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The theme of death in literature
Death theme in literature
The theme of death in literature
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In this passage, Ray Bradbury generates a mood of tension and extreme pressure that exists in stark contrast to the happy and carefree attitude that permeates the majority of the novel.
During the beginning paragraph, Bradbury compares aspects of the summer night to natural disasters, characterizing the heat that overwhelms the environment as uncontrollable and sinister. In the opening sentence, wind is personified as the creator of “dust ghosts” that haunt the sidewalks, suggesting that it is the natural elements that have the power to create turmoil. The tree is also personified and is said to incite “avalanches of dust.” Similarly, a volcano is described as “showering red-hot ashes everywhere.” The houses, on the other hand, are illustrated
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in a metaphor as “smoldering with spontaneous combustion.” Nature and its actions are unknown, or “spontaneous,” therefore, they are dominant. All of these instances portray nature as having authority over what occurs and bearing a strength unmatched by humans. Comparing heat to something as unpredictable and destructive as a natural disaster adds a new aspect of danger to the hot day. In the second paragraph of the excerpt, the use of mechanical and metal imagery alludes to the idea of machines being harmful. The alliteration calls special attention to color descriptions: “red bricks” turn “brass and gold” and “roof tops [are] paved with bronze.” In a metaphor, the “high-tension wires” above the houses are “lightning held forever.” In these two sentences, the metallic appearance of the neighborhood and the mechanical wires are characterized as extremely perilous. The wires are connected with a natural element, lightning, and then immediately afterwards deemed a “threat.” Not only are the machines assumed to be malevolent, but they are connected with nature, thus again portraying nature as a hazard. Parallel structure and cadence are used within the text to add to the theme of nature and its cycles. Catalogues utilizing parallel structure, such as the one describing the “dust ghosts,” lead the reader to believe that the heat is practically never ending, similar to how the sentences stretch on. The cadence in these same sentences creates a rhythm when reading that mimics the rhythms of nature and the seasons. The cicadas sing “louder and yet louder,” creating a never ending cycle that consistently intensifies just as the heat does. As the selection continues, tension builds as the climate becomes hotter and hotter.
Bradbury describes the heat in an effort to make it sound not only uncomfortable but unbearable. Metaphors and similes depict the lake as “a quantity of steam” and the air as “hot spring waters.” Words such as “baking” and “furnace” add to the illusion that the streets of Douglas’s neighborhood are literally being cooked and turned to liquid. Even the sun is at the mercy of the heat, and has “overflowed” instead of rising. All of these elements work together to form the image of a scorching hot day that builds tension for the reader. Near the end of the passage, the heat outside is brought inside to Douglas, who is a “bubbled mass of perspiration.” The usage of the word “bubbled” to describe Douglas and later the word “melted” connects Douglas to the earlier image of the streets practically boiling. The explanation of the intolerable heat and Douglas’s relation to it adds meaning to Douglas’s struggle with the concept of death and the pressure he feels upon himself. Just as the heat is destructive, the reality of death and the fact that everything has “changed” is devastating to Douglas. He has “melted” in the heat just as he has collapsed under the weight of
adulthood. Through the depiction of an insufferably hot summer’s day, Bradbury incites feelings of stress and expectations of crisis in the reader. This scene contrasts with the normally joyful and comfortable descriptions of summer weather within the rest of the novel.
While walking downtown with her girlfriend, the author describes as, “[her] heart began to skip every other beat, pounding, pounding, pounding … [as she stood] paralyzed like a frightened, little jackrabbit.” Repetition of the word “pounding” in the text develops a fast pace, indicating the urgency and panic felt by the author; terms such as paralyzed are utilized to emphasize the urgent, panicked mood. However, sanguine moods still persist throughout the narrative. For example, in the opening paragraph the author describes how she, “watch[ed] the golden dots of morning light glide across [her] ceiling, [and she] melted into a feeling of peace specific to the freedom of early summer.” Terms such as “golden,” “glide,” “peace,” and “early summer” help the reader detect a placid mood in the text, directing the reader towards the state of contentment the author feels surrounding her relationship. Mood differentiations in the text, from the urgency of the narrator’s walk downtown to the tranquil peace of the narrator’s relationship, indicate the contrasting aspects of the LGBT+ community, both in terms of the impending fear of violence, and the love that is the
"Every hour so many damn things in the sky! How in hell did those bombers get up there every single second of our lives! Why doesn't someone want to talk about it? We've started and won two atomic wars since 1960. Is it because we're having so much fun at home we've forgotten the world? Is it because we're so rich and the rest of the world's so poor and we just don't care if they are? I've heard rumors; the world is starving, but we're well-fed. Is it true, the world works hard and we play? Is that why we're hated so much? I've heard the rumors about hate, too, once in a long while, over the years. Do you know why? I don't, that's sure! Maybe the books can get us half out of the cave. They just might stop us from making the same damn insane mistakes! I don't hear those idiot bastards in your parlor talking about it. God, Millie, don't you see? An hour a day, two hours, with these books, and maybe..." (Bradbury ). This quote shows that he is starting to realize and start to care about how many bomers are in the sky. It has caught his attention that he is paying more attention to the little things that he has not noticed
I think the main idea the narrators is trying to emphasize is the theme of opposition between the chaotic world and the human need for community with a series of opposing images, especially darkness and light. The narrator repeatedly associates light with the desire to clear or give form to the needs and passions, which arise out of inner darkness. He also opposes light as an idea of order to darkness in the world, the chaos that adults endure, but of which they normally cannot speak to children.
...o exploit the imperfections of the human mind and the impurities that cause them. Bradbury may not have explicitly stated the preceding; however, he allowed for his audience to pick these ideals up with his objective rhetorical strategies. Hence, Bradbury broke the barrier between literature and real life by allowing the reader to reflect on their humanity and acknowledge the imperfections that arise from such an existence, thus strengthening their awareness of human limitations.
The tone is set in this chapter as Krakauer uses words to create an atmosphere of worry, fear, and happiness in McCandless’s mind. “The bush is an unforgiving place, however, that cares nothing for hope or longing”(4). McCandless is on the path of death, which creates worry and fear for the young boy. “He was determined. Real gung ho. The word that comes to mind is excited,” (6). Alex is very excited and care free, which Krakauer used to his advantage in making the tone of Alex’s mind happy. The author creates tones to make the reader feel the moment as if the readers were sitting there themselves. Krakauer uses dialogue and setting to create the mixed tones of this chapter. As one can see from the quotes and scenery the author uses tones that are blunt and are to the point to make the reader feel as though the emotions are their own. Krakauer uses plenty of figurative language in this chapter. He uses figurative language to support his ideas,to express the surroundings, and tone around the character. To start the chapter he uses a simile describing the landscape of the area, “…sprawls across the flats like a rumpled blanket on an unmade bed,” (9). This statement is used to make reader sense the area and set the mood for the chapter. The use of figurative language in this chapter is to make a visual representation in the readers mind. “It’s satellites surrender to the low Kantishna plain” (9).
First if all, one ironic example in the story is the fact that firemen are starting fires when they burn books, when firemen are supposed it put fires out. On page 8, Bradbury writes as Clarisse argues softly with Montag,
Paradowski, Robert J. “Ray Bradbury.” Critical Survey Of Long Fiction, Fourth Edition (2010): 1-9. Literary Reference Center. Web. 7 Feb. 2014.
In both stories, however, edify human over dependency on technology lead to dismiss basic living skills, oust humanity, and eventually lead to mankind devastate. Bradbury and Forster both accentuate the absurd life, colourless generation, and mindlessness world we may end up when technology is dominant over humanity, when machine is controlling our lives. Bradbury writes, “…even as the sun rose to shine upon the heaped rubble and steam (Bradbury 4)”, after the fire accidence destroys the house, the sun still rises. The rising sun is an allusion to rebirth, and a new start, which implies chances for human. Similarly, Forster writes, “Humanity has learnt its lesson. (Forster 26)” Through both stories, Bradbury and Forster guide people to revaluate the meaning of human values, and humanity in our lives, reconsider the depth of technology should plant in our living, and remember the meaning of truly
Paradowski, Robert J. “Ray Bradbury.” Critical Survey Of Long Fiction, Fourth Edition (2010): 1-9. Literary Reference Center. Web. 30 Jan. 2014.
The valley is described as a “desolate” place where “ashes grow like wheat into ridges and hills into grotesque gardens”. (21) Ashes that dominate the area take the shape of natural greenery. The term “grotesque gardens” uses alliteration, with juxtaposition; to highlight the odd pairing of ashes and greenery. Ashes are associated with death while ridges and “gardens” represent the potential to flourish and grow in the promise and ideal of equality as in “the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams.” (143) The trees that once stood here were able to speak to man’s dreams, which allude to America, the land able to speak to man’s dreams and capacity for wonder. All this is replaced by grey ash that suffocates the inhabitants, restricting them to their social class. This presents a bleak image of hopelessness that surrounds the valley.
A clear and important theme developed in the story by Ray Bradbury through the use of personification is fear. In the sentence, ?The fear was never gone? it lay with Mr and Mrs Bittering, a third unbidden partner at every midnight talk?. The author creates fear among the humans by using personification to show the unbidden partner as a person, but we recognise what it really is. Ray Bradbury is trying to show that the unbidden partner is fear becoming real.. There was once a time were fear was overwhelming and real to me when on the year 8 camp I participated in, we went to make rafts at the beach. When we went to test them in the water, we went out to the rocks, and then a man came to pick us up from the ocean because our rafts had fallen apart. He told us all to grab onto a piece of rope of a part of the raf...
The mood that occurred most in the book is vexing because the way people acted would make you vexed. For example when the jury had said tom robinson was guilty everyone knew he was innocent but he was still guilty so that would make you feel vexed. “A jury never looks at a defendant it has convicted, and when this jury came in, not one of them looked at Tom Robinson.”(Lee 282) That is one of many examples in the book where things make you extremely mad and it is usually racism that makes you vexed because it happens all throughout ...
The reader gets a vivid image of a huge industrial city built in “valleys huge of Tartarus”(4). This reference to Tartarus is saying that the city is virtually in a hell-like area. The image of hell is further exemplified by the line “A flaming terrible and bright”(12), which conjures up thoughts of fire and heat. The reference to hell and flames adds to the theme because it brings to light the idea of destruction and nature burning away. Similar to what happens when there is a forest fire. The fire is not just coming out of nowhere though, it is coming “from out a thousand furnace doors”(16), which furthers the idea of industrialization. There are no longer humans in this city which is evident because when talking about the beings in the city Lampman wrote “They are not flesh, they are not bone,/ They see not with the human eye”(33-34). This part of the poem is important because if there are no more humans left it is easy to assume that the only driving force of these “Flit figures that with clanking hands”(31) is work. They work to make the city bigger and to build more than they already
He states, “Waves of anger and fear circulate over the bright and darkened lands of the earth” (6-8). Auden’s use of oxymoron and personification serve as a guide here as he begins to allude to the current conflicts that are beginning. More importantly H.W Auden is also attempting to get the reader’s attention, by stating that people are oblivious to the horrific events that are unfolding. He is disillusioned because humanity as a whole, had become so consumed by their personal affairs, that they became oblivious to the great evils that where unfolding. He elaborates “Obsessing our private lives” and “the unmentionable odor of death offends the September night” (9-11). Again Auden’s use of imagery and personification both allow the reader to visualize the problems that surround the globe and additionally support his enragement with
The language used in the first two paragraphs outlines the area to which the book is set, this depicts that it is almost perfect and an. an idyllic place to be. The mood is tranquil and takes the reader to a place “where all life seems to live in harmony”. In the first two paragraphs. Carson uses language of melodrama to inspire the reader’s.