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Analysis of society in the hunger games
Analysis of society in the hunger games
Analysis of society in the hunger games
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Recommended: Analysis of society in the hunger games
Jeana Brischler
The Hunger Gladiators Suzanne Collins has mentioned frequently that the Hunger Games were influence by Roman Gladiators. In The Hunger Games, each year there are games that are held by the Capital to remind the twelve districts of Panem of the war that happened seventy-four years ago. Two tributes from each district are chosen to fight to the death in the arena to crown one winner which symbolizes the generosity of the Capital. Gladiator games, (Roman gladiators) symbolize the re-enactment of the Campanians’ military success over the Samnites. In the first games, slaves were sent into the arena to fight to the death. The Tributes from the Hunger Games reflect characteristics of Roman gladiators. Suzanne Collins said, “These people are oppressed, their children are being taken off and put in gladiator games”. The people in the Districts of Panem are brutalized, starving, and are on the verge of rebellion. Writing war appropriate stories for kids There are many ways in which the author points towards the gladiator theme. Ways in which the story is an allegory to Rome and Roman gladiators are names, chariots, the Capital, social
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The Capital is a reflection of the wealthy who lived in Rome. Since Rome was successful through slave labor, the rich had nothing to do and so they would get bored. To keep everyone happy, gladiator games and other forms of entertainment were held. In the Capital, parties, food, and public appearances are held at a high standard; as is the same in Rome.The name Panem itself roots from the Latin expression “Panem et Circenses” which means “Bread and Circuses”. This saying was a political strategy used to keep the citizens of Rome happy. http://papernapkinson theedgeofinsanity.blogspot.com/2012/03/hunger-games-historical-roman.html, http://www.capitolium.org/eng/imperatori/circenses.htm,
Suzanne Collins has, through her writings, used great imagery to expose the meaningful side of ‘The Hunger Games’, the side that is not all about what takes place in the arena. The Capitol’s rule over the districts, the reality-show part of the Hunger Games and the Mockingjay pin are all fragments of deeper meanings that create the basis of all that the story is. Suzanne Collins has depicted the country of Panem as a place overruled by a large city, known as the Capitol. The Hunger Games is apparently a means to keep peace and a fair punishment for the rebellion of the districts, where district 13 was obliterated in the mess. However, Collins has spun this interpretation around and unveiled a different perspective – that The Hunger Games is
The Hunger Games are basically the embodiment of society's off sense of entertainment. It combines the oddities that are violence and reality TV. However, what is it that insinuates the tones for this type of movie? Initially, there's a scene that addresses the fact that the society of this movie is conducting the games as though it was a standardized athletic tournament. In the movie, Haymitch Abernathy brings up how there are sponsors who deliver supplies to the “contestants”. Basically, sponsors influence the who will live or die, incidentally affecting the course of the games. During this scene, he claims, “And to get sponsors, you have to make people like you.” This scene mentions the thought on how people living in societies today work
The article also talks about how the hunger games draws the children. Rea, Steven. A. A. Rea. “The Hunger Games: A fantasy film reflecting reality”. Inquirer Movie Critic.
When her and her ally and love interest Peeta reach the center of the Arena in which they are fighting for their lives, they not only run into their biggest rival – another boy named Cato who had been set up throughout as a villain – but also the murderous creations of the those who put them there. It is a gruesome fight that results in Cato’s horrifying death, and the survival of Peeta and Katniss, but only one of them can live. This ultimatum drives Katniss to take a calculated risk: if both of them die, the Capitol has no winner, and the games must always provide a glimmer of hope for effective control, thus if they threaten suicide, they can both get out alive. It works, and they are delivered from the belly of the
Scott’s film, Gladiator, contains an inherent meaning or theme, not connected to any other films or literature. Scott’s film explains everything that the viewer needs, within the movie itself. This allows the viewer to watch and understand the film with no extra or background information. Although background information, helps the viewer understand the circumstances in the film, it is not needed to understand the meaning or theme. Scott’s film, portrays a theme of the greatness of man, and freedom. Forced into slavery, as a gladiator, maximus, must fight for not only his life but his beliefs. Once a great hero, Maximus, must fight and kill, to rise once again, and enact his revenge. Maximus’ character reveals this heroic nature, through his actions, and thoughts. The viewer sees and understands this, without the need of background information. ...
The main source of power in the hunger games is very clear showing that the government in this case the capitol how they use their power to control power. This is because the Capitol holds the most of the country’s money and wealth. The Capitol there is able to control what happens, when it happens and how much it costs. For example in the book Katniss has put her name down for the reaping as everyone else do too. ‘The rules of the Hunger Games are simple. In punishment for the uprising, each 12 districts must provide a boy and a girl, called tributes, to participate.’ This quote from the book shows how the Capitol has made a law that they punish the districts because they were all smothered to bits and district 13 has been fully destroyed by the Capitols army. Although this book shows how Katniss resists the kinds of power against the capitol for example. How she salutes into the air in the games and everybody sees or when Rue dies and Katniss cover her with flowers. These symbolic gestures create attention to the fact that there are actual people out there in the hunger games not just game holograms. These small moments of truth and reality.
The citizens of Rome loved to go to these bloody warfares. In the city of Rome, these events were held in the Colosseum. An arena so large that it could hold 50,000 spectators and host fights between men and animals.
In a not-too-distant, some 74 years, into the future the United States of America has collapsed, weakened by drought, fire, famine, and war, to be replaced by Panem, a country divided into the Capitol and 13 districts. Each year, two young representatives from each district are selected by lottery to participate in The Hunger Games; these children are referred to as tributes (Collins, 2008). The Games are meant to be viewed as entertainment, but every citizen knows their purpose, as brutal intimidation of the subjugated districts. The televised games are broadcasted throughout Panem as the 24 participants are forced to eradicate their competitors, literally, with all citizens required to watch. The main character throughout the series is a 16-year-old girl from District 12 named Katniss Everdeen.
Roman gladiators are often recalled when thinking of the Roman civilization for several reasons, including the extreme brutality of the gladiatorial games that took place. These games took place at funerals and ceremonies, as an offering of blood.
Entertainment can come and be enjoyed in many different forms. Television shows and movies are some of the different forms of entertainment can be in. The lives of famous actors from shows or movies are constantly scrutinized on and off screen. Within the world of The Hunger Games by Suzanne Collins a version of reality entertainment is the televised murder of innocent children. Those who are chosen to be within the Hunger Games become a scrutinized celebrity. Katniss and other tributes that are forced to fight and kill show how human identity can become lost as they become objectified for the people of Panem. The Hunger Games helps represent the harm that reality television can have by using the glorification of death with the objectification
The movie The Hunger Games, originally based on a book by Suzanne Collins, is about a place called Panem, which is ruled by the Capitol and has 12 districts within it. These 12 districts are separated founded on their economic statuses, meaning the higher the district, the more impoverished the residents are. There are 2 tributes that are chosen to participate, forcibly, in The Hunger Games each year. Each competitor is instructed to eliminate one another in order to survive and come out on top. There is only one tribute allowed to come out of the arena alive. Katniss lives in District 12, which is the most impoverished district of them all, and she volunteers as tribute in “the Reaping” when her sister is chosen to participate. She and the other tribute from her district, Peeta, make it into the arena with the hopes that one of them comes out the winner and above all else, alive (Ross, 2012). I will refrain from going any further just in case you have not read the book or have not seen the movie. In terms of soci...
The first theme in the movie that is similar to that of mythology is sacrifice. “The Hunger Games” begins with the reaping, a ceremony where one male and one female child from each District are chosen to participate in the Hunger Games to fight to the death. The children are chosen as a sacrifice to pay for the past wrong doings of their ancestors. The ritual begins and a video plays to the audience stating “This is a reminder of the rebellion, a price the districts have to pay. Freedom has a cost; we swore as a nation that we would never know this treason again. So it was said that one female and one male child from each district will be chosen each year to fight to the death as tribute. This is how we remember our past, this is how we secure our future.” The requirement of a sacrifice to ensure survival and food will be available for the future is similar to the sacrifices of many ancient cultures; specifically that of Egyptian myth. Osiris was killed and his body torn to shreds by his brother, Set. Everywhere that Osiris’ body was spread; abundant crops grew as a supply from the Gods. This also relates to the myth of Persephone, who was kidnapped by Pluto and brought to the underworld. Each year when Persephone returned to earth the world would flower with abundant growth, when Persephone went back to the underworld, all plant life ceased to exist until she returned again. This shows ...
Much like today’s athletes gladiators competed with one another to decide a victor and is a form of entertainment for people spectating. But Gladiators competed much different than professional athletes do today. Gladiators were forced to fight for the entertainment of others and were considered slaves (“ The Roman Gladiator”). Gladiators did not just fight for friendly sport either they had to fight to the death. This made the gladiatorial games so exciting for the people watching. The people loved to watch others fight and the gore that they would see while the gladiators were fighting. It may sound horrible in today’s society but back then it was the most prominent form of entertainment. Different from today’s athletes and entertainers, gladiators were slaves and were told what to do against their will. Much of the gladiators were slaves, criminals, and prisoners of war. Gladiatorial games were mostly held by the Roman Republic and forced there enemy’s to fight for their lives in the...
Gladiator’s were men who became professional fighters specialising in fighting with weapons. Gladiator’s were known to fight in large purpose-built arenas for the public to view throughout the Roman Empire from 105 BCE to 404 CE (official contests).
In fact, gladiatorial combat could be seen as an artistic spectacle. For instance, “the morality of the Roman state was more complex. They avoided pointless cruelty whenever possible,” (Baker 4). Contrary to popular belief, the Romans did not seek to use the games as a means to view brutal bloodshed. Instead it, “quickly came to symbolize Roman military might… it was also a warning to all parts of the Empire not to think of challenging Rome, whose citizens watched bloody slaughter for entertainment” (Baker 39). Thus, other empires were hesitant to challenge Rome after they heard that their citizens watched men fight in large arenas for entertainment. In combination with the mandatory citizen army, gladiatorial combat showcased the significance that Romans placed on military combat. The victors of the games were also compensated across all spectrums, “whoever gave the most impressive contest gained great popularity with the people, and could expect to do particularly well at election time” (Baker 33). Since Roman society revolved heavily around physical strength, it made sense that the victors advanced into political office. With that being said, gladiatorial combat is central to an individual’s fame, fortune, and political