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Othello's self identity
Othello's self identity
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The Impotent Othello
Othello is one of the most extraordinary characters in all of Shakespeare's dramas. He enjoyed unheralded success on the battlefield, which gave him the reputation as one of Venice's most able generals. The Moor's military proficiency placed him in a class by himself in the same way his ethnicity distinguished him from his Venetian counterparts. These are two intrinsic and highly identifiable characteristics of Othello. But a much lesser discussed idiosyncrasy of the Moor was his sexual disorder - impotency. As striking as this claim sounds there is much evidence in the drama to support the idea that Othello was impotent in both sexual and social relationships. Othello's sexual impotence stifled the consummation of his marriage to Desdemona as the two never experienced sexual intimacy. His sexual disorder then sparked a social impotence: powerlessness in dealing with his wife and friends. In terms of shaping the final events of the drama, Othello's impotency played an even more vital role than his military might or Moorish heritage.
Throughout Othello, there is much evidence to suggest that Othello and his wife Desdemona never consummated their marriage. Shortly after murdering his wife, the Moor remarked, "cold, cold my girl?/Even in thy Chastity" (V.ii.273-4). The final word Æ chastity - brings what actually transpired in their bedroom into serious question. By referring to Desdemona as chaste is it possible that Othello was divulging that he and his wife never had sexual intercourse? Other passages from the play indicate that this is indeed the case. Upon his arrival at the citadel in Cyprus, Othello invited his wife to their sleeping quarters for the second time with the following utterance:
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... character as his Moorish ancestry.
Works Cited
Butler-Evans, Elliot. "'Haply, for I am Black': Othello and the Semiotics of Race and Otherness." New Essays
by Black Writers. Ed. Mythili Kaul. Washington D.C.: Howard UP, 1997. 139-150.
CEINET. Impotence On-line. Online. Internet. Available: http ://www.cei.net/~impotenc/deth.html.
"Impotent." Oxford English Dictionary, Second Edition. Oxford: Oxford University Press, 1989.
Koch, Carl. Living a Christian Lifestyle. St. Paul: Saint Mary's Press, 1996.
Sedwick, Eve. Between Men: English Literature and Male Homosocial Desire. New York: Colombia UP, 1985.
United States. Natl. Institute of Diabetes and Digestive and Kidney Diseases. Impotence. Online. Internet. 9
July 1998. Available: http://www. niddk.nih.gov/health/urolog/pubs/impotnce/impotnce.htm#cause
... the past and is effective in approximately 25-35% of patients with erectile dysfunction (Murdock, 2002).
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
Treatment of Sexual Addiction." HealthyPlace.com - Trusted Mental Health Information and Support. HealthyPlace, 25 Sept. 2009. Web.
Tavits, Margit. "Party Systems in the Making: The Emergence and Success of New Parties in New Democracies." British Journal of Political Science 38.1 (2008): 113-33. JSTOR. Web. 26 May 2014.
In William Shakespeare’s Othello, unspoken fears of being an outsider and concerns about his public image contribute to the downfall of a tragic hero named Othello. Othello, a general in the Venetian army’s, final monologue reflects the importance of reputation and the conformity needed to fit his surroundings. He is seen as an outsider of the Venetian culture; he is frequently referred to as “the Moor” and is called an abundance of racial slurs by the Venice born natives. Although Othello never voices his internal struggle to feel accepted by the people around him, his image and physical appearance are some of major issues he faces. Even in the moments before he stabs himself, Othello is more concerned with the legacy he is leaving behind than with the death of his wife, Desdemona. Shakespeare uses Othello’s transformation from a heroic military soldier to a tragic figure to warn of the dangers of obsessing over one’s reputation and the need to feel accepted by society.
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
Within Shakespeare’s Othello there is an analysis into the context of the female. Brabantio’s rhyming couplet “Look to her, Moor, If thou hast eyes to see/ She has deceived her father, and may thee,” demonstrates his domineering and patronising attitude, as the Elizabethan era was a patriarchal society and the role of the female was to be ‘obedient’ to their father or husband. Brabantio also endeavours into placing a seed of doubt in Othello’s mind as a result of his jealousy. Consequentially Brabantio objectifies Desdemona when he states, “Where has thou stow’d my daughter?” exemplifying how he deems her as a possession, which can be stolen like any other. Othello prolongs this objectification through asserting that he “won his daughter” portraying Desdemona as a prize to be won, and a possession to be owned and argued over by husband and father. Desdemona is depicted early on in the play as the “angel” wi...
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
All children play and it is something that most children do because they are having fun, but without realising children are developing and learning skills when they are engaged in play. Play helps stimulate the mind as it is practical and gives children the chance to explore and experience new situations. It can also ensure that children get to think by themselves and be spontaneous as they control their own play. Children get the chance to be creative and imaginative which develops independence for children. Play is vital for child development and helps children develop five main areas of development:
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
...eral chronicle of Dante’s life. This is not the case, as historical information proves, Dante led a full life separate from his love of Beatrice. This story instead serves as a description of the power that Love wields over the sensitive and romantic. Indeed, Love could wield this power over anyone He chooses, though he chooses only those with the poet’s soul, through which God can speak and tell humanity of the power of Love. God inspires those who are open to him, in a way that they can understand. In the case of Dante, God spoke to him through Love and produced a tale that will convey the same message to all those who are able to hear. Dante was not writing for those without a poet’s mind, a fact he makes clear throughout the text, and the reason for this is evident: they would simply not understand.
Many theorists have tried to define play as a concept, however, no two agree on a set definition. Their backgrounds and induvial lifestyles influence the way they see the importance of play. Reed and Brown also believe that there isn’t an agreed definition of play because is something that is felt rather than done (Reed & Brown, 2000 cited in Brock, Dodd’s, Jarvis & Olusoga, 2009). In spite of this, it is clear that most theorists uphold the ethos that play is imperative to a child’s learning and development. There is a wide range of different studies and theories which helps us develop our own perception of what play is. In my personal experience I have found play to be a way of expressive our emotions, exploring and learning new things, thus
One of the first impressions gained of Othello is that he is a great war hero. Before much else is said of him, tales of his skill and valor in battle are illustrated and he is shown to be a great and famed warrior. He naturally possesses many attributes typically associated with soldiers. From the beginning Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all of one piece. His trust, where he trusts, is absolute…. Love, if he loves, must be to him the heaven where either he must leave or bear no life. If such a passion as jealousy seizes him, it will swell into a well-night incontrollable flood.” Othello is pure an...
What is play? Is it an activity one does for enjoyment? Is it an essential learning tool? The answer is that there is no definite answer. There are professionals who have studied play and formulated their own answers as to what play is. Some say it’s unstructured peer interactions, others say it’s structured interactions. Some say it’s a special and undefinable activity while others say it’s a basic life activity. The reason for the clear differences about what play is, is because play encompasses many different things and has many different forms. From the moment babies are born until the moment adults die, they all participate in some form of play, whether it be smiling at somebody 's movement, playing hide and seek, or participating in a sport or group. Although the definition of play is not definite, there is at least one definite thing about play. That is that play is an important and crucial part of any developmentally appropriate early childhood classroom and has unfortunately been reduced and replaced by standardized tests and teacher-based teaching and learning. Play is an enormously important tool that human beings use to help them learn new information and without it