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What role has religion played in art
Effects of religion on art essay
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To begin with, reputation is a multifaceted and complicated notion, chiefly because it lays open to the others’ dogmas. And in addition, because it is not an clear evidence on the negative or the positive view of the others. In fact, most of the famous celebrities are compelled to deal with such complexity of reputation. We can recall for example, Johannes Vermeer, whose history was explaining this idea perfectly. Johannes Vermeer (1632 – December 1675) was a Dutch golden-age painter, his paintings include “Girl Asleep at the Table.", "Little Street", "View of Delft.", and the most supreme ; "Girl With A Pearl Erring". Generally, his artworks remained a source for creativeness and inspiration for many centuries. However, they were a source for doubts and questions too. This paper evokes his …show more content…
Similarly, this paper displays the effect of historical evidences and social norms on shaping Vermeer’s reputation, and the relation between views of tradition and innovation and Vermeer‘s artworks and reputation. Being born in Delft was one of the most influencing factors on his art. At this period of time, Delft was under Spanish rule, and that consequently effected on many artists. Who found themselves enforced to create their paintings in agreement with Christian morals, so, most of their paintings focused on painting the city, and local surroundings. Vermeer himself, was influenced by his Protestant identity. Protestantism in general respects daily-life images and the ordinary aspects of domestic life. For that reason Vermeer’s art concentered mainly on the beauty of mundane life. Based on this, Vermeer was a realist artist, that appears in his use of the black and white floors in some of his paintings.( Arasse, Daniel, 1996) The Dutch society as well influenced on Vermeer’s art, because it gave high level of esteem to the homogenized domesticity. That interest in those scenes, reflected on Vermeer’s paintings. Last but not least, Vermeer was mostly influenced
At first glance, each of the paintings look simply like a nice scene, with no historical role at play behind it. Again, this could not be further from the truth. The third painting that Brook shows us, is “Young Woman Reading a Letter at an Open Window”. The key element in this painting is the dish of fruit beneath the woman. This dish was was painted when the Chinese porcelain was taking its place in the Dutch’s life. The first porcelain dish to reach Europe amazed everyone, because of the attention to detail, quality, and fanciness that it possessed. The Portuguese were the first Europeans to acquire this delicacy. From there, it went to south of China, where it was negotiated with Chinese wholesalers for more of this porcelain. The route that porcelain took was crucial to commerce worldwide, so the Dutch wanted to get into it. After this, porcelain only increased in popularity and expanded trade around the world and soon, the most successful emerging business was the porters of Delft. Porcelain dishes were more than just breathtaking. Brook, himself, points out that they were a symbol of the Dutch positive relation to the world outside and the overcoming of challenges. Without porcelain reaching its supreme popularity in Delft, many trade routes around the world would not have been
Regardless of taste, an appreciator of art should be able to recognize when an artist exerts a large amount of effort and expresses a great amount of creativity. Understanding the concepts incorporated by truly talented artists helps the viewer better understand art in general. Both Van Eyck and Velasquez are examples of artists that stood out in their time due to their unique vision and their innovative style, and are therefore remembered, recognized, and praised even centuries after their works were completed.
Ultimately, it can be seen that all artists are influenced or incorporate issues and events of their time in their works, whether this is from the desire to portray Greek perfection to that of religious beliefs and the creation of the camera. To become renowned like Polykleitos, Michelangelo and Pablo Picasso, this statement must be followed.
People can have many different opinions depending on a topic, but what is truly difficult is getting a complete level of understanding from every opinion, or understanding the point of view of each opinion. Even accepting the points of view can be difficult for some people, who believe that their opinions are right. Luckily, people can learn about the other person’s frame of reference, and at the very least understand the topic or the person a little better. This particular topic is art, which is known for its multiple possible perceptions or its many different messages that it can send a person or group of people. In this way, people can learn more about the thought processes and feelings of others. Unfortunately, with differing opinions,
In existential thought it is often questioned who decides what is right and what is wrong. Our everyday beliefs based on the assumption that not everything we are told may be true. This questioning has given light to the subjective perspective. This means that there is a lack of a singular view that is entirely devoid of predetermined values. These predetermined values are instilled upon society by various sources such as family to the media. On a societal level this has given rise to the philosophy of social hype. The idea of hype lies in society as the valuation of something purely off someone or some group of people valuing it. Hype has become one of the main driving forces behind what society considers to be good art and how successful artists can become while being the main component that leads to a wide spread belief, followed by its integration into subjective views. Its presence in the art world propagates trends, fads, and limits what we find to be good art. Our subjective outlook on art is powered by society’s feedback upon itself. The art world, high and low, is exploited by this social construction. Even when objective critique is the goal subjective remnants can still seep through and influence an opinion. Subjective thought in the art world has been self perpetuated through regulated museums, idolization of the author, and general social construction because of hype.
The article Artists Mythologies and Media Genius, Madness and Art History (1980) by Griselda Pollock is a forty page essay where Pollock (1980), argues and explains her views on the crucial question, "how art history works" (Pollock, 1980, p.57). She emphasizes that there should be changes to the practice of art history and uses Van Gogh as a major example in her study. Her thesis is to prove that the meaning behind artworks should not be restricted only to the artist who creates it, but also to realize what kind of economical, financial, social situation the artist may have been in to influence the subject that is used. (Pollock, 1980, pg. 57) She explains her views through this thesis and further develops this idea by engaging in scholarly debates with art historians and researcher, and objecting to how they claim there is a general state of how art is read. She structures her paragraphs in ways that allows her to present different kinds of evidences from a variety sources while using a formal yet persuasive tone of voice to get her point across to the reader.
Goldwater, Robert and Marco Treves (eds.). Artists on Art: from the XIV to the XX Century. New York: Pantheon Books, 1945.
In the article “Conditions of Trade,” Michael Baxandall explains the interaction serving of both fifteenth- century Italian painting and text on how the interpretation of social history from the style of pictures in a historical period, pre-eminently examine the early Renaissance painting. Baxandall looks not only on the explanation of how the style of painting is reflected in a society, but also engages in the visual skills and habits that develop out of daily life. The author examines the central focus on markets, material visual practices, and the concept of the Renaissance period overlooking art as an institution. He observes a Renaissance painting, which relate the experience of activities such as preaching, dancing, and assessing. The author considers discussions of a wide variety of artistic painters, for instance, Filippo Lippi, Fra Angelico, Stefano di Giovanni, Sandro Botticelli, Luca Signorelli, and numerous others. He defines and exemplifies concepts used in contemporary critic of the painting, and in the assembled basic equipment needed to discover the fifteenth- century art. Therefore this introductory to the fifteenth- century Italian painting and arise behind the social history, argues that the two are interconnected and that the conditions of the time helped shape the distinctive elements in the artists painting style. Through the institutional authorization Baxandall looks at integration in social, cultural and visual evaluation in a way that shows not only the visual art in social construction, but how it plays a major role in social orders in many ways, from interaction to larger social structural orders.
“Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness.” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
Vermeer was a man of ingenuity, balance, and method. Balance and control was found in everything he did, from the paintings to the way he addressed others around him. I believe the reason he was so interested with Griet and her methods for cleaning was because he appreciated things being balanced and measured. In his paintings, Vermeer used balance and technique to bring everything together and that's why all of his final pieces were composed properly. I also believe that Vermeer admired Griet's keen eye for the balance of colors when she separated the vegetables the way she did. He also exhibits the constant need for control when he removes the presence of the easel's leg in one of his paintings. Vermeer also portrays being methodical
“Vasari's book offers his personal evaluation of the works of these artists, as well as discussions on the state of the arts. His easy, natural writing style helped to make his book one of the most enduring of art histories.”
For over two thousand years, various philosophers have questioned the influence of art in our society. They have used abstract reasoning, human emotions, and logic to go beyond this world in the search for answers about arts' existence. For philosophers, art was not viewed for its own beauty, but rather for the question of how art and artists can help make our society more stable for the next generation. Plato, a Greek philosopher who lived during 420-348 B.C. in Athens, and Aristotle, Plato’s student who argued against his beliefs, have no exceptions to the steps they had to take in order to understand the purpose of art and artists. Though these two philosophers made marvelous discoveries about the existence of art, artists, and aesthetic experience, Plato has made his works more controversial than Aristotle.
As Stephen becomes aware of his surroundings, his perception of art begins to change. In chapter two, the protagonist’s eager tone leads him to develop a different understanding of the qualities of art. The author makes a literary allusion to Alexander Dumas’ The Count of Monte Cr...
Art has had its roots, one may argue, when civilization was born. With each respective civilization and time periods from the past, humans have formed a diverse and unique society, a group of people with their own individual characteristics, cultures, as well as philosophies within which all kinds of differing ideas, thoughts and opinions are always brought upon for challenge and evaluation. These distinct aspects of a culture and/or time period may be recorded by people in varying forms of expression we all know as art. Directly from where culture had originated, events and/or emotions from that time period have been reflected or directly recorded in the arrangement of pictures i.e. paintings from the past which inform us about the people’s experiences and events in the past historical periods. Ultimately, History is the record of the development and how we have evolved as humans together in a society. History can be expressed and reflected in different kinds of music, sculptures, as well as paintings. There are several different periods of Art, each has contributed and reflected to how a society was. Art has been usually used by historians as one of the vehicles of history to illustrate and illuminate it as they are able to recognize that some types of art may be able to help them identify and explain the nature of societies and periods in history. Art and society have counteracted with each different type bringing forth new arts and new societies for many generations to come. Ideas have caused responses by citizens and therefore bring forth several different types of influences on a period’s background, heredity, and environments. These influences are then translated into new a idea, which then triggers the circle to repeat it...
Subsequent to the study of different philosophies of art, as well as completing projects asking for personal preference in art as well as objective “fine art,” a personal philosophy may, by necessity, include subjective and objective facets. In determining what fine art is, the quality of universality is important. There also does not have to be a traditional presentation of beauty for a work of art to be fine art. Contrary to R. G. Collingwood’s philosophy, for fine art the culture and setting in which art is created should not matter, because if art is universal and timeless, meaning endures outside of where and when it was created. Evaluation of art can be subjective, but fine art is universally appreciated regardless of understanding background,