“Take action! When we do not take action, our potentiality becomes the soil that houses the seeds of our regret”(Maraboli). In order to accomplish one’s goals, Maraboli emphasizes the importance of taking initiative. Without the actions to follow up, dreams and ambition turn into wasted potential. From Shakespeare’s Hamlet, the protagonist, Hamlet, has a purpose to avenge his father’s death. Throughout the play, Hamlet speaks several times regarding the significance of his duty, however struggles to back up his words with action when the time comes. Because Hamlet does not utilize his opportunities, he becomes increasingly desperate and brash in his actions. As the play goes on, Hamlet’s attempts begin to have an impact on others, causing a …show more content…
After the tragic death of Polonius, Laertes vows to be “revenged/Most thoroughly for my [his] father”(4.5.109-110). Hamlet does the same, however, lacks the motivation that Laertes possesses. Hamlet claims that he retains the passion to “ drown the stage with tears”, but cannot back this up with action. After Ophelia’s death Laertes says that “When these [tears] are gone,/The woman will be out”(4.7.185-186). In comparison with Hamlet, Laertes shows far less compassion and grievance for death, however he takes action to avenge his sister and father. The main difference between Hamlet and Laertes is that Hamlet’s passion is displayed with his words, while Laertes’s passion is proven by his actions, allowing Laertes to be more successful. The significance of this distinction is that actions speak louder than words, especially when it comes to whether or not one will be successful. Similarly to Fortinbras, Laertes leads “...a riotous head,/O 'erbears {Overbearing] your [Claudius 's] officers”(4.5.75-76), however his opportunity is diminished as he becomes sidetracked. Like Hamlet, Laertes begins with a wave of passion, however ends up “turning away and losing the name of action”(Miller). Laertes fails because he loses his determination and neglects to fulfill his duty in taking vengeance. From this foil, it is important to see that in order to be truly successful one must keep focus of their goals and not waste
A major difference between Laertes and Hamlet is that Laertes didn't procrastinate in his attempt at revenge. He went right to it with the encouragement of Claudius. His hastiness is what gets him killed in the end. Because Laertes doesn't think long about getting his revenge gives the reader reason to compare Laertes to and think about Hamlets' struggle to decide weather [H-50] revenge is the right thing to do. [SS -1] He contemplates through the whole play on weather [H-50] to kill Claudius or not, leaving the reader with the sense that Hamlet is very careful when making decisions. [Doesn't this point deserve more discussion?
One of the foils important to the play is Laertes. Although Laertes does not appear often in the play, he brings much to the plot and to Hamlet's character. These two are similar in many ways. They both seem to be about the same age, are well educated, and gentleman. One main thing that they have in common is they both are seeking revenge for their father's deaths. Both of their fathers were unnecessarily killed. Hamlet's father was killed by his father's brother for the crown and his wife, and Hamlet killed Laertes' father over mistaken identity. It was the revenge of these two that made up the plot of the story. Because of Laertes, the two could finally fulfill their revenge in the battle at the end that killed both Hamlet and the new king. If Laertes had not challenged Hamlet, the king would have died by some other way; however, the king died by poisoning just as he had killed his brother.
Throughout the play, Laertes is as an extremely caring member of his family. His strong emotions for family have an opposing side to it, a shadow that has repressed feelings of anger which cause him to add to the disaster in Denmark. An example that depicts this is when Laertes attempts to request more rites for Ophelia’s funeral. After he is denied, he starts a commotion by calling the priest “churlish”, explaining that Ophelia will be “A ministering angel” while the priest will “liest howling”(5.1.217-218). His compliments to Ophelia shows how much he loved her, while his nasty insults to the priest show his repressed rage. While this is occuring, Hamlet hears Laertes’s mention of Ophelia during the commotion and throws himself into a brawl with Laertes. It is the conflict built up from there that causes Claudius to target Laertes as his next weapon to kill Hamlet with. Laertes’s deep anger for Hamlet makes himself the best candidate for Claudius’s manipulation. Once Laertes’s sides with Claudius, he shows his dark intent by requesting Claudius to not “o'errule me to a peace”(4.7.58). On the day of the duel, Laertes undergoes a confrontation of his shadow while he clashes with Hamlet. His realization of his shadow comes too late into the duel when both Hamlet and Laertes are struck by poison, as this happens he declares that he is “ justly killed with mine own treachery (5.2.337).” In the moments that he is still alive, he dismisses his shadow and ends the circle of murder by announcing the true nature of Claudius. Laertes’s repressed anger guides the play into the duel where many deaths occur including Hamlet’s.
...e story. Indeed, if Hamlet acts quickly, there would be only one act of Hamlet. Laertes, upon hearing of his father’s demise wants swift and fervent justice. Although he is the more impassioned of the two, it is this incisiveness that leads to Laertes’ demise. He allows himself to be manipulated, enamored by the king’s rhetoric. Laertes, suddenly realizing the plot at hand, repents for his killing of Hamlet, true to his character even in the face of death. Hamlet seeks to blame his "madness" for the death of Polonius, and never admits fault for the fate of his schoolmates.
Hamlet's response to grief is a trait starkly contrasted by Laertes. Laertes response to the death of his father is immediate. He is publicly angry, and he leads the public riot occuring outside Castle Elsinore, which Polonius' death and quick burial served as a catalyst. He is suspicious, as is evident in his speech to Claudius. "How came he dead? I'll not be juggled with. / To hell, allegiance!"(Act 4, 5:130). Hamlet, however is very private with his grief. His mourning for King Hamlet is long and drawn out, two months after his father's death, he is still observed to be wearing "...suits of solemn black."[(Act1, 2:78) Claudius and Gertrude comment on his unhappiness, however it is not until Hamlet's first soliloquy that the audience is made aware of the depth of his suffering. Although dismayed at his mother's quick remarriage to his uncle, Hamlet suspects nothing of his father's murder until the ghost discloses this to him.
Hamlet questions what may or may not happen however Laertes just wants the revenge fast and effective. Although these characters have different standards when it comes to revenge, they both immediately blamed and directed their anger towards Claudius when they found out their father’s were dead. Hamlet’s reason to blame Claudius is simply because he is his father’s murderer. In 1.5 while Hamlet is talking to the ghost of his father he says, “Haste me to know ’t, that I, with wings as swift/As meditation or the thoughts of love/May sweep to my revenge” (Shakespeare 1.5.31-33). At first is seems as if Hamlet would seek revenge right away because he seems eager to find out who the killer is and when he does find out he says he knew it was Claudius all along. He is furious and after this part in the play, Hamlet’s anger is mainly focused on Claudius. On the other hand when Laertes found out Polonius is dead he went straight to Claudius assuming it was him. By doing this he shows that he is controlled by his impulses unlike Hamlet who waited until he got proof to act on his fury. Laertes also blamed Claudius for not giving his father a proper burial, which can relate to Hamlet’s anger too because Hamlet felt as if there was not enough mourning for his father death. Not only did they both lose their fathers, but they both lost Ophelia, a female figure in their lives that they both loved.
Laertes, on the other hand, was quite the opposite. He was all action and no talk. A very headstrong character, he was rash and let his emotions make his decisions for him. an example of this is when he finds out about his father's death, he immediately assumes it was Claudius and enters the castle by force, fully intending on killing him. This is what Hamlet needs to be like, but only in moderation. Sometimes, when the time calls for it, you must act on instinct, without having to think it through for a couple of days. Hamlet didn't want to be brash and end up getting killed like Laertes did, but then again, Laertes did avenge his father's death a lot faster than Hamlet did. And in spite of all the thinking and planning, Hamlet still ended up the same way that Laertes did.
[4, 1, 40] These idiosyncrasies are observed in the play when Claudius becomes concerned he will lose power as King and the likelihood Hamlet will murder him to avenge his father’s death. This is apparent when Gertrude informs Claudius that Hamlet is, “Mad as the sea and wind, when both contend which is mightier”. [4,1,6] With these thoughts daunting Claudius, he approaches Laertes in a Machiavellian manner to convince him to murder Hamlet, for he knows Laertes is angry, deranged and “Vows to the blackest devil” [4,5,131] after the death of his father. In doing so, Claudius has the intent to use Machiavellian powers over Laertes who is currently mentally unstable, with the objective being that Laertes will murder Hamlet to avenge his own father’s (Polonius) death. Claudius is able to successfully persuade Laertes in a manipulative speech, especially with his snide comment, “Not that I think you did not love your father, but that I know love is begun by time, and that I see a passage of proof.” [4,7,96] Claudius’ malicious comment indicates he is using his power over Laertes, so that the burden and repercussions do not rest on him, so that he may retain his authority as King. By utilizing his power over Laertes, Claudius is successful, as Hamlet is slain, however, as reflected in Claudius’
To understand Laertes’s erratic behavior, we must first establish his proper motive. The play Hamlet takes place in Denmark around the medieval times. Laertes’s desire to avenge his father’s death is an honorable trait in his society. In the play, the fathers put on a role as the giver of values. Laertes’s father, Polonius, gives Laertes certain values on living life: “Give every man thine ear, but few thy voice;/ Take each man’s censure, but reserve thy judgment”(1.3.72). Polonius instructs Laertes how to behave properly in life. Laertes needs his father’s opinions to make decisions in life. Laertes asks permission from Claudius to go to France only after Polonius has given his consent to go. Laertes did not ask to leave until his father agreed. Laertes values his father’s opinion so much that he does not wish to disobey it. Polonius tells the king that Laertes was persistent in seeking his permission: “By laborsome petition, and at last/ Upon his will I sealed my hard consent”(1.2.61). Laertes could have easily left for France on his own, yet he waited until he had his father’s approval. As Laertes embarks for his journey to France, he delights at a second chance to say goodbye: “Occasion smiles upon a second leave”(1.3.58).
Laertes is greatly influenced by revenge for his actions especially when he is seeking revenge for his sister. He shows his brotherly love for Ophelia when he says “For Hamlet, and the trifling of his favor,/Hold it a fashion and a toy in blood,/A violet in the youth of primy nature,/Forward, not permanent, sweet, not
Each man deals with grief in extremely distinct manners, when looking at Laertes in comparison to Hamlet you can swiftly see their great contrast to one another. Hamlet would rather create reason before madness; he is the type to use his brain before his fist. Whereas Laertes is always caught up in his anger that he sees no means to absolve the actions of others.
In William Shakespeare's tragedy Hamlet, Laertes, Fortinbras and Hamlet find themselves in similar situations. While Hamlet waits for the right time to avenge his father's death, Laertes learns of his father's death and immediately wants vengeance, and Fortinbras awaits his chance to recapture land that used to belong to his father. Laertes and Fortinbras go about accomplishing their desires quite differently than Hamlet. While Hamlet acts slowly and carefully, Laertes and Fortinbras seek their revenge with haste. Although Laertes and Fortinbras are minor characters, Shakespeare molds them in order to contrast with Hamlet. Fortinbras and, to a greater extent, Laertes act as foils to Hamlet with respect to their motives for revenge, execution of their plans and behavior while carrying out their plans.
He has the ability to perform tasks that may be unpleasant or dangerous. Laertes does not simply try to kill someone by thinking cautiously the whole time, but by directly confronting them and facing them head-on. When Laertes returns home to Denmark he even confronts Claudius about the death of his father. Swearing Laertes says “I dare damnation. To this point I stand,/That both the worlds I give to negligence,/Let come what comes, only I’ll be reveng’d/Most throughly for my father.” (IV. v. 133-136). With this declaration Laertes plots with Claudius to kill Hamlet and they construct a plan to have Laertes fence with Hamlet and for him to kill him. They instrument a plot of revenge for the death of Polonius, quickly coming up with three ways to kill Hamlet: stabbing him with an unblunted sword, placing poison on the sword, and poisoning Hamlet’s drink (IV. vii.). After they construct this plan they swiftly utilize the plan. Laertes did not wait for the perfect moment, at the perfect time, and at the perfect place. He created the place, time, and moment to carry out the dangerous task. Hamlet, however, waited and waited for what he thought one day would be the perfect moment in which he could kill his uncle. Even when Hamlet had an opportunity to kill Claudius, he talked himself out of it. When compared to Laertes, Hamlet is a coward because of his inability to
The theme of choice and right action is one that deals with the weighty moral decisions that characters must make as they strive to be the characters they want to be. The theme of Choice and Right Action is one of the major themes addressed in Shakespeare’s Hamlet. After learning the identity of his father’s murderer, Hamlet is faced with a decision whether or not to pursue revenge. What makes Hamlet’s story so compelling is the ambiguity revolving around what constitutes the right action. While most tales tend to heavily emphasize the content of the moral decision, Shakespeare places his emphasis on the form, or the “how” the decision is enacted. Hamlet decides that the right thing to do is to seek revenge. This decision is obviously debatable, but the general conversation about Hamlet comes in his inability to get
Straight off the bat it is clear how efficient Laertes is compared to Hamlet. Hamlet wastes a large amount of time scheming up complex ideas on how to get a confession out of Claudius and how to kill him. Laertes, on the other hand, wastes no time in getting a straight and to the point plan that he can execute immediately. After spending more than half the play watching Hamlet squirm around on the stage, getting almost nothing accomplished, the audience would be acutely aware of the stark difference between Hamlet and Laertes, even though they share the same motivations. Laertes has his speed but he shares in Hamlets lack of critical thinking when he gets hot headed.