia. Ophelia’s death symbolizes a life spent passively tolerating Hamlet’s manipulations and the restrictions imposed by those around her, while struggling to maintain the last shred of her dignity. Ophelia’s apathetic reaction to her drowning suggests that she never had control of her own life, as she was expected to comply with the expectations of others. Allowing the water to consume her without a fight alludes to Hamlet’s treatment of Ophelia as merely a device in his personal agenda. Her apparent suicide denotes a desire to take control of her life for once. Ophelia’s death is, arguably, an honorable one, characterized by her willingness to let go of her submissive, earth-bound self and leave the world no longer a victim.
Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
Melancholy, grief, and madness pervade Shakespeare's great tragedy, Hamlet. The emotional maladies presented within Hamlet, not only allow the audience to sympathize with prince Hamlet, but also with the tragic lady Ophelia as well. It is Ophelia who suffers at her lover's discretion because of decisions she was obligated to make on behalf of her weak societal position.
In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.
In the play Hamlet Ophelia is portrayed as an innocent young woman who does not have a say in anything. All the men control Hamlet, her father Polonius, and her brother Laertes. She is portrayed as inferior to all of them and lets herself be pushed around by them. She is unable to convey her opinions or emotions throughout the play. The men dominate her thoughts and behaviors. In Hamlet, Ophelia’s obedience to her father and brother, along with her dismissal by Hamlet, reveals that women were not allowed to assert their opinions, emotions, or desires in a courtly setting.
Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet, however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression.
It is evident that Hamlet defines Ophelia by her sexuality. Hamlet does not value her as the woman she is. Instead, Hamlet views her as a mere object. Hamlet makes various sexual innuendos towards Ophelia. For example, this is apparent in 2.3, when Hamlet is speaking to Ophelia. Hamlet says, “It would cost you a groaning to take off mine edge” (3.2.250). Hamlet is making this regard to her in public and Ophelia lets him continue. Ophelia because of her gender continues to let Hamlet exploit and oppress her. Ophelia embodies a mutual assessment of femininity. Author Pragati Das writes, “Ophelia, it would seem, wholly at the mercy of the male figures throughout her life, is certainly a victim character” (Das 38). Ophelia does not have any alternative thoughts; she only responds with a simple sentence, “Still better and worse” (3.2.251). Ophelia is not standing up for herself, instead of she “…expresses acquiescence, uncertainty, and obeisance; she utters half lines” (Fischer 2). The power of Hamlet is manipulating Ophelia and it this shown through from her dull reaction of such crudities. Hamlet sums his vulgar and suggestive speech with, “For, oh, for, oh, the hobby-horse is forgot” (3.2.23–24). After Hamlet’s pressures of sexual suggestions, Ophelia is found to be under the absolute dominance of Hamlet’s demands, and as a result, her sanity diminishes. Ophelia’s song reflects on Hamlet, her father, and life
She plainly feels her obligation is to her dad over her ruler Knowledge into her decisions and associations all through the play Theme Ophelia's internal battles to do equity mirror the battles of current ladies, however Polonius' and Hamlet's treatment of her paints her as an obsolete image of the typification of ladies in the Shakespearean time. Present day Interpretation History Marilyn