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Rape in literature
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The current mistreatment of rape on Game of Thrones (2011) encourages damaging rape stereotypes. Rape in fantasy setting is nothing new. If anything, it is the norm. Most fantasy settings are loosely based on the Middle Ages, in which rape was prevalent. Some writers even claim it would be "dishonest" to not show rape in their stories. (Hibberd & Martin, 2015, para. 7) There is nothing outright wrong with portraying rape, but it is becoming increasingly common to simply include rape for shock value, and then moving on with no real consequences.
Many medieval fantasy settings include rape. Video game series such as Dragon Age (2009) and The Witcher (2007) include quests of the protagonist saving women from being raped. The Fionavar Tapestry (Kay, 1995) novels include a woman being raped by a shapeshifter who takes the form of her father, priest, and her past
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The answer is simple, as explained by Casey Cipriani from IndieWire; "Sexual violence is very, very real. You don 't go about your day expecting to be beheaded, but the reality is that it 's not only possible but likely that a woman will be or has been raped in her lifetime." (2015, para. 15) A rape victim watching a brutal rape on television can be triggered, having the memories of their past brought back for them, making them relive the traumatic experience.
Sexual violence in fantasy, especially a television program as high profile as Game of Thrones, can have damaging effects on society when portrayed poorly. In America it is estimated there are 293,000 victims of sexual assault each year. (RAINN) Game of Thrones not only risks making a portion of their viewers relive a traumatic experience simply for shock value, but in it 's repeated misuse of the sensitive topic it is encouraging rape stereotypes and desensitizes society to an issue that is already largely
Schneider L, Mori L, Lambert P, Wong A. The Role of Gender and Ethnicity in Perceptions of Rape and Its Aftereffects. Sex Roles [serial on the Internet]. (2009, Mar), [cited March 16, 2014]; 60(5/6): 410-421. Available from: SocINDEX with Full Text.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
The roles of women was an issue in medieval times and in The Canterbury Tales. In A Knight 's Tale, the women were portrayed as objects. To men they didn 't mean much. Women for them were there to help only when needed and didn 't hold an important role in society. Women were treated differently and had not much of importance.
He wanted to reminisce in the videos as it would bring him sexual arousal. This article highlights how women are subjected to sexual violence and abuse from men, many theories have had further development to attempt to create reasoning behind these types of behaviours.
According to the article “Statistics on Women Offenders,” Leonard A Sipes Jr. stated that “6 out of 10 women in prison have experienced physical or sexual abuse in the past. Approximately 69 percent of these assaults occurred before the age of 18” (corrections). Statistics from 2013 show that over 37% of female offenders are raped before going to prison. In the documentary, one female offender in the “Women’s Wellness Program,” asks the other women in the group what made it okay for her stepfather to sexual molest her at the age of 11. She also stated every time she replayed the incident in her mind she becomes
“What is rape culture” is the question that has been repeatedly asked since its emergence in the 1970s. From our lecture, we have learned that the thing about Rape Culture is that it doesn’t have just one definition, but the simplest way to define it may be to say that rape culture is the society that accepts and even promotes sexual violence in one form or another. This includes, TV shows that make rape look sexy; you know the kind: guy pushes girl down, throws open her blouse, exposing her breasts, and even though she is saying no, everyone watching is saying yes. Rape culture is when a college student goes to their Dean and tells them they have been raped, and the first question the Dean ask is “what were you wearing?” Rape culture is saying “that exam just raped me” instead of “that exam was hard”. Rape culture is the most popular, catchy songs these days have lyrics like “I know you want it”. Rape culture is the party girl image, the “she was asking for it”, the “boys will be boys”, the slut shaming, the victim blaming, and the most concerning, rape culture is denying the fact that sexual assault is a problem in today’s society. One in six women and one in thirty-three men will be sexually assaulted in their lifetime. In the United States alone, that
Fairy Tales have been around for generations and generations. Our parents have told us these stories and we will eventually pass them down to ours. In this time of age the most common fairytales are Cinderella, Snow White, Sleeping Beauty, Beauty and The Beast and many more. Children idolize their favorite character and pretend to be them by mimicking everything they do in the stories. The character’s behavior is what is viewed as appropriate in society. These fairy tales show a girl and a boy fall in love and live “happily ever after”. The tales in many people’s eyes resemble a dream life that they would want to have of their own. However, have you ever really looked at what makes up a fairy tale? Many things are unrealistic but the most unflattering aspect of these tales is how women are depicted in them. Fairy tales give an unrealistic view to how women should look and behave in real life.
According to Marshall University, Rape Culture is defined as “an environment in which rape is prevalent and in which sexual violence against women is normalized and excused in media and popular culture.” In American society, it is not hard to find examples of rape culture. In popular movies, music, and current events there is an undeniable notion of victim blaming, and sympathizing with male perpetrators. People have begun to use the term rape as a casual adjective. For example “I just raped him in that game,” could be used to describe two people playing a game and one winning easily against the other. American society uses pop culture and current events to promote and justify the prominent rape culture.
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
Rape has long been considered as one of the worst of crimes, but for centuries it was handled without much care for the victim. It used to be thought of as more of a harm against the man, husband or father, instead of something against the woman. In the past, some rapists were punished severely while others were not. This typically depended a great deal on the social status of both the victim and the aggressor (Karmen, 2010). For example, in biblical times, a man could be sentenced to death for the rape of a virgin, but a married woman who was raped could be sentenced to death for enticing the rape. In medieval times, a man might steal a young woman from a wealthy family in order to force her to marry him and thus give him better status, and during the time of feudalism, only the rape of a noble woman was a crime (Karmen).
Traditional sex scripts of men and women create for a rape-supportive culture (Check & Malamuth, 1983). Rape is a logical extension of our sex role socialization process that legitimized coercive sexuality. Through these scripts men are taught to take initiative and persist attempts of sexual intimacy. Traits of dominance, aggression and violence are idolized (Martin, Taft & Resick, 2007). Women, on the other hand, are taught to not indicate their sexual interest or engage freely in sexuality. They should possess qualities of being passive, submissive and sexual gatekeepers (Martin, Taft & Resick, 2007).
The society we live in is rape-conducive, rape-friendly, if you will. Despite the anger I feel joining those two words together, I know the sad paradox holds within it a great deal of truth. We are a violent society that has shrouded rape in mystery and shame. To stop this nightmare’s venomous crusades, all people must wage a private war to eradicate their own acceptance of the savage crime. While it is only a minority of men that actually commit rape, it is everyone’s silence that tells them it’s ok.
Bayley, Alex. "Rape Culture." Geek Feminism Wiki. Wikia, 9 June 2009. Web. 24 Apr. 2014. .
On the surface, The Rape of the Lock is a retelling of an episode that caused a feud between two families in the form of an epic. One might believe that in his version, Alexander Pope portrayed the women of the story as shallow, vain little girls, however on a deeper level the women are crucial to the story. Aside from not being as helpless as they appear, each woman possesses a different kind of power that contributes to their character greatly. Rather than being the conceited and shallow figures expected of the time period, the women in The Rape of the Lock posses more power than meets the eye.