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Literary analysis of a doll's house
Literary analysis of a doll's house
Literary analysis of a doll's house
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Marriage is an important theme in the plays, ‘A Doll’s House’ written by Henrik Ibsen, and ‘The House of Bernarda Alba’ written by Federico Garcia Lorca. Though the concept of marriage is two people living together through love and companionship, it revolves around the duties and principals put up by the society. Both of these books share anachronistic views of marriage where marriage is not an emotional attachment between two entities but a social engagement between two entities of similar wealth and power.
In the play “A Doll’s House”, marriage is merely a social formality. Torvald and Nora, husband and wife, share merely a few intimate moments throughout the entire novel and their relationship is devoid of any affection at all. The setting of the play “A Doll’s House” is 19th century Norway and the norms and beliefs of this era play a huge role in defining the role of Torvald as a husband, and Nora as a wife. The husband in this era is supposed to be the sole guardian of the house, responsible for taking care of the families financial requirements and ensuring a high standing for the family in society. Torvald believes that Nora is confined to looking after their children and basically taking care of the physical aspects of their household, and Nora feels so oppressed by her husband that she helps him in a time of dire need without even telling him. This incident occurs in the scene where Torvald falls dangerously sick and is too foolish to spend money on foreign treatment that could save his life, Nora sensing the grave danger goes behind Torvald’s back and collects money to save Torvalds life by committing the crime of forgery.
When Torvald finds out about the crime that Nora commits, he completely disregards the fact tha...
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...e. Frederico was later caught by rebels and executed for his homosexual orientation that the rebels found “nonconforming”.
All in all, from this vivid analysis of the role of marriage in “A Doll’s House” and “The House of Bernarda Alba”, one can see that marriage did not have much value and was completely devoid of emotion. In these two tragedies the idea of marriage is influenced by the cruel society and its orthodox views and beliefs in general that mould a “model” citizen. Ultimately, in both of these works of literature, marriage is a key theme that forms a substantial amount of the plot of the story and marriage is also an element that repressed individuals in the dramas who finally took extreme measures to free themselves from the unrelenting grasp of societies vortex.
Works Cited
Published texts: "Like Water for Chocolate" and "The House of Bernarda Alba"
In Federico García Lorca’s La Casa de Bernarda Alba, a tyrant woman rules over her five daughters and household with absolute authority. She prevents her daughters from having suitors and gives them little to no freedom, especially with regard to their sexualities and desires. They must conform to the traditional social expectations for women through sewing, cleaning, as well as staying pure and chaste. While, as John Corbin states in The Modern Language Review, “It was entirely proper for a respectable woman in [Bernarda’s] position to manage her household strictly and insist that the servants keep it clean, to defend its reputation, ensure the sexual purity of her daughters, and promote advantageous marriages for them,” Bernarda inordinately
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Marriage is an important theme in the stories Their Eyes Were Watching God by Zora Neale Hurston and The Story of an Hour by Kate Chopin. When someone hears the word “marriage”, he thinks of love and protection, but Hurston and Chopin see that differently. According to them, women are trapped in their marriage and they don’t know how to get out of it, so they use language devices to prove their points. Chopin uses personification to show Mrs. Mallard's attitudes towards her husband's death. Louise is mournful in her room alone and she is giving a description of the nature as a scene of her enjoying “the new spring life” and “the delicious breath of rain was in the air” (Chopin1).
In “A Dollhouse,” Nora is stuck in a marriage with a rich man who has no respect for her. Nora’s husband Torvald, does not think his
In A Doll’s House, Henrik Ibsen wrote a play that showed how one woman, Nora Helmer, stood up to her husband after feeling like she was useless to their marriage and their family. Nora’s husband, Torvald Helmer, was the man of the house and would make every decision for the family, especially for Nora. He supported her financially, but not emotionally. He always took it upon himself to do everything a man was supposed to do at the time, but never let Nora explore herself. He made sure she was kept as just a wife and nothing more. As it was mentioned in the play, Nora was arranged into the marriage by her father. While going through eight years of marriage, she finally felt it was time to find herself as an independent woman in...
Marriage, often thought of as a sacred union of the utmost importance, is portrayed in both A Hero of Our Time by Mikhail Lermontov, and The House of the Spirits by Isabel Allende, as a minor issue rather than a key part of the lives of the main characters. Marriage is unimportant to both main characters Pechorin and Clara. Lermontov uses Pechorin?s refusal of commitment, while being an object of desire and passion, to illustrate that men should keep their independence from women to protect their power. On the other hand, Allende uses Clara?s priorities of spirituality and children above her husband and marriage to suggest that women?s power does not depend on men.
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Margaret Atwood is a Canadian novelist and poet whose writing usually treats contemporary issues, such as feminism, sexual politics, and the intrusive nature of mass society. While she is best known for her works as a novelist, her poetry is also noteworthy. One of her notable poems, “Habitation,” discusses the seriousness of marriage. The speaker basically gives a message that the marriage is not a game or a play; rather, it is a serious, unstable condition that calls for a lot of effort and attention to maintain harmony. In “Habitation,” Atwood uses simple, basic images such as the forest, desert, unpainted stairs, and fire to give a realistic view of marriage. In addition, these images give the poem optimism about unstable conditions of the marriage that can be improved to a happy marriage as a result of effort and attention between couple.
Beauvoir’s thesis in The Married Woman revolves around women characterization and inferior nature oppressed by men in a marriage opening her piece comparing housework to “the torture of Sisyphus” (380). Using imagery and descriptive language, Beauvoir describes the expected duties of a women forced up by her husband as she is in “war against dust, stains, mud, and dirt she is fighting sin, wresting with Satan” (381). Beauvoir believes that the sanctity of marriage lies only in the males supremacy of women, as women are “temped—and the more so the greater pains she takes—to regard her work as an end in itself” (382). This comparison depicts marriage as a waste of life, rather than devoting “time and effort in such striving for originality and unique perfection” (382); the woman succumbs to marriage and housework. Beauvoir truly believed her ideology of marriage and lived her life accordingly to her death in 1986. Simone de Beauvoir’s account of marriage as scrupulous, demeaning, and “sadomasochistic” (381), repres...
In both plays “A Doll’s House” and “The House of Bernarda Alba”, domination and love have been key elements in the development of the plays. Characters that are by nature dominating over their family portray love in many different ways. Love is not as easy to interpret from these characters as compared with the straightforward Aunt Polly in “The Adventures of Tom Sawyer”. Love is defined in the characters of Torvald and Bernarda in the form of domination. Torvald is a lot more subtle about his feelings and more open for interpretation, while Bernarda is more complex and closed in the form of expressing love.
“There is no perfect relationship. The idea that there is gets us into so much trouble.”-Maggie Reyes. Kate Chopin reacts to this certain idea that relationships in a marriage during the late 1800’s were a prison for women. Through the main protagonist of her story, Mrs. Mallard, the audience clearly exemplifies with what feelings she had during the process of her husbands assumed death. Chopin demonstrates in “The Story of an Hour” the oppression that women faced in marriage through the understandings of: forbidden joy of independence, the inherent burdens of marriage between men and women and how these two points help the audience to further understand the norms of this time.
In "A Doll's House", Ibsen portrays the bleak picture of a role held by women of all economic classes that is sacrificial. The female characters in the play back-up Nora's assertion that even though men are unable to sacrifice their integrity, "hundreds of thousands of woman have." Mrs. Linde found it necessary to abandon Krogstad, her true but poor love, and marry a richer man in order to support her mother and two brothers. The nanny has to abandon her children to support herself by working for Nora. Though Nora is economically advantaged, in comparison to the other female characters, she leads a hard life because society dictates that Torvald be the marriages dominant member. Torvald condescends Nora and inadvertently forces Nora to hide the loan from him. Nora knows that Torvald could never accept the idea that his wife, or any other woman, could aid in saving his life.
Marriage is defined as the legally recognized union of two people as partners. Although partners, husband and wife are not always treated equal under marriage. The roles between husband and wife has been questioned in literature since ancient times. Texts such as “Medea” by Euripides and “A Doll’s House” by Henrik Ibsen focus on the idea that unequally in marriage leads to tragedy. This idea is supported through protagonists, Medea and Nora, and their experiences in marriage including sacrifice, betrayal, and moving on.
During the Victorian era, playwright Henrik Ibsen created the problem play, A Doll’s House, to reflect the patriarchal system of marriage expected in the upper middle class of his society. The play revolves around the married couple of Nora and Torvald, who’s marriage begins within the patriarchal social standards. The rising action in the play progresses when Nora’s actions challenge the social patriarchal system. However, the character of Torvald maintains his patriarchal social standards throughout the play. Torvald represents three redeeming qualities expected in a man during the Victorian era and to some degree is imprinted in our culture today; duty, respectability, and success.