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Plato,s ideas in literature
Plato,s ideas in literature
Role of literature in the development of children
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Many years ago in ancient Greece, Plato initiated a debate about the usefulness of literature by declaring that poetry had no place in the ideal society, mainly because it was full of lies and because it evoked undesirable emotions. His pupil Aristotle, however, took the opposing side of this dispute and argued that literature was, in fact, useful. Aristotle agreed with Plato that literature induces undesirable emotions, but he stated that it only does so in an attempt to purge us of these harmful sentiments, a process which he termed “catharsis”. The events in Homer’s Iliad, while used by both Plato and Aristotle to defend their theories about literature, lend themselves to the defense of Aristotle’s ideas more so than Plato’s. Specifically, the juxtaposition of Achilleus’s intense lamentation with the portrayal of Hephaistos’s shield, the description of Hektor’s increasing pride, and the account of Patroklos’s impulsive nature in battle all perfectly exemplify Aristotle’s idea of catharsis and demonstrate the true worth of literature. In book 18 of the Iliad, Homer masterfully juxtaposes the very specific, emotional, and individualized scene of Achilleus’s grief with the creation of the all-encompassing image which Hehpaistos forges on his shield. Towards the beginning of the book, when Achilleus learns of Patroklos’s death from Nestor’s son Antiolchos, Homer depicts an intense scene of sorrow as he writes, “The black cloud of sorrow closed on Achilleus. In both hands he caught up the grimy dust, and poured it over his head and face, and fouled his handsome countenance. And he himself, mightily in his might, in the dust lay at length, and took and tore at his hair with his hands, and defiled it” (Iliad book 18 lines 2... ... middle of paper ... ...r’s Iliad to defend his ideas about the eradication of literature, the Iliad contains countless powerful and cathartic passages which essentially invalidate Plato’s theories on poetry. After a study of the Iliad, the reader has trained his emotions. He has felt pity for the characters and fears that if he acts in the same manner and lets the same emotions which proved to be the bane of the characters’ existence in the work overwhelm him, then the same fate awaits him. Thus, by reading the Iliad, or any other good work of literature for that matter, we train our rational nature to overpower our sentimental nature. In this sense, literature is the highest form of study one can undertake, since we are constantly flooded by a sea of emotions. The most effective way to ensure we act rationally in response to these emotions is to read as much literature as possible.
Schein, Seth L. The Mortal Heroes: An Introduction to Homer's Iliad. Berkley: U. of California P, 1984.
The price that heroes pay for the glory they obtain is something readily forgotten if one does not read The Iliad in the context of the times. In the time of the Iliad, glory and honor was even more important than it was now. One can get easily get lost in the descriptive nature of the epic poem, which gives reason to a belief that the Iliad is simply a glorification of combat, however, this is not the case. The Iliad is based on much deeper principles than combat, it glorifies the search for honor and the sacrifices that great men will take to achieve this honor. If Achilleus had not rejoined his comrades, taking pity on them, he would never be remembered even if he still had great prowess in battle, because he did not use it to help help his friends.
Schein, Seth L. The Mortal Hero: An Introduction to Homer's Iliad. Berkeley: University of California Press, 1984.
In book eight of Homer’s The Odyssey, Odysseus is on the island of the Phaeacians and is waiting to return home to Ithaca. Meanwhile, Alcinous, the Phaeacian king, has arranged for a feast and celebration of games in honor of Odysseus, who has not yet revealed his true identity. During the feast, a blind bard named Demodocus sings about the quarrel between Odysseus and Achilles at Troy. The song causes Odysseus to start weeping, so Alcinous ends the feast and orders the games to begin. During dinner after the games, Odysseus asks Demodocus to sing about the Trojan horse and the sack of Troy. This song too causes Odysseus to break down and cry. Homer uses a dramatic simile to describe the pain and sorrow that Odysseus feels as he recalls the story of Troy.
In Homer’s prominent epic, The Odyssey, A male protagonist gifted with immense physical strength and power named Odyssey is traveling back home to Ithaca. Over the course of his 10 year journey across vast and treacherous waters, his physical attributes are not enough to help him reach home. He faces many obstacles that he must overcome. The most important obstacle is temptation. His journey home is full of temptation and will challenge his physical and mental capabilities that he must learn to control, and overcome, so that he can find his way back home.
Hektor is one of the most sympathetic characters in Homer’s famous epic, The Iliad. He stands apart from the other selfish heroes with his strong sense of duty, which motivates all of his actions. Though he is the main adversary of the story’s Achaian heroes, he is favorably established and likable. For this reason, the reader cannot help but be saddened by his death and look upon his character with admiration.
Schein, Seth L. The Mortal Hero: An Introduction to Homer's Iliad. Berkeley: University of California Press, 1984.
Two of the most influential books of ancient Roman and Grecian culture are the Odyssey and the Aeneid. The Odyssey is centered on the Greek hero Odysseus. It portrays Odysseus’ journey back home and the endeavors he has to go through. The Aeneid depicts the Roman hero Aeneas as he is sent on a journey to start the great Roman Empire. The books both have many similarities between them especially due to the fact that Virgil, the author of the Aeneid, was heavily influenced by Homer’s Odyssey. But like with any good story they are both unique in their own way. One of the major differences is in the setting. Some of the differences are in the choices that they make while some of the differences are even in the characters themselves. But the parts of the stories that have influenced much of modern day literature are the instances where the protagonists have to make a visit to the underworld. Virgil and Homer wanted to emphasize the underworld so much that they each dedicated an entire chapter in their epics to the underworld. But each underworld is blatantly different thus giving each hero a distinctly different journey to the underworld. Three of the main differences in their underworld journeys are their purpose for being there, visuals in the underworld, and the underworld itself.
After the loss of Enkidu, Gilgamesh goes into a state of mourning as evidenced by the removal of his clothing and the act of putting on a loincloth. The symbolism of the removal of clothing and putting on a loincloth is that Gilgamesh is becoming one with nature thus completing the emotional side Enkudu filled. Afterwards, he roams the plains to live a simple life in honor of Enkidu. In the Iliad, Achilles mourning of Patroclus turns into rage after seeing the body of his dead comrade: “When Achilles learns of the death of Patroclus, he bursts into tears, tearing his hair and throwing himself on the ground. His sorrowful lament is heard by his mother, Thetis, and she comes to comfort him.” (Homer 179). The showing of tears shows the intensity of the mourning that Achilles had. Also the changing of emotions quickly shows he is quick to change feelings. This quick emotional change shows that he is very spontaneous. This quote shows the length that Achilles would go for Patroclus as he had great love for his comrade in
Cambridge: Cambridge University Press. Schein, Seth L. The Mortal Hero: An Introduction to Homer's Iliad. Berkeley: University of California Press, 1984. Segal, Charles.
The 'Iliad'; by Homer is a book that deals with many emotional issues. I am going to talk about a few emotional parts of the Iliad and compare them to the emotional life of today. I have chosen a section of the book and will talk about the emotions that come up there. The section that I have chosen to talk about is in book 18 when Achilles is very angry and very sad about Patroclus death. After that he wants revenge by killing hector.
The Iliad focuses its narrative on the glories of heroes in the Trojan War, particular Achilles and Hector. Although both are heroes for their side, they have complex personalities that explain their actions. Indeed, as one reads through the poem, it seems that they have nothing in common. They do not share motives for fighting, similar views concerning the immortals, or perspective concerning relationships of those around them, yet they are united by characteristics that constitute a hero as we understand one. Despite their differences, Achilles and Hector both place value on bravery, fight on behalf of others, and see the humanity in those they are fighting with and against.
Homer's Iliad is commonly understood as an epic about the Trojan War, but its meaning goes deeper than that. The Iliad is not only a story of the evolution of Achilleus' persona, but at times it is an anti-war epic as well. The final book proposes many questions to the reader. Why not end with the killing of Hektor? Most stories of war conclude with the triumphant victory of good over evil, but in the Iliad, the final thoughts are inclined to the mourning of the defeated Hektor, which accentuates the fact that good has not triumphed over evil, but simply Achilleus triumphed over Hektor. Ending with the mourning of Hektor also brings to center stage for the first time the human side of war and the harsh aftermath of it. We see that war not only brings great glory, but also much suffering and anguish. Homer puts his anti-war views on display.
Homer’s The Iliad: Book XX features a battle between the Trojans and Achaians, shortly after Patroklus’ death (Lattimore Book XVI), where the gods must intervene in order to restrain Achilleus’ destructive nature that becomes amplified due to the grief and wrath as a result of the loss of his cousin/lover. The divine foresaw an early fall of Troy caused by the intensified destructive nature of Achilleus, therefore they interfered in the battle to protect a bigger ideal of fate, a fate of a nation, by manipulating smaller ideals of fate, the fates of people’s lives(Lattimore 405). At the beginning of the battle, after the gods descended from Olympus, they decide to sit and just watch how their mortal teams will fend for themselves until Apollo takes form as Lykoan and coerce Aeneias to challenge Achilleus, thus establishing the first act of divine intervention (Lattimore 406-407). When Achilleus is inches away from killing Aeneias, Poseidon takes sympathy upon him and whisks him off to safety (Lattimore 407-411). The last interference occurs during the confrontation between Hektor and Achilleus, where Achilleus is about to murder him and Apollo saves Hektor (Lattimore 416). Hektor’s rescue in this battle is an important event in the Iliad because Achilleus’ and Hektor’s fates are interrelated, further meaning that if Hektor die...
The Iliad and the Odyssey are two classic stories told by Homer. Within these two stories the roles of the gods are very important to the story line and how they affect the characters throughout. In the Iliad, more gods are involved with the characters whereas in the Odyssey there are only two major gods that affect two major characters. The roles of the gods in the Iliad are through two different stances of immortal versus immortal and mortal versus immortal. The roles of the gods in the Odyssey are through two major gods and they affect the plot as Poseidon versus Odysseus and Athena versus Telemachus.