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Functions and importance of children's literature
Functions and importance of children's literature
Significance of literature to children
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"Fill your house with stacks of books, in all the crannies and all the nooks." — Dr. Seuss Children’s pictures books are a staple in every young person’s life, from Dr. Seuss to Maurice Sendak. They shape thoughts, values, provide life lessons, and open them to cultures and experiences they may never get a change to be a part of. Many times, the story has been passed down orally for centuries, before being put to paper. They connect generations to each other. And they manage to do all of this through all entertaining characters and vibrant colors. Their words encourage development in learning, and their stories stimulate the imagination. However, in recent decades a new category of books has emerged on the market: wordless picture books. These have become a growing trend in today’s society. There is debate amongst scholars, teachers, and parents as to whether or not these books stimulate imagination, language skills, and literacy skills, as much as a book with words would. Wordless children’s books are beneficial to today’s children, and can provide unique insight into the way their imagination works, and a look into their developmental processes. Using pictures to tell stories is not a new concept; it has been used for thousands of years to tell the story of a tribe or nation. Nor is it a new idea for babies, they are given “books” with pictures, that may have cloth pages or different textures to represent different animals. What is new, however, is the use of such pictures in the format of a book, and one that is presented to older children. This new genre appeared approximately eighty-two years ago and the first wordless picture book, according to Jacalyn Eddy in her book Creating an Empire in Children’s Book Publishing, ... ... middle of paper ... ...06. Print. Fagerlie, Anna M. "Using Wordless Picture Books with Children." Elementary English 52: 92- 94. Web. Apr. 2014. Jalongo, Mary Renck, Denise Dragich, Natalie K. Conrad, and Ann Zhang. "Using Wordless Picture Books to Support Emergent Literacy." Early Childhood Education Journal. Vol. 29: 167-170. Web. Apr. 2014. Kümmerling-Meibauer, Bettina , and Jörg Meibauer. "First Pictures, Early Concepts: Early Concept Books." The John Hopkins University Press: The Lion and the Unicorn 29: 324- 347. Web. Apr. 2014. Lysaker, Judith T., and Angela Miller. "Engaging social imagination: The developmental work of wordless book reading." Journal of Early Childhood Literacy 13: 147-174. Web. Apr. 2014. Lysaker, Judith T. "Young children's readings of wordless picture books: What's 'self' got to do with it?". Journal of Early Childhood Literacy 6: 33-55. Web. Apr. 2014.
...ia J. Campbell. New York: Twayne Publishers, 1996. 39-65. Rpt. in Children's Literature Review. Ed. Scot Peacock. Vol. 82. Detroit: Gale, 2003. Literature Resources from Gale. Web. 14 Jan. 2014.
Picture books are one of the first mediums of learning that children encounter. The picture book was first created in 1657 by John Amos Comenius. Comenius’s book was entitled Orbis Pictus (The world of Pictures) and was an alphabet book (Martinez 57). Picture books are used to lay the foundations of the histori...
I chose to read and comment on Barbara Kiefer’s “Envisioning Experience: The Potential of Picture Books.” Kiefer’s main point in writing this essay was to get the message across that children enjoy picture books that allow them to identify and make connections with the characters or the plots, and that while reading and analyzing the pictures, they gain a better sense of aesthetics and how to interpret them.
Senick, Gerard J., and Hedblad, Alan. Children’s Literature Review: Excerpts from Reviews, and Commentary on Books for Children and Young People (Volumes 14, 34, 35). Detroit, Michigan: Gale Research, 1995..
My grandmother introduced me to reading before I’d even entered school. She babysat me while my parents were at work, and spent hours reading to me from picture books as my wide eyes drank in the colorful illustrations. As a result, I entered my first year of school with an early passion for reading. Throughout elementary and middle school, I was captivated by tales of fire-breathing dragons, mystical wizards, and spirited foreign gods. A book accompanied me nearly everywhere I went, smuggled into my backpack or tucked safely under my arm. I was often the child who sat alone at lunch, not because she didn’t have friends, but because she was more interested in a wizards’ duel than the petty dramas of middle school girls. I was the child who passed every history test because she was the only kid who didn’t mind reading the textbook in her spare time, and the child who the school librarian knew by name. Reading provided a
"Reading." The Gale Encyclopedia of Childhood and Adolescence. Ed. Jerome Kagan and Susan B. Gall. Online Edition. Detroit: Gale, 2007.
Griffith, John, and Charles Frey. Classics of Children's Literature. 6th ed. New Jersey: Pearson Prentice Hall, 2005. 21-29, 322-374. Print.
Picture books are books in which both words and illustrations are essential to the story’s meaning (Brown, Tomlinson,1996, Pg.50). There are so many different kinds of children’s books. There are books for every age and every reading level. There are many elements that go into picture books such as line and spacing, color and light, space and perspective, texture, composition and artistic media. Picture books are an essential learning element in today’s classroom.
Richard Robinson, the President and CEO of Scholastic Inc., the world’s largest publisher and distributor of children’s books, said that a great children’s text contains a simple and original idea, is written with humour and makes the world more interesting. Despite being published in 1928, A.A. Milne’s The House At Pooh Corner remains a highly effective children’s text. The text meets the criteria set out by Richard Robinson and it has been able to do so through its good uses of literary elements such as style, themes and characters. Some examples of this can be linked to the works of various developmental theorists such as Jean Piaget, Lev Vygotsky and Erik Erikson.
The Tale of Peter Rabbit and Voices in the Park were published at either end of the twentieth century, a period which witnessed the creation of the modern picturebook for children. They are both extremely prestigious examples of picturebooks of their type, the one very traditional, the other surrealist and postmodern. The definition of ‘picturebook’ used here is Bader’s: ‘an art form [which] hinges on the interdependence of pictures and words, on the simultaneous display of two facing pages, and on the drama of the turning of the page’ (Bader, quoted in Montgomery, 2009, p. 211). In contrast with a simple illustrated book, the picturebook can use all of the technology available to it to produce an indistinguishable whole, the meaning and value of which is dependent on the interplay between all or any of these aspects. Moebius’s claim that they can ‘portray the intangible and invisible[. ], ideas that escape easy definition in pictures or words’ is particularly relevant to these two works.
“Phenomenologically, Donny and Timmy were not growing up in a literate environment. Although they lived in a home situation in a city situated in a country that contained many forms and functions for print, they did not experience it. They did not notice it around them; they did not understand its uses. Their world functioned without written language” (Purcell-Gates, 1997, p. 58).
Children literature is a term that refers to the texts written for children. The artist uses creative ways to ensure that children are provided with educational books, touching on a variety of themes. This paper will include comparison of two characters from the two texts, “Hana's Suitcase: A True Story,” authored by Karen Levine and “Charlotte’s Web,” written by E.B. White, with the aim of understanding ways in which problems are solvable as indicated by selected characters.
Throughout time the way we visualize things has changed. When the Brothers Grimm’s created “Little Snow White” in 1812 they did not have any way to visually show their ideas to the public. They could not just make a movie or hire an illustrator to bring life to their words. So instead they relied on their readers to use their own imagination to create the characters and scenarios throughout the s...
What kid hasn’t heard of Dr. Seuss? From “One fish, two fish, red fish, blue fish” to “A person’s a person, no matter how small” to “From there to here, from here to there, funny things are everywhere”, Dr. Seuss has filled the lives of children with whimsical stories and ideas. (8) Using casual dialect and everyday objects, he was able to spark the imagination of others. All the while, he instilled lessons into his writings. It is not a surprise that Dr. Seuss received an award for a “Lifetime of Contribution to Children’s Literature”. His work will be read and enjoyed for decades to come. All in all, no matter which Dr. Seuss story that the reader might select, his or her imagination will be sparked, and the reader will surely be entertained.
"The Value of Children's Literature | Education.com." Education.com | An Education & Child Development Site for Parents | Parenting & Educational Resource. Web. 20 Oct. 2010. .