Trust and honesty make up a marriage and shared experiences and secrets help to construct the belief that marriage unites two people in a unique way. In the elizabethan era to move up the socioeconomic ladder women marry up and the way to continue to move up, the couple functions as a team. To effectively work as a team couples must speak honestly with one another in matters, objectifying every word, feature, and motion of their mate. In William Shakespeare’s Elizabethan tragedy, Macbeth, Shakespeare emphasizes trust and honesty through the motif of marriage to recognize that people 's’ trust and honesty allows for exposure of their faults.
Closeness in marriage allows for faults to appear and truths to reveal themselves. Shakespeare writes
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Lady Macbeth tells Macbeth his faults so that he may correct them. After Lady Macbeth read the letter from Macbeth she says to herself, “Glamis thou art, and Cawdor and shalt be What thou art promised. Yet do I fear thy nature; It is too full o’ human kindness…” (I.V.15-17). Shakespeare chooses to make Macbeth sound sensible. Stating Macbeth is “full o’ human kindness” defines Macbeth as a person who cares (I.V.17). Shakespeare writes of Macbeth as a ruler with heart who cares, but presents it as Lady Macbeth stating Lady Macbeth tells Macbeth his faults so that he may correct them. Shakespeare makes Lady Macbeth out as a wife unblinded by the fact that Macbeth and her share a name; Lady Macbeth sees Macbeth and all of his flaws. As Shakespeare characterizes Lady Macbeth he chooses to create a strong-willed woman who wants to take hold of her marriage and does so by telling Macbeth his faults and how to improve upon them to further herself. After Macbeth changes his mind on killing more to rise to power, Lady Macbeth asks him, “Was the hope drunk Wherein you dressed yourself? Hath it slept since?” (I.VII.39-0) To question if he has left his dream of gaining all potential power and given up. Shakespeare intended to question whether or not Macbeth makes the noble choice by questioning him through Lady Macbeth. Shakespeare means to characterize Lady Macbeth as a wife who craves power by having her ask her husband to reconsider not going through with killing those in power for a rise of their
Shakespeare's play "Macbeth" is considered one of his great tragedies. The play fully uses plot, character, setting, atmosphere, diction and imagery to create a compelling drama. The general setting of Macbeth is tenth and eleventh century Scotland. The play is about a once loyal and trusted noble of Scotland who, after a meeting with three witches, becomes ambitious and plans the murder of the king. After doing so and claiming the throne, he faces the other nobles of Scotland who try to stop him. In the play, Macbeth faces an internal conflict with his opposing decisions. On one hand, he has to decide of he is to assassinate the king in order to claim his throne. This would result in his death for treason if he is caught, and he would also have to kill his friend. On the other hand, if he is to not kill him, he may never realize his ambitious dreams of ruling Scotland. Another of his internal struggles is his decision of killing his friend Banquo. After hiring murderers to kill him, Macbeth begins to see Banquo's ghost which drives him crazy, possibly a result of his guilty conscience. Macbeth's external conflict is with Macduff and his forces trying to avenge the king and end Macbeth's reign over Scotland. One specific motif is considered the major theme, which represents the overall atmosphere throughout the play. This motif is "fair is foul and foul is fair."
" 'As Marriage Binds, and Blood Breaks': English Marriage and Shakespeare" Shakespeare Quarterly 30, (1979):
We are first introduced to Lady Macbeth at the beginning of Act 1, scene 5, through the letter that Macbeth sends her. This shows her to be his, ‘dearest partner of greatness’ and that he has no secrets from her. The witches’ prophecies intensify her ambitions for her husband, to be the King of Scotland. Lady Macbeth is the one who encourages him to kill the king and she not only encourages him, she makes all the plans herself. We see how clever she is and how she understands her husband well, she knows he has great ambitions, but she also knows that he is honourable and mentally weak:
Fate cannot predict a person’s character. Every human must choose to embody benevolence or malevolence. It is an important decision, which external factors greatly influence. This point is addressed by Shakespeare in his drama, Macbeth. The character, Lady Macbeth develops sincerity as a result of her husband’s corruption. Deciding between what is foul and what is fair is an overarching theme in the play, and the main characters continually shape their identities through these decisions. Shakespeare tells the story of a married couple, the Macbeths, who are the newly appointed monarchy of Scotland. The Macbeths have very distinct personalities, at first Lady Macbeth is ruthless and Macbeth is rational. As the play progresses, Macbeth turns
Honesty and bravery is the noble Macbeth, no sign of distrust but mainly trustworthy, Lady Macbeth is concerned that he’s soft and spineless. After reading the note that she received from him, on how the witches do not believe he has what it takes to king. Lady Macbeth believing the fact the witches are right, that her husband has no guts whatsoever in being the king. She then wants to encourage him to kill King Duncan but still be seen as noble and good. Lady Macbeth being so concern explaining to her husband what he must do in order to the throne of being king.
We start to see Lady Macbeth’s actions have a huge impact on Macbeth’s character as he transforms from a decent being to an overly bitter creature. The cause of his alteration is due to the fact that Lady Macbeth is constantly excreting heartless information into his mind. "Art thou afeard to be the same in thine own act and valour as thou art in desire?" (I;vii;39-41) "And, to be more than what you were, you would be so much more the man." (I;vii;50-51) Lady Macbeth uses these quotes to push her husband beyond limits and is therefore responsible for his dramatic change in attitude. She is constantly feeding his thoughts with negative comments and later on Macbeth realizes that he has another side to him. As he moves along to discover the concealed side of him, Macbeth falls in love with himself and begins to be drawn towards his evil desires. Because Lady Macbeth was the main cause of his new hidden discovery, she is fully responsible for opening up the door and letting the darkness in. This results in Macbeth committing both murders.
At the beginning of the play, Macbeth is a trusted soldier, who is honest and noble. Unfortunately, he meets three witches who tell him three prophecies; that he will become thane of Cawdor, that he will become king and that Banquo’s sons will become kings. These three prophecies slowly change his opinions on life and turn him into a greedy, dishonest, tyrant, full of ambition. Lady Macbeth’s thoughts change as well when she is told about the three prophecies that were told to Macbeth. In the beginning of the play, Lady Macbeth is ambitious, controlling and domineering. She is the one who encourages him to kill the king, she not only encourages him, she makes all the plans herself, which shows her determination and persistence."Yet I do fear thy nature, it is too full o’th milk of human kindness. To catch the nearest way thou wouldst be great. Art not without ambition, but without the illness should attend it." (Act 1, scene 5). Lady Macbeth is the force behind Macbeth’s sudden ambition and she tries to manipulate him into feeling guilty and unmanly for not following through with the murder, by using her husbands emotions, she manages to convince Macbeth to murder Duncan.
Lady Macbeth takes the role of the dominant partner in the beginning of the play, by acting as the real power behind the throne. For example, it is easily recognized that Macbeth and Lady Macbeth are opposite in many ways (Scott 236). He is weak, indecisive, and takes on the traditional female role of the marriage; she is strong, decisive, and takes on the traditional male role. One place in the play where Macbeth’s character is shown is Act I, Scene 5, Lines 15-17. She says, “Glamis thou art, and Cawdor, and shalt be / What thou art promis’d : yet do I fear thy nature / Is too full o’ the milk of human kindness.” This is just after Lady Macbeth receives the letter from Macbeth. It is also important to notice that when Macbeth’s first thoughts of killing Duncan appear, he is scared. After he commits the murder, Macbeth says, “To know my deed, ‘twere best not know myself ” ( 2. 2. 72 ). Knowing that he has committed such a vile act makes him uncomfortable. It will be difficult to act innocent and deal with his guilt.
Macbeth tells himself to act like a man in the following lines: “Prithee, peace! / I dare do all that may become a man; / Who dares do more is none” (I, vii, 45-47). This quote by Macbeth shows how he wants to be a man by killing King Duncan, but he does not think this would be an act of righteousness. Macbeth is in a controversy with himself in this situation. If he does not kill the king then his wife, Lady Macbeth, will not think he is a man, but if he does kill the king then he will betray his leader’s trust in him. Betrayal would not be seen as an act of manliness. Jarold Ramsey explains the situation in the following sentence: “And, striking more ruthlessly at him, she scornfully implies that his very sexuality will be called into question in her eyes if he refuses the regicide” (288). This quote by Jarold Ramsey explains how Macbeth’s manliness will be determined in the eyes of Lady Macbeth when he makes his decision on whether or not he will kill the king. Lady Macbeth shows her desire of being queen in the following lines: “What beast was’t then / That made you break this enterprise to me? /When you durst do it, then you were a man” (I, vii, 47-49). This quote shows how she wants Macbeth to kill the king. In this situation Macbeth tells himself to be a man and kill the king to please Lady Macbeth. Maria Howell exp...
After Lady Macbeth reads his letter and Macbeth arrives home, she is excited about becoming queen. She asks Macbeth when King Duncan is to be arriving and tells Macbeth to leave the plan up to her, his only job being that he has to look innocent and hide their true intentions. Macbeth seems to be stunned and nervous, telling his wife that they will talk later when she begins to tell him of her plan. In the seventh scene, at the castle, Macbeth speaks of the intense guilt he is feeling even before he is to kill Duncan; “… this even-handed justice/ Commends the ingredients of our poisoned/ Chalice to our own lips…” (1. 7. 10-12) (Shakespeare), “… He’s here in double trust…” (1. 7. 12) (Shakespeare), “… Besides, this Duncan/ Hath borne his faculties so meek, hath been/ So clear in his great office…” (1. 7. 17-19)(Shakespeare) all express Macbeth’s discomfort with murdering Duncan to steal the throne. Not only does he convey these emotions during this monologue, but he does so when Lady Macbeth enters the room, saying “We will proceed no further in this business./ He hath honored me of late, and I have bought/ Golden opinions from all sorts of people…” (1. 7. 32-34) (Shakespeare). To respond to this, Lady Macbeth does what she does best: emasculating her husband. She first articulates her questioning of his manhood after she reads Macbeth’s letter in the first act when she says “Yet do I fear thy nature;/ It is too full o’ th’ milk of human kindness…” (1. 5. 2-3) (Shakespeare), which contrasts with the heroic description the dying Captain gives of Macbeth in the opening scene. After Macbeth tells his wife that he is calling off the plan to kill King Duncan, she
Lady Macbeth negatively guides lots of Macbeth’s behaviour, for instance, when Macbeth hesitates to commit murder, she repeatedly questions his manhood until he feels that he has to do it to prove himself as the man that Lady Macbeth always mentioned; it is also one of the reasons that lead to Macbeth’s downfall, as well as the deaths of the other innocent characters in the text. “[Macbeth does] Like the poor cat i' th' adage? ”(1.7.46) says Lady Macbeth, when Macbeth is hesitating whether kill Duncan or not while he’s in Macbeth’s castle. Lady Macbeth describes Macbeth as a poor cat from old stories to satire Macbeth’s indecision. She degrades Macbeth’s manhood as he doesn’t have the dare to act the way he desires, to pursue the power and glory that he wants. Macbeth replies that he only dares to do what is proper for a man to do. However later in the text, Macbeth’s actions go crazy, he cares his family no more, as well as his friends and subordinates. Lady Macbeth seems to know that she needs to push Macbeth into committing murder, or Macbeth will just let nature take its course. At some points, she wishes that she was not a woman so that she could do the things that man could do by herself, such as the murder, so she won’t see Macbeth lacks in the power of decision and his overtaken by misgivings and fear. In addition, Julia encourages
It is well known that Shakespeare’s comedies contain many marriages, some arranged, some spontaneous. During Queen Elizabeth's time, it was considered foolish to marry for love. However, in Shakespeare’s plays, people often marry for love. With a closer look into two of his most famous plays As You Like It and Twelfth Night or What You Will, I found that while marriages are defined and approached differently in these two plays, Shakespeare’s attitudes toward love in both plays share similarities. The marriages in As You Like It’s conform to social expectation, while the marriages are more rebellious in Twelfth Night. Love, in both plays, was defined as
Lady Macbeth is a very loving wife to Macbeth and she wants to do anything she can for him to achieve his goals. She just takes it a little too far, and she puts too much pressure on Macbeth to commit crimes that he is not sure he wants to do. After Macbeth sends her a letter about the witches’ premonitions, Lady Macbeth is no longer the sweet innocent lady we expect her to be. She turns into a person who is just as ambitious as her husband and she wants to do whatever it takes to help him get Duncan out of the way. She even goes to the point of calling Macbeth a coward, and mocking his bravery when he fails to complete the job. She is even willing to do it herself (plant the bloody knife with the guard). Lady Macbeth is constantly putting the pressure on Macbeth to do things that he is not sure about. She almost turns into a bully who dares Macbeth to go out and do evil things. She even says in a soliloquy that she wants to be released of all her morals and values so that she can help him commit these crimes.
During the Elizabethan era, a woman did not have any say in the relationship with her husband, but Shakespeare’s Macbeth changes this accepted theory. Lady Macbeth is a woman ahead of her time; she is caught between today’s ambitious, powerful woman and a fragile, powerless creature of the Elizabethan era. At the beginning of this tragedy, she is vicious, overly ambitious, without conscience, and willing to do whatever it takes to get what she wants. As Macbeth becomes less dependent on his wife, Lady Macbeth loses control of her husband, but mostly of herself. She is so wrapped up in the greedy world Shakespeare creates that she fails to consider the consequences of her actions more realistically. Lady Macbeth lives as if she is a woman ahead of her tiime, but she dies like she is from the “golden age of drama”.
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass