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Children literature is a term that refers to the texts written for children. The artist uses creative ways to ensure that children are provided with educational books, touching on a variety of themes. This paper will include comparison of two characters from the two texts, “Hana's Suitcase: A True Story,” authored by Karen Levine and “Charlotte’s Web,” written by E.B. White, with the aim of understanding ways in which problems are solvable as indicated by selected characters. In the book, “Hana's Suitcase: A True Story,” Fumiko Ishioka is one of the outstanding characters. Fumiko is the organizer of the Children's Holocaust Education Center in Tokyo, Japan and her role begins in a small museum, when she figures out that Japanese children had …show more content…
critical questions regarding a suitcase seated in a glass cabinet. According to Levine’s text, Japanese children are aware that the bag in the glass was initially traceable to a girl named Hana Brady, and the girl was from Auschwitz, a camp where many people died during Second World War, between 1939 and 1945. It is her objective to utilize the Holocaust to show Japanese kids about the risks of narrow-mindedness and scorn and to urge them to use what they figure out how to advance to peace and comprehension (Levine 3-110). In the text “Hana’s Suitcase, Fumiko Ishioka experiences some level of conflict that compels her to find physical object that would enable her to teach her class.
The groups that are antagonistic include, the Holocaust museum fraternity and Ishioka and her class. According to Karen Levine, “When Fumiko felt sad about her life, she thought of these survivors. They were so strong willed and wise. They had so much to teach her.,” and these survivors are the victims of the Holocaust (Levine 10). The quote above indicates that Fumiko had some emotional argument, a Character vs. Self conflict. She was disturbed by Japanese historical experiences and relating to that of mass killing in Germany. Fumiko felt her only way out of such emotional turmoil could be resolved by teaching the Japanese children and it was her to make it happen. And by searching Hana Brady’s story is her source of confidence a to solve this conflict. She travels the world to look for artifacts and finally, when Fumiko visited Terezin Ghetto Museum, she found a list of children imprisoned and even discovered Hana’s brother named George. The records even showed that George survived the tragedy. The information Fumiko uncovered didn’t stop her to continue searching for her questions about Hana until she found Hana’s brother George who is now living in Toronto. Finally, Fumiko and George met in Tokyo and as Karen Levine described, “Fumiko beamed with pride as, one by one, they presented George with their drawings …show more content…
and poems about Hana”, and with this it shows that Fumiko accomplished her goal in unfolding Hana’s story and shared it to her students. In the text by Levine, the phrase “There at a well-known camp, she visited the Auschwitz museum. Fumiko begged for a short meeting with the museum’s assistant director. She was given five minutes to explain what she wanted,” meaning that institutions did not support the behind taking the artifacts she wanted (Levine 12). Such a sentence indicates conflicting interests between the director of the museum and Fumiko Ishioka with Japanese children; a character versus another character version of conflict as noted by Karen Levine (11-12), “Fumiko was looking for a pair of shoes and a suitcase. Everyone turned her down, telling her that the objects they had so carefully preserved were too precious to send to such a small museum, so for away.” Fumiko resolves the conflict of interest by her persistent request, in which enables her to receive the physical tools after a few months. Fumiko’s search for artifacts and using them to teach children about Holocaust is critical to people from all walks of life. When she finds the artifacts from Auschwitz museum, which include child’s socks, shoes, sweater, a con of Zyklon B poisonous gas and a suitcase, all in one package, she encourages individual groups of persons to be courageous and having perseverance. Also, she sets an example to everyone that peacekeeping between communities is not only a collective but also individual responsibility. The text “Charlotte’s Web” is composed of animal characters that interact together and consequently they gain new experiences.
Among the characters is Wilbur and Charlotte. Wilbur had Character vs. Self conflict concerning friendship as she thinks of Charlotte, “I’ve got a new friend, all right! But what a gamble friendship is! Charlotte is fierce, brutal, scheming, and bloodthirsty-everything I don’t like. How can I learn to like her, even though she is beautiful and, of course, smart?” Such thoughts of Wilbur indicate that he had fears and doubt on whether to accept Charlotte as her friend (White 41). But Wilbur is helpless and needs friend to rely to save his life so to solve his problem, he tries to be like Charlotte so as to solve his conflict. Such an attempt is comprehensible to readers that Wilbur imitates Charlotte’s spinning of a web, so as to relate to a friend’s ability. Such mimicking is supposed to alleviate the lack of confidence friendship. As their story continue, Wilbur discover that his impression with Charlotte is wrong. Underneath Charlotte’s cruel exterior, she has kind heart and a loyal and true friend to the very
end. When Wilbur is about to die by the hands of Mr. Arable because of being a runt pig; Fern disagrees to killing Wibur and insist it is not fair “This is the most terrible case of injustice I ever heard of,” (White 3). Wilbur is subjected to life and death that indicates a Character vs Social World conflict, Wilbur’s life is in danger for being a runt pig and one of the customs of life in a farm is that runts pigs are killed at birth because it is too expensive to raise them. Wilbur attempts to stop this with the help of his friend Charlotte. Charlotte is going to do her best to keep Wilbur alive with her web writing and these efforts continue up to the time when he brought to the fair and wins the prize thus ensures Wilbur’s survival. In the end, Charlotte’s sacrifice her life as she uses all her energy to spin a final message that saved Wilbur’s life and in return, Wilbur taking good care of Charlotte’s young off spring.
Soon after Papa’s arrest, Mama relocated the family to the Japanese immigrant ghetto on Terminal Island. For Mama this was a comfort in the company of other Japanese but for Jeanne it was a frightening experience. It was the first time she had lived around other people of Japanese heritage and this fear was also reinforced by the threat that her father would sell her to the “Chinaman” if she behaved badly. In this ghetto Jeanne and he ten year old brother were teased and harassed by the other children in their classes because they could not speak Japanese and were already in the second grade. Jeanne and Kiyo had to avoid the other children’s jeers. After living there for two mo...
They need to see how characters in books handle the same fears, interests, and concerns that they experience” in the book of Corduroy children may reflect how sometimes they want something but their parents cannot afford it, how will they obtain what they want? (para.11). through the storytelling the teacher may ask the children what they will do in this case. Children may interact in the storytelling. This book has discussion points in which the children may ask questions and use their problem solving skills. Susan Sherwood shares in the article Good Books for Dramatic Storytelling for Young Children that “the best ones appeal to children's lives and interests, such as families, animals, communities and humor”, Corduroy fits this criteria children love stuffed animals, and they will be interested in knowing how the little girl gets to take Corduroy home
...ia J. Campbell. New York: Twayne Publishers, 1996. 39-65. Rpt. in Children's Literature Review. Ed. Scot Peacock. Vol. 82. Detroit: Gale, 2003. Literature Resources from Gale. Web. 14 Jan. 2014.
Japanese were treated unjustly which inevitably affected Hana and Taro very quickly. “The President of the United States authorized the Secretary of War and his military commanders to prescribe areas which any or all persons could be excluded...'It means we are all going to be evacuated one day soon,' Taro explained sadly, 'It means we are all going to be uprooted from our homes and interned without a trial or a hearing," (p. 154 Uchida). When Japan bombed the U.S., it really opened Hana’s eyes to how cruel the world can be, especially since it was her homeland. What this event also did was flip the definition of America to Hana and Taro. They always thought of America as a safe place to be themselves and a fresh new start to form their lives but now they were taking away the Japanese-American rights one by one. While in the Japanese concentration camps, tragedy struck Hana when she didn’t think life could get any worse. "'There was an accident, Mrs.Takeda,' the director said, ' your husband was shot by one of the guards. He was walking near the barbed wire fence and the soldier thought he was trying to escape," (p.211 Uchida). Hana was furious at the unreasonable and awful death of her husband but rethought her relationship with Taro. She forgot all the little things that bothered her and focused on their
The Holocaust was a terrible time, where the Nazis were eliminating Jews due to a misunderstanding that was passed down from Adolf Hitler to the Germans. Hilter filled the minds of Germans with hatred against Jews. Books such as Maus and Anne Frank has been able to suppress the horror of the holocaust. Maus, by Art Spiegelman, is about Art Spiegelman’s father Vladek Spriegelman and his experiences enduring the holocaust. Anne Frank, by Ann Kramer is about Frank and her friends and family struggling to survive the holocaust, yet in the end only her dad, Otto Frank is the only survivor. The author of the book Anne...
The holocaust is known for the great number of deaths; including the six million Jews. Ida fink is a writer that captures this time period in her works. In “The Key Game” she appeals to pathos because of imagery used, connections to your own family, and dialog used by both the father and mother. Through her fiction stories, she tells tales that relate to what could have been and probably what was. Ida Fink is known for telling her stories in a journalist like tone with very little color. In her stories, she does not like to tell you how to feel she instead leaves that up to the reader. Fink does place some hints of emotion just by writing the story alone. The interpretation of her works is left up to the reader. As you read through her stories some will find more emotion, some will find more logic, and some may see more ethics. At the moment, we will be looking more on the side of emotions within this story.
Senick, Gerard J., and Hedblad, Alan. Children’s Literature Review: Excerpts from Reviews, and Commentary on Books for Children and Young People (Volumes 14, 34, 35). Detroit, Michigan: Gale Research, 1995..
Fumiko’s story contributed to several of the story’s main themes. Like Hana and George, Fumiko demonstrates great persistence. Despite being constantly disappointed by the museums’ lack of information about Hana, Fumiko never gave up searching. Fumiko made it her mission to ensure the children of japan learnt about the holocaust. She refused to let the future generations forget history.
High school students in many American schools first read this book in an English class, which has been a staple for many schools. A required reading assignment exposes many more people to the book. Even though the book is considered to be a children’s book by many, it is still enjoyed by people of all ages.
Fumiko visited the Auschwitz Museum where she asked if them if they could loan her some objects that belonged to kids from the concentration camps. That’s when she got a hold of Hana’s suitcase and few other pieces of clothing’s. She had as well received a few photos of Hana drawings. Fumiko was really motivated to travel to Terezin to find more information on Hana’s suitcase. Their Fumiko visited the Terezin Ghetto museum where she finds a list of all the people that were imprisoned and that’s when she notice George Brady name and she linked it with Hana Brady. Later on Fumiko finds more information on George through a friend who tells her George is still alive and living in Toronto, Canada. Later on Fumiko then carefully drafts a letter about how she came across Hana’s suitcase and sends him copies of everything she had found. A few months later George responds to Fumiko letter and sends her photos of Hana and his family. Later on George goes to visit Tokyo with his daughter Lara Hana where they first see Hana’s suitcase. In the end Fumiko and George end up doing a CBC broad cast, write a book about Hana’s suitcase and winning multiple awards from a Gemini Award to university
At first, the four main characters are all nameless but with the appellation---the father, the son, the daughter and the mother. Generally speaking, if authors want their writings to be understood easily, they always choose to set names for the characters, which also can avoid confusion. But in this novel, the author must mean to express a special meaning through the nameless main characters. On one hand, it is thought that the experiences of this nameless Japanese American family is not a single example but the epitome of what all Japanese American encountered at that time. Nearly 120,000 Japanese American were taken from their homes in the spring and early summer of 1942 and incarcerated in concentration camps by the United States government.(Roger Daniels, 3) On the other hand, what is more significant, the namelessness of the characters also indicates the loss of their identities. Because they are Japanese Ameican, they are different from the real American natives in their habits, w...
Both of these stories served as mile markers in the history of children's literature, and marked turning points in our Society. For the first time, children were allowed to think freely, and learn. They independently formed their own thoughts on life, God, and many of the other highly regulated aspects of their society. Until this time most of the children were taught to think as their parents or feel the wrath of vengeful and often cruel God.
Vandergrift, Kay E. Vandergrift's Children's Literature Page. 11 Oct 2002. The State University of New Jersey. 1 Nov 2002.
As we ponder over our reading experiences as children, almost every American will remember reading Charlotte's Web by E.B. White. How we read as children and how we read as adults is not at all the same. One might state children read for the pleasure of the story and adults simply read too much into the given text. However, one must realize the images being portrayed to our children. How could a story about a pig and a spider relay unwanted messages to our children? It is important to remark how social guidelines are presented in this text. The most obvious is the assignment of gender roles to the characters Not only does this affect the human characters in the story, but it also affects the farm life. The other social guideline found in this text is the barnyard society. This society can in turn represent our human society. These two guidelines of society are taught unknowingly to our children through this story. What is perhaps the most surprising is how little attitudes have changed. This book was originally published in 1952 and these stereotypes still exist in our society forty five years later.
Literature has been part of society since pen met paper. It has recorded history, retold fables, and entertained adults for centuries. Literature intended for children, however, is a recent development. Though children’s literature is young, the texts can be separated into two categories by age. The exact splitting point is debatable, but as technology revolutionized in the mid-twentieth century is the dividing point between classic and contemporary. Today’s children’s literature is extraordinarily different from the classics that it evolved from, but yet as classic was transformed into modern, the literature kept many common features.