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Philosophy of frankenstein
Freuds stages of psychosexual development flashcards
Freuds stages of psychosexual development flashcards
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Recommended: Philosophy of frankenstein
Frankenstein: the Modern Prometheus by Mary Shelley and The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson both show Freud’s ideas of Id, Ego and Superego as well as of innate desire. Frankenstein: the Modern Prometheus shows Freud's stages of psychosexual development. Collectively both novels should be considered Freudian through these ideas. Jekyll and Hyde works as a symbolic portrayal of the goodness and evil that resides in equal measure within the soul of a man. It pre-empted Freudian psychoanalysis by twenty-five years and yet is similar to some of his theories. In Frankenstein both the monster and Victor exemplify Freud’s developmental stages.
According to Sigmund Freud's psychoanalytic theory of personality, personality is composed of three elements. The three elements are the Id, Ego, and Superego and they work together to create complex human behaviors. Freud believed that human beings are powerfully influenced by impulses of which they are not aware of. Dr. Jekyll: a law-abiding doctor, who was raised and who lived like a nature and religion lover in its true perspective was the good character. Mr. Hyde was evil unleashed, and in that he goes to slums and does criminal acts and even commits murder without fear of any apprehension Hyde represented Dr. Jekylls subconscious desire to be freed from his society’s restrictions. These desires come from within man and they represent the Id in Freud’s theory. Mr. Hyde is the outlet for Dr. Jekyll to express his primal desires. Dr. Jekyll learns to give into his inner desires when he is transformed into Hyde. The rational, controlled, civilized part of Jekyll attempts to repress the Id, and make Hyde controllable. Jekyll even states
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...ies and have the same defects. This being you must create.'" (Shelley 129). Here he begs Victor to make him a female companion. Victor after realizing some of the possibilities of creating another monster stops his work. The child meets the conflict between the parent's demands and the child's desires and physical capabilities in one of two ways: Either he puts up a fight or he simply refuses to go. In this case the monster will put up a fight and Victor will suffer.
Frankenstein: the Modern Prometheus by Mary Shelley and The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson both show Freud’s ideas of Id, Ego and Superego as well as of innate desire. Frankenstein: the Modern Prometheus also shows Freud's stages of psychosexual development. Both stories exemplify and support many of Freud’s ideas and therefore should be considered Freudian.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Frankenstein or the Modern Prometheus by Mary Shelley is a classic novel. Frankenstein is about a man named Victor Frankenstein who set out on a quest after his mother died. His quest was to reanimate a body to learn how to maybe bring back his mother. After years of work and isolation Victor succeeded, but was horrified by his creation. After rejecting his creation the monster swore vengeance. For the rest of the novel the monster haunts Victor, by killing his loved ones and in some cases trying to force Victor into creating another monster. Victor Frankenstein; A young Swiss boy, he grows up in Geneva reading the works of the ancient and outdated alchemists, a background that serves him ill when he attends university at Ingolstadt. There
Jekyll is respectable man with a very good career. He is a doctor that is highly regarded in his community for what he does as far as charity and his manners. As young man growing up, he was secretly involved in weird behaviors that made him a bit questionable. Dr. Jekyll finds his other side to be quite bothersome and he decides to experiment so he could try a separate the good from the evil. He creates potions and other things that really do not help. After so many attempts of trying to restrain his evil side, he brings forth Hyde through his failed experimentation. Therefore, he only accentuates his evil self to come forth. Hyde is an extremely ugly creature that no one could stand the sight of. He is deformed, violent, and very evil. Throughout the story, he fights against Jekyll to take over his life eventually causing Jekyll to murder one of his good friends, Mr.
Jekyll. Hyde commits acts of murder and assault yet can be seen as Dr. Jekyll’s id or deep desires. By trying to separate good and bad . Dr. Jekyll passed scientific and social borders to isolate his personality. In doing so, he lost control of who he wanted to be. As a last resort he created a poisonous potion that Hyde drank and died through act of suicide. Dr. Jekyll although not working with anyone took matters in his own hands which makes him seem like an outlaw hero. He did not turn himself into the police when he had control. However, Dr. Jekyll seems to have qualities of a official hero in his maturity in handling the situation. He knows how evil his alter ego is, so he isolates himself from others as a safety precaution. Jekyll tries to live a normal life, but is unable to. His status as a well distinguished doctor and sociability skills with his
The idea of duality permeates the literary world. Certain contradictory commonplace themes exist throughout great works, creation versus destruction, light versus dark, love versus lust, to name a few, and this trend continues in Frankenstein by Mary Shelley. The pivotal pair in this text however, is monotony versus individuality. The opposing entities of this pairing greatly contrast against each other in Frankenstein, but individuality proves more dominant of the two in this book.
“CliffsNotes Frankenstein” New Jersey: Wiley Publishing, Inc. 2001. “Dictionary.com” 2 March 2005 < http://dictionary.reference.com/search?q= psychoanalysis> Le Guin, Ursula. “The Ones Who Walk Away from Omelas” Masterpieces: The Best Science Fiction of the Twentieth Century. Ed. Orson Scott Card.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
In the novel Frankenstein, the author, Mary Shelley writes about a scientist named Victor Frankenstein who brings to life a human- like creature. Viewing this book through a psychoanalytic lens uncovers the many layers that make up this text and the characters. The psychoanalytic theory deals with a person’s underlying desire, most famously, the oedipal complex. The oedipal complex is the belief that all people possess the desire to partake in affectionate relations with a parent of the opposite sex. In Frankenstein, Shelley uses Victors conscious and subconscious to suggest that Victor possesses the oedipal complex, and that he feels intense guilt for the monster that he has brought to life.
Dr. Jekyll is a symbol of both the good and the bad in mankind, while Mr. Hyde represents pure evil. For instance, when Dr. Jekyll is himself, he is seen as a respectable man who is adored by his colleagues: “he became once more their familiar quest and entertainer; and whilst he had always been known for his charities, he was now no less distinguished for religion” (Stevenson 29). However, when Dr. Jekyll transforms to Mr. Hyde his morals are quickly disregarded. An example of this occurs when Mr. Hyde murders Sir Danvers, shortly after Dr. Jekyll submits to the temptation of changing to Mr. Hyde: “instantly the spirit of hell awoke in me…with a transport of glee, I mauled the unresisting body, tasting delight from every blow” (Stevenson 56). Even though the carnal side of Dr. Jekyll enjoys the incident, this event also illustrates the conscience side of Dr. Jekyll because in the mist of this brutal murder, he begins to feel guilty for committing the crime.
Mary Shelley, with her brilliant tale of mankind's obsession with two opposing forces: creation and science, continues to draw readers with Frankenstein's many meanings and effect on society. Frankenstein has had a major influence across literature and pop culture and was one of the major contributors to a completely new genre of horror. Frankenstein is most famous for being arguably considered the first fully-realized science fiction novel. In Frankenstein, some of the main concepts behind the literary movement of Romanticism can be found. Mary Shelley was a colleague of many Romantic poets such as her husband Percy Shelley, and their friends William Wordsworth and Samuel Coleridge, even though the themes within Frankenstein are darker than their brighter subjects and poems. Still, she was very influenced by Romantics and the Romantic Period, and readers can find many examples of Romanticism in this book. Some people actually argue that Frankenstein “initiates a rethinking of romantic rhetoric”1, or is a more cultured novel than the writings of other Romantics. Shelley questions and interacts with the classic Romantic tropes, causing this rethink of a novel that goes deeper into societal history than it appears. For example, the introduction of Gothic ideas to Frankenstein challenges the typical stereotyped assumptions of Romanticism, giving new meaning and context to the novel. Mary Shelley challenges Romanticism by highlighting certain aspects of the movement while questioning and interacting with the Romantic movement through her writing.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Shelley’s writing was heavily influenced by the artistic movement that emerged in the 19th century in England. One of her most popular novels, Frankenstein, features one of the key aspects of romanticism: the romantic hero. In the excerpt from this novel in Fiero’s The Humanistic Tradition, Dr. Frankenstein is shown to possess the qualities of said hero. The plot of Shelly’s Frankenstein highlights the unmanageable quest of Dr. Frankenstein’s attempt to overcome the decaying effects of death.
Freud developed his theory from interactions with his neurotic patients and his own psychological experiences. He classifies an obsessional neurotic is classified as one who if “aware of impulses in [himself] which appear very strange,” is “led to actions, the performance of which, give him no enjoyment, but which it is quite impossible for [him] to omit” (Freud Abstracts 2). In Frankenstein’s ...
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
The novel Frankenstein; or, The Modern Prometheus by Mary Shelley has become the source of inspiration for many critiques in the recent decades. This novel is traditionally regarded as the classical work of the Age of Enlightenment, that shares all major characteristics of the time. Though, the contemporary literary discourse can be called more identity centered and Frankenstein by Mary Shelley is often analyzed from the feminist and from the biographical point of view.