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Tragedy in media by Euripides
Medea as revenge tragedy
Why is The Medea a tragedy
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Recommended: Tragedy in media by Euripides
In The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother by Gabriel Garcia Marquez, the main character Erendira is the definition of a survivor. She had to enter into the world of prostitution because she owed money to her grandmother for a simple accident. It was necessary for her grandmother to be killed in the conclusion of the story so Erendira could escape and start a new life. This just shows that a normal girl can turn into a sex slave literally over a course of a day. And the returning of the character Medea, In Medea written by Euripides, Medea betrayed her own family to be with her lover Jason but Jason shortly betrayed Medea by separating from her and their children. Also, by trying to marry another woman. In result, Medea killed her two children to rid herself of the remembrance of Jason. It was the only way she could get revenge on her past lover. It was the only way to free herself of the horrific memories she has put on herself. This exhibits that even a princess can be swindled. As …show more content…
Arthur Miller states in the "Tragedy and the Common Man" essay, "I believe that the common man is as apt a subject for tragedy in its highest sense as kings were." Thus he argues that normal people are capable of having struggles and tragedies that are equal important to the ones kings and queens have. Medea and Erendira both have certain qualities in common; they both think that death would rid them of their problems, they believed the acts of murder would suddenly make them free. In fact, they both did become free after the murder of their betrayers. In Medea by Euripides, the reader could have predicted the outcome of Medea’s fate or destiny. She killed her brother to distract her father from defending the Golden Fleece, “Then, to buy time during their escape, Medea killed her own brother and tossed the pieces of his corpse behind the Argo as they sailed for Greece.”(Background on Medea) Betraying her family meant there was no going back if things with Jason did not work out. Some would say that it was out of Medea’s control since she was under a love potion or spell, “Medea recalls the magic she worked to help Jason win and keep the Fleece...” But it was completely her choice to kill her children near the conclusion of the play. She understood if Jason married Creon’s daughter the society would make a mockery of her. In the beginning, Jason used Medea for her insight to her kingdom and the Golden Fleece. He knew she was a sorceress and used that to his advantage, “Medea provided him with an ointment that gave him strength and prevented any injury to him during the feat.” (Euripides) Knowing all that Medea did for Jason, Jason should have been more appreciative and stay with Medea especially because it was unusual for a man to leave his wife and kids for someone else. Medea felt that if she could not have Jason; the lover of her life, the man she gave up everything for, she would find a way to get even with him. The only way she knew how to get even with Jason was to emotionally scar him by killing their two children. She was hurting on the inside and every time she looked at her children the reader assumes that she saw Jason in their faces. She realized that she needed to start over and if that meant killing the ones she loved then Medea was willing to do the horrific deed for her own happiness at the end of the day. In The Incredible and Sad Tale of Innocent Erendira and Her Heartless Grandmother by Gabriel Garcia Marquez, Erendira, the main character, was emotionally and physically misused by her grandmother.
Owing a debt that the grandmother knew Erendira could never pay off; led to Erendira losing her virginity at the age 14 to try to compensate for the expenses, “When there was no other man left in the village who could pay anything for Erendira’s love, her grandmother put her on a truck to go where the smugglers were.” (7Marquez)Making a young girl of that age prostitute is a big deal in today’s society. During this time, it seemed like it was common to have young girls earn money for losing their virtue, “She began to pay it back that very day, beneath the noise of the rain, when she was taken to the village storekeeper, a skinny and premature widower who was quite well known in the desert for the good price he paid for virginity.”(7
Marquez) During the course of the short story, Erendira met a young boy by the name of Ulises. He, in deed was her guardian angel. He murdered her grandmother so they could be together at the end. Instead, she ran off to find what really made her happy, “He shouted to her but got no answer. He dragged himself to the entrance to the tent and saw Erendira starting to run along the shore away from the city.”(59Marquez) This proves that Erendira used Ulises to murder her grandmother because she was a coward to do the deed herself. In Arthur Miller’s essay, “Tragedy and the Common Man”, he argues that common people can have the same dilemmas as royalty. This is theory is proven in many ways, such as Medea and Erendira. Medea was a barbarian princess and Erendira was just a normal girl; yet they both had someone that was making their life terrible. They both had a choice between life and death and they both chose death in the end result. Both characters got fed up with the life they were living and chose to begin anew. They both became free physically and emotionally not having their betrayers no longer in their lives. In conclusion, Erendira and Medea both were liberated after the murder of their enemies. Medea felt relieved not carrying the guilt around with her about killing her brother for Jason. And Erendira definitely felt free not having to prostitute anymore to reimburse her grandmother for the accident that burned down their dwelling.
To keep her daughter’s “virtue” intact Macaria beats her. In this way the mother establishes complete control over Marcela’s sexuali...
Esperanza tries to be a good friend to Sally, but ends up appearing immature and silly. Esperanza feels shame, as she “wanted to be dead”, to “turn into the rain”, and have “my eyes melt into the ground like black snails” (Cisneros 97). With sensory-rich imagery, the author uses similes and metaphors to describe Esperanza’s feelings of utter mortification as she embarrasses herself in front of Sally. Esperanza becomes confused about her newfound sexuality and her loss of innocence when she begins acting strangely, yet awkwardly around boys. She doesn’t know whether to act like a child or an adult because although she wants to be mature and glamorous like Sally, and she gets exposed to the harsh nature of society. The disillusioned view of becoming mature and having boys notice her is especially realized by Esperanza when she gets raped at a carnival. Through detailed imagery, Cisneros describes the dirtiness of the boy, elaborating on “his dirty fingernails against my skin” and “his sour smell again” (Cisneros 100) and the confusion and anger from Esperanza. After this experience, Esperanza blames Sally instead for covering up the truth about boys and is heartbroken about the real truth of sexuality and men. It is clear that Esperanza vividly remembers this awful experience, and just reflecting on this experience causes her thoughts to
Young women were expected to work. From a young age, women needed to contribute to the family income for the family to survive. His chapter is helpful in understanding what happened to young women who were struggling. Terpstra notes that homes like that of the Pieta were set up to help these women. Terpstra’s argument really informs the reader on the struggle present for so many lower class women. He writes that the lives of these young women were unstable, due to the fact that these women were always on the move. In Terpstra's research, he found that when women left the house to pursue a job, more than a third returned shortly after leaving. In Terpstra’s work again we see the theme of women in lower positions being abused by men in higher
The “hired girls” had lived trying lives. They had grown up in the hardest times of their families. Because they worked to support the family, most had not received any ty...
From there on she continues to talk about her adolescence where she quickly learned about the threat of physical abuse and molestation towards young girls. She did not continue with school pat the age of 9 and in her small job of working in the local market she was confronted with true and absolute poverty on a daily basis. She got pregnant at age 15. At 16 she had her first fist fight with her abusive physically brother. And at 17 met the father of her other future children. While with this man, Rafael Canales, she learned first hand the hardships of poor domestic life. She also learned to assert herself even towards her own husband.
Women’s Escape into Misery Women’s need for male support and their husband’s constant degradation of them was a recurring theme in the book House on Mango Street. Many of Esperanza’s stories were about women’s dreams of marrying, the perfect husband and having the perfect family and home. Sally, Rafaela, and Minerva are women who gave me the impression of [damsel’s in distress].CLICHÉ, it’s ok though. It’s relevant They wished for a man to sweep them of their feet and rescue them from their present misery. These characters are inspiring and strong but they are unable to escape the repression of the surrounding environment. *Cisneros presents a rigid world in which they lived in, and left them no other hope but to get married. Esperanza, however, is a very tough girl who knows what she wants. She will keep dreaming and striving until she gets it. She says, "I am too strong for her [Mango Street] to keep me here" (110). Esperanza learned from all of these women that she was not going to be tied down. She said, "I have decided not to grow up tame like the others who lay their necks on the threshold waiting for the ball and chain" (88). **Especially after seeing that Sally was suffering so much. Sally’s father is making her want to leave home by beating her. Sally "said her mother rubs lard on the places were it hurts" (93). There is not enough lard in the world to be able to cure the pain within Sally’s heart. Sally, "met a marshmallow salesman at a school bazaar" (101). Pretty soon " sally got married, she has her house now, her pillowcases and her plates" (101). Her marriage seems to free her from her father, but in reality she has now stepped into a world of misery. This was supposed to help her heal; " she says she is in love, but I think she did it to escape." (101). Unlike the other women Sally has no escape, no poetry, not even papaya coconut juice, not to mention, " he does not let her look out the window" (102). That is why "she sits at home because she is afraid to go outside without his permission."(102). Rafaela’s situation also involves imprisonment in her own home. Cisneros introduced us to Rafaela, a young beautiful girl whose expectations from marriage were to obtain a sweet home to live in. Instead...
In Erzulie’s Skirt, the reader sees two disoriented women awaking to the harsh reality that they have been tricked and imprisoned after their voyage. They are then locked in a concrete room with nothing but their clothing and two beds, forced to work as prostitutes for the personal gain of a racist woman named Delia. In the brothel, Micaela and Miriam are made to allow men to enact their sexual desire and unnatural fetishes, and if they dare to resist or refuse, they are beaten nearly to death. In the most obvious way, this position mirrors the treatment ...
In “Boys and Girls,” Cisneros introduces a gender separation that dominates Esperanza’s experiences. Esperanza is dissatisfied that she and her younger sister Nenny are paired as playmates; Nenny is “too young to be my friend (Cisneros 8).”
In the age of industrialization when rural life gradually was destroyed, the author as a girl who spent most of her life in countryside could not help writing about it and what she focuses on in her story - femininity and masculinity, which themselves contain the symbolic meanings - come as no surprise.
The “Girl” written by Jamaica Kincaid is essentially a set of instructions given by an adult, who is assumed to be the mother of the girl, who is laying out the rules of womanhood, in Caribbean society, as expected by the daughter’s gender. These instructions set out by the mother are related to topics including household chores, manners, cooking, social conduct, and relationships. The reader may see these instructions as demanding, but these are a mother’s attempt, out of care for the daughter, to help the daughter to grow up properly. The daughter does not appear to have yet reached adolescence, however, her mother believes that her current behavior will lead her to a life of promiscuity. The mother postulates that her daughter can be saved from a life of promiscuity and ruin by having domestic knowledge that would, in turn also, empower her as a productive member in their community and the head of her future household.
This novel is about the shame cycle and whether Esperanza will chose to grow from it or to let it ruin her. Esperanza didn’t know this, but she had to go through the most shaming experience possible in order to be forced to make a choice about how to use that shame. Other major themes of the novel include Hoping versus Waiting, Finding Freedom through Marriage or Education, and the Anchors of Race, Poverty, and Gender. Cisneros ties these themes together using the theme of The Shame Cycle, making it the most important. Esperanza hopes for a better life and chooses not to let her anchors stop her. To earn a better life, Esperanza decides to find freedom through education. She decides not to get married young as an escape. She decides to keep hoping and dreaming by not letting shame ruin her.The resolution and escape from the shame cycle helps Esperanza chose education,the rel path to freedom. Additionally, the plot of the novel only comes to a resolution when Esperanza finally overcomes her shame and escapes the
In Euripides' Medea, the main character of the same name is a controversial heroine. Medea takes whatever steps necessary to achieve what she believes is right and fair. She lived in a time when women were expected to sit in the shadows and take the hand that life dealt them without a blink of their eye. Medea took very radical steps to liberate herself and destroys the life of the man who ruined hers. She refused to accept the boundaries that a patriarchal society set upon her. Medea was a very wise and calculated woman who was brave enough to leave her homeland, along with everything she knew and loved, in order to follow her heart down the path of what she expected to be eternal happiness.
Elfen Lied is a Japanese manga and anime series written and illustrated by Lynn Okamoto. 107 chapters were released between June 2002 to August 2005 in 12 volumes and 13 episodes that was first aired in July 25 to October 17, 2004, and was broadcast again in 2005. Elfen Lied revolves around the interactions, views, emotions, and differences between humans and mutants called Diclonii which are the newly evolved species. Diclonii look exactly like humans, but the only difference is that the mutants have two distinguishable white horns on their heads and have psychokinetic abilities in a form of transparent arms which no one can see besides the Diclonius specie. They can control them by being able to manipulate and cut objects within their reach called vectors. The series is centered on the teenage Diclonius girl named Lucy, who was rejected by human beings and wants revenge after what happened to her.
In Latin America, women are treated differently from men and children. They do lots of work for unexplainable reasons. Others for religious reasons and family orders and others because of the men involved. Women are like objects to men and have to obey their orders to either be rich or to live. Some have sex to get the men’s approval, others marry a rich man that they don’t even know very well, and become slaves. An important book called Chronicles of a Death Foretold is an example of how these women are treated. Purisima del Carmen, Angela Vicario's mother, has raised Angela and her sisters to be good wives. The girls do not marry until late in life, rarely socializing beyond the outsides of their own home. They spend their time sewing, weaving, washing and ironing. Other occupations include arranging flowers, cleaning up the house, and writing engagement letters to other men. They also keep the old traditions alive, such as helping the sick, comforting the dying, and covering the dead. While their mother believes they are perfect, men view them as too tied to their women's traditions. The men are afraid that the women would pay more attention to their job more than the men. Throughout the book, the women receive the respect they deserve from the men and others around them.
About this age youths begin to take interest in the opposite gender, and this was no different for our Montresor and Fortunato. Unfortunately, both Montresor and Fortunato took interest in Anastasia, thus forming a rift in their friendship. Montresor had confided in Fortunato of his interest in Anastasia but Fortunato’s response was not a welcome one. “I also like Anastasia.” replied Fortunato. “Why her?” asked Montresor impatiently. Fortunato chuckled and casually replied “why not?” Although he felt betrayed Montresor could only sigh. He was always submissive, as toddlers Montresor never complained when Fortunato would take his toys, but Anastasia was different. Although his only response was a sigh he would not allow Fortunato to win her over. When Montresor heard the news of Fortunato’s leave he could not help but to feel joy, now he would not need to compete for Anastasia’s affection. “Don’t worry, I’ll return, I am only leaving to study with my father, when I come back I shall be a man.” stated Fortunato. “Then until then.” Montresor happily replied. Fortunato looked off into the distance and then