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Music in film essay paper
Communication through cinema
Importance of music in film and tv
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Music has become a common language in film in the twentieth century. It has become the lingua franca of films. Scholars working on this topic find it challenging to explore some aspects of film music for several reasons. One main reason is that films (images and sound) are interdisciplinary by nature, posing challenges for the scholars. Despite visuals and auditory means evident in films, scholars do not adequately examine the two means as they work with each other. This could be partly due to the fact that film is largely seen as a visual medium (film music in minor page 8). Music in film is often viewed as subordinate to the visuals. Marlyn Boltz addresses the interaction between the two media and this reveals great potential in this field, …show more content…
It seems like music in these films has been frozen for the past decade or so. Developments in film music have been “winding down” (fb link tonks). Tonks believes that too many cooks have spoiled the broth as there have been a vast amount of film composers in the last decade but very few have been actually influential. The classical Hollywood style is still the main model for film productions. Research in this area is duly required as it could potentially act as an impetus for composers to broaden their horizons in terms of composition. Linked with this is the issue Julie Brown brings up- many analyse the score for a film on its own (in a symphonic manner). However film music is not necessarily concert music. This ties in with the some points I have made thus far (regarding film music analysis and the lack of development in film music). A common language between music theory and film theory needs to be developed as we have reached a standstill. Debuek. Sometimes it is hard to even access the score for some films, which inevitably makes research harder. However important access is, one must also be able to properly interpret and analyse film music scores, for they are different than concert music. (A Research Guide to Film and Television Music in the United
In this film, John Williams revived the technique of using leitmotif –a recurring musical theme or melody associated with a particular person, place, object, or idea that is “characterized by a single harmonic or rhythmic trait” (Brown 15). In films, leitmotifs are melodies or musical phrases inserted into a specific character’s music background specified. It was originally developed by Richard Wagner and commonly used in his¬¬ operas during the Golden Age. These are used by film music composers
The film elects to use a soundtrack comprised of only popular music from the 1970s. Frith writes, “The sociologist of contemporary popular music is faced with a body of songs, records, stars and styles which exists because of a series of decisions, made by both producers and consumers, about what is a successful sound” (Frith, 134). I reference this quote because it is important to note that this film was released in 1993. The people who are responsible for choosing the soundtrack have the luxury of knowing what music is able to ...
With all the social, political and cultural changes occurring in the 1960s, youth culture was embracing the ideologies of rebellion and counterculture. The Folk music of the sixties was giving way to the new Rock revolution and with this came the iconic Rock Rebel. The Rock Rebel is a romanticized existential figure who revolts against social conventions in a quest to find value or a sense of freedom beyond the pre-existing conforms of society. (Camus; 1967) Through analysing, in a sociological context, the way the music industry utilized film to help create or reinvent star image of Rock icons The Beatles and The Rolling Stones, we can see how the signifier of the Rock Rebel has evolved with the developing Rock culture. (Dyer; 1979:1)
The films musical score alerts the viewer to an approaching attack of the shark and they automatically build this association with the music in their mind. Horror films often make use of high string instrument notes that irritate viewers and increase tension. Music plays an important role in film editing and the editor must choose its placement wisely to ensure its intended effect on the viewer’s mind and
the film, and talks to the director about what sort of music (styles, themes, etc.) should be used — this process is called "spotting.". The director might even have a “temp score”(a score of pieced ol...
Elizabeth Weis, John Belton (1985) Theory and Practice Film Sound, New York: Columbia University Press, pp 346.
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions
After listening to all four movements of Beethoven’s Symphony No. 5 in C minor, I have suddenly been awakened to the tremendous influence that the Classical Form of music has had on modern day works, especially in the area of the film industry which it is used to create drama, tension, and joy. History owes a debt of gratitude to composers such as Ludwig van Beethoven, who build upon the legacy of pioneers such as Joseph Haydn and Wolfgang Amadeus Mozart to create his own unique blend of symphonic compositions which will be revered throughout generations because of their continued appeal to the
For this essay I will be looking at the work of Hans Zimmer to discuss how music in film engages the viewer and evokes emotion and pulls the viewer toward the film. Hans Zimmer is a German born music composer. Hans Zimmer’s love of music stems from his childhood when he learned how to play various instruments. Before Zimmer began composing music for films he was in a well-known band. The band was called The Buggles whom were famous for their song Video Killed the Radio Star. After the Buggles Zimmer played in other bands but never had another hit. As Zimmer has progressed as a film composer so has his list of nominations and awards. Zimmer has won 4 Grammy Awards and 2 Golden Globes and many more for his outstanding film scores. The reason I chose to write this essay on Zimmer was that his genres and music score are extremely versatile ranging from animations to comedy to dark thrillers. This is important to highlight as it shows Zimmer can create almost any atmosphere with his music whether it be sad or creating tension that all cause us to engage with the film. Zimmer's use of themes and introduction of different instruments allowed him to create these wonderful engaging film score. In this essay I will look at three films by Hans Zimmer these are The Holiday Rush and Rain Man.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
In film music, composers use compositional techniques to control, manipulate and alter the objectives and foundation of a story, improving the development of characters, emotions or initiating subtext in film. The job of creating music for film has taken different forms, but as film production and technology changes and improves, the process of scoring music for films has been taken to a high standard of work, involving a strenuous and careful process to provide the film 's objectives to reach their potential. The process involves a set of guidelines a composer must work within in order to create music for film, although aside from those guidelines, composers now strive to rediscover and rework creative new forms of compositional techniques
Sound is what brings movies to life, but, not many viewers really notice. A film can be shot with mediocre quality, but, can be intriguing if it has the most effective foley, sound effects, underscore, etc. Sound in movies band together and unfold the meaning of the scenes. When actors are speaking, the dialogue can bring emotion to the audience, or, it can be used as the ambient sound. Music is one of the main things to have when filmmaking. The use of Claudia Gorbman’s Seven Principles of Composition, Mixing and Editing in Classical Film gives audiences a perspective of sound, and, how it can have an impact on them.
Chapter 16 discusses the importance of music in cult films and the different genres of movies that use the soundtrack as an additional facet of the film. Cult rock movies according to the author are a perfect example of this. Films such as The Wall, The Song Remains the Same and Quadrophenia rely on the music to make the movie. The story in these films is secondary to the music which severely limits the audience who may find the movie interesting. The target audiences for rock movies are the fans of the band or music, any additional viewers that are picked up along the way is a bonus. The musical genre of cult films found itself as part of a strange niche. The Rocky Horror Picture Show known for its spontaneity and audience participation according
Sound is important in film and how it is used to drive a narrative progression. I will analyse how and why in this essay. Covering the history of sound in films and the essential component it plays in the film industry.
The importance of music in movies is highly regarded for manipulating the viewer’s emotions and helping them immerse into the story. Music is one of the prime elements in cinema. Without it a movie would feel dull and unexciting. There are three elements in a movie: one is acting, the second is picture, and the third one is music. It is a holy trinity; if incomplete, there would be a lack of sensation and excitement. Both acting and picture can stand independently from one another, but music is the one that makes the movie memorable.