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Essays about film censorships
Censorship in film and television
Censorship in film and television
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In 192, an incident has happened, that changed the history of Hollywood, (FAMOUS COMEDIAN CHARGED WITH MURDER)1, that was a headline in one of the popular news paper at the time. What happened was that the comedian Fatty Arbuckle booked a suite at St. Francis Hotel during a drinking party then he have disappeared for a while in his room with model Virginia Rappe. Hours later the model was sick and went to hospital then she died there, so after that Solons have introduced about a hundred Bills in deferent states made to censor motion picture. So there was deferent rules in deferent states.for instance, women could not smoke on screen in Kansas but they could in Ohio .A pregnant woman couldn’t appear on-screen in Pennsylvania but could in New
York.1 In 1922, Presidents film studio with Will Hays who was the Postmaster General at the time and he was ex-Republic national Chairman for the white house, have formed an agreement together or a trade association called Motion Picture Producers and Distributors of America(MPPDA), Hays also invited many of the critics to Join a committee for "public demands and moral standards.", and he also have created the "Formula," which is the points that should not appear in motion picture
However, after the dust settled, it was widely accepted that the blacklist was unjust, which enabled many film workers to pursue the movie studios in civil courts through the 1950’s for unpaid contracts and wages (Lewis, 2008). While the studios were initially impacted by the Paramount decision, the breadth of competition and independent successes of smaller studios gave rise to the advancement of innovative filmmaking that may not have been possible if it were not for the Paramount decision. Filmmaking is one of the riskiest and most profitable ventures in modern day society, and without these events, the studios and the film workers may not share the successes that they do
There are many adaptations and interpretations on how the English arrived to the Americas and established their colonies. The 2005 film “New World”, written and directed by Terrance Malick, is a film based off the English settlers and how they settled in the Americas in 1607, and the forbidden relationship between John Smith and Pocahontas. Although the film highly exaggerates on some scenes in order to make the history seem more interesting, the film still holds most historical accuracy and is an enjoyable film.
The Revolutionary war, sparked by the colonist’s anger towards taxation without representation, was a conflict between the United States and its mother country Great Britain. This event had been considered the most significant event in the American history. It separated the thirteen colonies from the tyrannical ruling of King George. The revolutionary war was not a big war, “The military conflict was, by the standards of later wars, a relatively modest one. Battle deaths on the American side totaled fewer than 5,000”1. However, the war proved that the thirteen colonies were capable of defeating the powerful Great Britain. Over the years there were many Hollywood films made based on the revolutionary war, 1776, Revolution, Johnny Tremain, and The Patriot. But, no movie has stirred up as much controversy as the Mel Gibbson movie The Patriot. The patriot is very entertaining but it is historically inaccurate. Too much Hollywood “spices” was added to the movie for viewing pleasures.
In the 1930s and 1940s many Hollywood writers, actors, producers, and directors were suspected for communist affiliations. During this time, communism was a popular political movement in the United States, especially among young liberals. There was a growing fear of communism invading American society. By the end of World War Two an event known as the Red Scare resulted in communism become increasingly feared and hated by many in the United States. The Hollywood blacklist caused the Hollywood industry a lot of harm in its business and reputation.
Houchin, John H. Censorship of the American Theatre in the Twentieth Century. Cambridge, UK: Cambridge UP, 2003.
Film makers use many historical events to spark up and idea for a movie. One historical event that is commonly used is war. One advantage a film maker has when using war as a movie plot is that there is already a lot of drama in war. This may seem like a good advantage for the film maker, however focusing on all of the drama of war leaves much of the actual info. When watching a war movie, you may feel like you have an understanding about the war, but when you really compare a war movie to an actual war you find that there is a lot of factual information left out. One may ask why would directors and film makers leave out the facts of war and focus on the drama? After reading The Faces of Battle by John Keegan and reviewing war movies such as Saving Private Ryan, and Pearl Harbor, one can clearly see what makes the Hollywood version of war different from real life war.
In the article, “The Hollywood Sign: The Culture of American Film,” from the book, Signs of Life in the USA, by Sonia Maasik and Jack Solomon, the authors talk about the styles and symbols of American film industry from multiple age era perspectives. During the early 1900s to mid 1900s, content in films were mostly based off of realistic aspects people in that era were facing at the time, whereas most of the content from films in the 2000s and modern day are based off of fantasy worlds. However, some recent films use older films as a basis for advertising as shown in Batman: The Dark Knight as the authors state, “One of the posters used to advertise Batman: The Dark Knight featured the familiar figure of Batman, in full regalia, standing in
music and television in the last 15 to 20 years and analyzes their effects. In
"I try, when I'm writing a screenplay from somebody's original work, to be as faithful to it as I can be, within the limitations of a screenplay and remembering that the novel medium and the screen medium are entirely different"
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form
One of the largest industries today, bringing in millions upon millions of dollars world wide is the movie industry. It is surprising to think that it was all started because of a bet. In 1878 Eadweard Muybridge was hired to determined whether or not a horse left the ground when galloping. he set up 12 cameras in a row on a track that photographed a horse running when the horse was in front of the camera. He not only found out that a horse does have all four legs off the ground, but when you show these in rapid succession they resemble movement. This started Muybridge researching what all you can do with this discovery
The twentieth century marks a significant break in American film censorship as filmmakers began pushing the envelope to create films depicting controversial narratives, prompting public outrage and debate concerning the management of content in films. The ongoing battle between film producers, social activists, and religious organizations striving to obtain the power to influence the substance of films, led to the 1915 court case, Mutual Film Corporation v. Industrial Commission of Ohio. The court ruling declared that films would not be granted protection under the First Amendment, therefore, allowing state censorship boards the right to censor films containing politically, morally, or socially unacceptable material. However, the releasement
Film is an art form that was brought upon by the industrial revolution, a movement which finally made movies possible through great progressions in technology and production (“The History of Hollywood Censorship and the Ratings System”). “Censorship, the suppression of words, images, or ideas that are "offensive"” (“What Is Censorship?”). Maine passed the original censorship law concerning films in 1897 due to the controversial issue of boxing (“History of Censorship in the U.S.A”). Subsequently, the authority to give or reject movie certifications was given to the chief of police in Chicago in 1907, making this the first city to practice movie censorship (“Film Censorship, Noteworthy Moments In History”).
As the country transitioned from colony to independent state in the early 1920's, it was clear that the new government, swayed by the iron grip of the church, would not support the immorality of the film industry, and taxes were imposed on film stock and prints coming into the country, and The Censors...